At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope with the challenges of their increasingly volatile lives--from alcoholism, to sex work, to suicide--Wendy is drawn to the lost pieces of her grandfather's life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

    Peter’s own journey is obstructed by playground bullies, masochistic lovers, Christian ex-gays, and the ever-present shadow of his Chinese father.At birth, Peter had been given the Chinese name Juan Chaun, powerful king. The exalted only son in the middle of three daughters, Peter was the one who would finally embody his immigrant father's ideal of power and masculinity. But Peter has different dreams: he is certain he is a girl.Sensitive, witty, and stunningly assured, Kim Fu’s debut novel lays bare the costs of forsaking one’s own path in deference to one laid out by others. For Today I Am a Boy is a coming-of-age tale like no other, and marks the emergence of an astonishing new literary voice.

    And for Dylan herself. If only her English class had been studying a normal, run-of-the-mill, mundane book like Lord of the Flies instead of Foxfire things wouldn't have gotten so twisted. Then the world wouldn't have gone into such a massive funk. And then Dylan wouldn't have had to face her deepest fear and the way she was letting it run her life.Hello, Groin presents a compelling, realistic and refreshing look at teen sexuality and one girl's struggle to make the difficult choices that face her.

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    His parents did, and so did his sister, but he survived.Now he lives in the hospital. He serves food in the cafeteria, he hangs out with the nurses, and he sleeps in a forgotten supply closet. Drew blends in to near invisibility, hiding from his past, his guilt, and those who are trying to find him.Then one night Rusty is wheeled into the ER, burned on half his body by hateful classmates. His agony calls out to Drew like a beacon, pulling them both together through all their pain and grief. In Rusty, Drew sees hope, happiness, and a future for both of them. A future outside the hospital, and away from their pasts.But Drew knows that life is never that simple. Death roams the hospital, searching for Drew, and now Rusty. Drew lost his family, but he refuses to lose Rusty, too, so he’s determined to make things right. He’s determined to bargain, and to settle his debts once and for all.But Death is not easily placated, and Drew’s life will have to get worse before there is any chance for things to get better.A partly graphic novel.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    Girl likes boy.Girl gets friend to help win boy.Friend ends up with crush on boy...Skylar's got ambitious #goals. And if she wants them to come true, she has to get to work now. (At least she thinks so...) Step one in her epic plan is showing everyone that her latest app is brilliant. To do that, she's going to use it win State at the Scholastic Exposition, the nerdiest academic competition around.First, she'll need a team, and Skylar's not always so good with people. But she'll do whatever it takes to put one together ... even if it means playing Cupid for her teammates Joey and Zane, at Joey's request. When things get off to an awkward start for them, Skylar finds herself stepping in to help Joey. Anything to keep her on the team. Only, Skylar seems to be making everything more complicated. Especially when she realizes she might be falling for Zane, which was not a #goal. Can Skylar figure out her feelings, prove her app's potential to the world, and win State without losing her friends--or is her path to greatness over before it begins?

    With the wounds of his past almost healed, high school is simple, and so is everything else.But that changes when Ryan is paired with Adam for a class project. Adam, the guy with birthmarks like flecks of mud and compost-brown eyes that hide behind dorky glasses. Grudgingly, the two young men work together, and as they do, an unlikely friendship is formed.With the passing college years, their bond deepens and grows. Even Ryan’s sister and dad take a liking to Adam, and the family – always missing a voice – seems to gain another. But just as Ryan is forced to confront what Adam really means to him, his family is dragged toward crisis. And beneath the silent snows and starlit sky of a Minnesota winter, their friendship will be tested more than ever before.

    After his daughter's tragic death, he struggles to continue living. A divorce, years of heavy drinking, and sex with strangers only leave him more alone and isolated.But Ismail's story begins to change after he reluctantly befriends two women: Fatima, a young queer activist kicked out of her parents' home; and Celia, his grieving Portuguese-Canadian neighbour who lives just six metres away. A slow-simmering romance develops between Ismail and Celia. Meanwhile, dangers lead Fatima to his doorstep. Each makes complicated demands of him, ones he is uncertain he can meet.

    It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

    With each letter, the two begin to develop a friendship that eventually grows into love. But with homophobia, bullying, and devastating family secrets, Jonathan and Kurl struggle to overcome their conflicts and hold onto their relationship...and each other.This rare and special novel celebrates love and life with engaging characters and stunning language, making it perfect for fans of Jandy Nelson, Nina LaCour, and David Levithan.

    He has a sensitive heart and wants nothing more than to write poetry. Instead, he is apprenticing for Neville Wighton the Great, an aging magician who has become somewhat crazed over the years in his pursuit of fame. With Thomas’ help, Wighton is about to premiere the greatest illusion seen by man, for Thomas possesses something no other illusionist has: real magic. Many in the theatrical world are desperate to learn Wighton’s big secret. One such magician is Paolo il Magnifico. His apprentice, Saverio Moretti, is also seeking the answer. He has a scheme to get close to Wighton by seducing Thomas but seduction turns to real feelings. Now the young men must struggle to keep the secret of their romance, as well as the secret of Thomas’ magic, as both of these things could cost Thomas his life. Through journal entries, posters, letters, and other documents, ILLUSIONS is a story of love, betrayal, and of course, magic.

    While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

    And it is—at first. But Chance, the charismatic and adventurous boy who made their summers epic, is harboring deep secrets. Secrets that are quickly spiraling into something else entirely.The reason they've never met Chance’s parents or seen his home is becoming clearer. And what the siblings used to think of as Chance's quirks—the outrageous stories, his clinginess, his dangerous impulsiveness—are now warning signs that something is seriously off. Then Chance's mom turns up with a bullet to the head, and all eyes shift to Chance and his dad. Hunter and Ashlin know Chance is innocent...they just have to prove it. But how can they protect the boy they both love when they can’t trust a word Chance says?

    Fourteen-year-old Ashley is the undisputed “It” girl in her class, but her grades stink. Their worlds are about to collide when Stewart and his dad move in with Ashley and her mom. Stewart is trying to be 89.9 percent happy about it, but Ashley is 110 percent horrified. She already has to hide the real reason her dad moved out; “Spewart” could further threaten her position at the top of the social ladder. They are complete opposites. And yet, they have one thing in common: they—like everyone else—are made of molecules.