Like an alcoholic taking a sip of whiskey. But no. Nothing. I had a blissful night’s sleep. Didn’t wake up at all. And for once, no bad dream either. This morning I feel balanced. Almost sane, for once.Rhiannon is your average girl next door, settled with her boyfriend and little dog…but she’s got a killer secret.Although her childhood was haunted by a famous crime, Rhiannon’s life is normal now that her celebrity has dwindled. By day, her job as an editorial assistant is demeaning and unsatisfying. By evening, she dutifully listens to her friends’ plans for marriage and babies while secretly making a list.A kill list.From the man at the grocery checkout who always mishandles her apples, to the driver who cuts her off on her way to work, to the people who have it coming, Rhiannon is ready to get her revenge.Because the girl everyone overlooks might be able to get away with murder…

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Some fishing, some barbecue, some games...The Fannelli brothers are heading to Crescent Lake too. Some stalking, some kidnapping, some murder, definitely some games...though not necessarily the type of games the Lamberts had in mind. But it doesn't matter. The Lamberts are going to play whether they like it or not.An intense psychological thriller, Bad Games has the dark, mind-bending chills of The Bad Seed combined with the fish-out-of-water dread and suspense of Deliverance. So let Jeff Menapace's highly anticipated suspense thriller keep you up all night as it delves into the mystery of nature versus nurture when comprehending the evil in man, along with the will and determination an innocent family must summon to fight back against horrific odds.

    A madman kidnapped her, cut off her pinkie, then vanished. Today Anna lives in New Orleans, writing dark thrillers under another name. She finally feels safe.Suddenly Anna's quiet life takes a frightening turn. Letters start to arrive from a disturbed fan. Anna is followed, her apartment broken into. Then a close friend disappears.Anna turns to homicide detective Quentin Malone, but Malone's more concerned with the recent murders of two women in the French Quarter. But after a third victim is found a redhead like Anna, her pinkie severed Malone is forced to acknowledge that Anna is his link to the killer and could be the next target.Now Anna must face the horrifying truth her past has caught up with her.

    The house, abandoned for 40 years, harbors a dark family secret--a grim bloodline poisoned by suicide, strange disappearances, voodoo rituals, and rumors of murder.

    The last she--and anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.Now a rising star in the NYC art scene, Emma turns her past into paintings.. They catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale--and when Francesca implores Emma to return to the camp as a painting counselor, Emma sees an opportunity to find closure and move on.Yet, it is immediately clear that all is not right at Camp Nightingale. Already haunted by surfacing memories, Emma is suddenly plagued by a security camera pointed directly at her cabin, mounting mistrust from Francesca, and, most disturbing of all, cryptic clues Vivian apparently left behind about the camp's twisted origins. And as history begins to repeat itself and three girls go missing again, Emma must face threats from both man and nature in order to uncover all the buried secrets--including what really happened all those years ago.

    They love each other. But they aren’t happy. Sal cannot leave, no matter what Charlie does – no matter how much it hurts.

    He isn't bothered by the daily news reports of the Christchurch Carver, who, they say, has murdered seven women. Joe knows, though, that the Carver killed only six. He knows that for a fact, and he's determined to find the copycat. He'll punish him for the one, then frame him for the other six. It's the perfect plan because he already knows he can outwit the police. All he needs now is to take care of all the women who keep getting in his way, including his odd, overprotective mother and Sally, the maintenance worker who sees him as a replacement for her dead brother. Then there's the mysterious Melissa, the only woman to have ever understood him, but whose fantasies of blackmail and torture don't have a place in Joe's investigation.

    It’s what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there’s a guy out there who wants my head in a bag.He'll have to find me first. They don’t call me the Ghostman for nothing...

    Watson and Ruth Ware.I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

    Stopped by the police for a minor traffic violation, the situation escalates and he is pulled from his vehicle, handcuffed, and told he is under arrest. Several other police cars arrive and the questioning turns scary, but after it subsides, and Henry is about to move on, the officer is suddenly killed in his car and there is only one suspect: the very person he was about to arrest not ten minutes before. Henry! When a second friend turns up dead, Henry realizes he's being elaborately framed. But in a chilling twist, the stakes grow even darker, and he is unable to go to the police to clear his name.15 Seconds is a story of how even the best of lives can be destroyed in just an instant—and of an innocent man, framed for murder, who has to save the person he loves the most, and who cannot go the police to clear his name.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

    A tragic childhood event left her haunted, in the company of a cast of prattling saints who pop in and out of her life like tourists. Other than visiting her agoraphobic neighbor, Maud keeps to herself, finding solace in her work and in her humble existence–until she meets Mr. Flood.Cathal Flood is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home and sent his last caretaker running for the madhouse. But Maud is this impossible man’s last chance: if she can help him get the house in order, he just might be able to stay. So the unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Mr. Flood’s overbearing son.Still, shadows are growing in the cluttered corners of the mansion, hinting at buried family secrets, and reminding Maud that she doesn’t really know this man at all. When the forgotten case of a missing schoolgirl comes to light, she starts poking around, and a full-steam search for answers begins.Packed with eccentric charms, twisted comedy, and a whole lot of heart, Mr. Flood’s Last Resort is a mesmerizing tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves.

    The perfect getaway. So remote no one will ever find you.The promise of a luxury vacation at a secluded wilderness spa has brought together eight lucky guests. But nothing is what they were led to believe. As a fierce storm barrels down and all contact with the outside is cut off, the guests fear that it’s not a getaway. It’s a trap.Each one has a secret. Each one has something to hide. And now, as darkness closes in, they all have something to fear—including one another.Alerted to the vanished party of strangers, homicide cop Mason Deniaud and search and rescue expert Callie Sutton must brave the brutal elements of the mountains to find them. But even Mason and Callie have no idea how precious time is. Because the clock is ticking, and one by one, the guests of Forest Shadow Lodge are being hunted. For them, surviving becomes part of a diabolical game.

    A year after the death of her son Alex, Mary Towne is convinced she's seen him alive - and wants missing persons investigator David Raker to find him. Reluctant at first, but haunted by a loss of his own, Raker eventually agrees.