This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

    Her two little daughters decide to do something about it—break their piggy bank! But when there isn’t enough money to buy Ammi a sari, the two girls must work together to find a solution. Will they be able to buy Ammi the gift she so deserves? With a text full of heart, and bright, cheerful artwork, this story brings readers into the home of a weaver’s family in Kaithoon, India, where the creation of saris is an art form. The book includes a glossary of Indian terms and a note about the saris made in this region.

    Every morning, the rain forest calls to Zonia, and every morning she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer?Acclaimed author-illustrator Juana Martinez-Neal explores the wonders of the rain forest with Zonia, an Asháninka girl, in her joyful outdoor adventures. The engaging text emphasizes Zonia’s empowering bond with her home, while the illustrations—created on paper made from banana bark—burst with luxuriant greens and delicate details. Illuminating back matter includes a translation of the story in Asháninka, information on the Asháninka community, as well as resources on the Amazon rain forest and its wildlife.

    and Canada dance, sell beadwork and books, and celebrate friendship and heritage. They are the heroes of their own stories.Featured contributors: Joseph Bruchac, Art Coulson, Christine Day, Eric Gansworth, Dawn Quigley, Carole Lindstrom, Rebecca Roanhorse, David A. Robertson, Andrea L. Rogers, Kim Rogers, Cynthia Leitich Smith, Monique Gray Smith, Traci Sorell, Tim Tingle, Erika T. Wurth, and Brian Young.

    Filled with Nidhi Chanani’s signature vibrant illustrations, What Will My Story Be? is for anyone who finds inspiration in the quiet moments and cherishes the wisdom of the generations that came before them.

    . . we need these elements to live in this world. But does the world need us? And what would happen to the world if humans were gone? This is the premise of a thought-provoking picture book from John Coy. His insightful text explores how nature would reclaim the planet, accompanied by Natalie Capannelli's gorgeous watercolor illustrations. Back matter gives further context and discusses what kids (and all of us) can do to truly help our planet.

    From Uncle she gathers stories of long-ago traditions, about dances and sharing and gratitude. Windy can tell such stories herself–about her dog, Itchy Boy, and the way he dances to request a treat and how he wriggles with joy in response to, well, just about everything. When Uncle and Windy Girl and Itchy Boy attend a powwow, Windy watches the dancers and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Now Uncle's stories inspire other visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers–all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow.

    Grandmother passes down her knowledge of plant life to her young grandchildren.

    She tries to remember who she is and where she came from, despite the efforts of the nuns who are in charge at the school and who tell her that she is not to use her own name but instead use the number they have assigned to her. When she goes home for summer holidays, Irene's parents decide never to send her and her brothers away again. But where will they hide? And what will happen when her parents disobey the law? Based on the life of co-author Jenny Kay Dupuis’ grandmother, I Am Not a Number is a hugely necessary book that brings a terrible part of Canada’s history to light in a way that children can learn from and relate to.

    But on the first day, a boy points at her and shouts: "A crow! A crow! The new girl's hair is black like a crow!" The others whisper and laugh, and Lila's heart grows as heavy as a stone.The next day, Lila covers her hair. But this time, the boy points at her dark skin. When she covers her face, he mocks her dark eyes. Now every day at school, Lila hides under her turtleneck, dark glasses, and hat. And every day when she goes home, she sees a crow who seems to want to tell her something. Lila ignores the bird and even throws rocks at it, but it won't go away. Meanwhile, the great autumn festival is approaching. While the other kids prepare their costumes, Lila is sadder and lonelier than ever. At her lowest point of despair, a magical encounter with the crow opens Lila's eyes to the beauty of being different, and gives her the courage to proudly embrace her true self.

    A kind old man finds the fox and gives it to his granddaughter, Kiko. As she recovers from an injury of her own, Kiko mends the fox lovingly with golden thread.As the seasons pass, Kiko cares for the fox as her own. But after discovering his origins, she sets out, with her grandfather’s help, to bring the fox back to its original home. Once together, Emi and Kiko piece together the fox’s journey and find delight in their newly forged connections.Golden Threads is inspired by the Japanese art form of kintsugi, or golden joinery, where broken pottery is repaired with resin painted gold. Kintsugi values repairing, rather than replacing, believing that the cracks give the broken item its story. This book is also a warm celebration of wabi-sabi, the Japanese idea that there is beauty in things that may be incomplete or imperfect.

    Olemaun is eight and knows a lot of things. But she does not know how to read. Ignoring her father’s warnings, she travels far from her Arctic home to the outsiders’ school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read. Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.

    

    Nokomis walks to raise awareness of our need to protect nibi for future generations and for all life on the planet. She, along with other women, men and youth, has walked around all the Great Lakes from the four salt waters, or oceans, to Lake Superior. The walks are full of challenges, and by her example she challenges us all to take up our responsibility to protect our water, the giver of life, and to protect our planet for all generations.

    So, when Squirrel gets them jobs as pickle packers to earn money for a new bike, things don't go according to plan. It seems that the contrasting skill sets of a fast-as-lightening squirrel and a slow-as-molasses sloth can make for a mess of an outcome, and before long, the friends are shown the pickle factory's door, along with the 677 1/2 jars of pickles they packed incorrectly! Now the pair are bicycle-less, with only pickles to show for themselves. Or so they think --- until the resourceful pair come up with an ingenious plan!This delightful story from Cathy Ballou Mealey is a celebration of friendships of all kinds and a testament to ingenuity and hard work. Packed with funny details that aren't in the text, Kelly Collier's engaging illustrations are full of personality and silly, emotionally expressive humor. Together they create a hilarious picture book that's perfect for a fun and lively read-aloud. At the same time, the positive themes in the book highlight a growth mindset and character education lessons on teamwork, perseverance and initiative.