Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound he loses it.But at his private school, they don’t expect much else from him. Danny’ s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico. That’s why he’s spending the summer with his dad’s family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming.Set in the alleys and on the ball fields of San Diego County, Mexican Whiteboy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions.

    . .Instead, Nora is on a desperate journey far away from home. When her father leaves their beloved Mexico in search of work, Nora stays behind. She fights to make sense of her loss while living in poverty—waiting for her father's return and a better day. When the letters and money stop coming, Nora decides that she and her mother must look for him in Texas. After a frightening experience crossing the border, the two are all alone in a strange place. Now, Nora must find the strength to survive while aching for small comforts: friends, a new school, and her precious quinceañera.Bettina Restrepo's gripping, deeply hopeful debut novel captures the challenges of one girl's unique yet universal immigrant experience.

    Lines you cross, lines you don’t cross. That clear?”New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them.“No Negroes, Mexicans, or dogs.”They know the people who enforce them.“They all decided they’d ride out in their sheets and pay Blue a visit.”But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.“More than grief, more than anger, there is a need. Someone to blame. Someone to make pay.”Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.

    And despite leaving his rough neighborhood behind, he can't escape the scorn of his former peers or the ridicule of his new classmates. Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it's Justyce who is under attack.

    She's got her three best friends and nothing can stop her from conquering the known world. Sure, for half a minute she thought she’d nearly drowned a cute guy at a party, but he was totally faking it. And fine, yes, she caused a scene during Ramadan. It's all under control. Ish.Except maybe this time she’s done a little more damage than she realizes. And if Lulu can't find her way out of this mess soon, she'll have to do more than repair friendships, family alliances, and wet clothing. She'll have to go looking for herself.

    A beautiful sophomore novel from a critically acclaimed author and poet that explores how words have the power to shape and uplife our world even in the midst of pain. When Darius told Angel he loved her, she believed him. But five weeks after the incident, Angel finds herself in Brooklyn, far from her family, from him, and from the California life she has known.Angel feels out of sync with her new neighborhood. At school, she can't shake the feeling everyone knows what happened--and how it was her fault. The only place that makes sense is Ms. G's class. There, Angel's classmates share their own stories of pain, joy, and fortitude. And as Angel becomes immersed in her revolutionary literature course, the words from novels like The Bluest Eye and Push speak to her and begin to heal the wounds of her past.This stunning novel weaves together prose, poems, and vignettes to tell the story of Angel, a young woman whose past was shaped by domestic violence but whose love of language and music and the gift of community grant her the chance to find herself again.

    But when controversy arises around her aunt Georgia's Indian Camp in their mostly white midwestern community, Rain decides to face the outside world again—at least through the lens of her camera.Hired by her town newspaper to photograph the campers, Rain soon finds that she has to decide how involved she wants to become in Indian Camp. Does she want to keep a professional distance from the intertribal community she belongs to? And just how willing is she to connect with the campers after her great loss?In a voice that resonates with insight and humor, Cynthia Leitich Smith tells of heartbreak, recovery, and reclaiming one's place in the world.

    Or from his boys, who aren’t exactly the “hug it out” type. Marcos yearns for love, a working cell phone, and maybe a pair of sneakers that aren’t falling apart. But more than anything, Marcos wants to get out of Maesta, his hood—which seems impossible.When Marcos is placed in a new after-school program for troubled teens with potential, he meets Zach, a theater geek whose life seems great on the surface, and Amy, a punk girl who doesn’t care what anyone thinks of her. These new friendships inspire Marcos to open up to his Maesta crew, too, and along the way, Marcos starts to think more about his future and what he has to fight for. Marcos ultimately learns that bravery isn’t about acting tough and being macho; it’s about being true to yourself.

    But when family secrets spill out and racism at school ramps up, she must decide what she believes in and take a stand.Fifteen-year-old Liliana is fine, thank you very much. It’s fine that her best friend, Jade, is all caught up in her new boyfriend lately. It’s fine that her inner-city high school is disorganized and underfunded. It’s fine that her father took off again—okay, maybe that isn’t fine, but what is Liliana supposed to do? She’s fifteen! Being left with her increasingly crazy mom? Fine. Her heathen little brothers? Fine, fine, fine. But it turns out Dad did leave one thing behind besides her crazy family. Before he left, he signed Liliana up for a school desegregation program called METCO. And she’s been accepted. Being accepted into METCO, however, isn’t the same as being accepted at her new school. In her old school, Liliana—half-Guatemalan and half-Salvadorian—was part of the majority where almost everyone was a person of color. But now at Westburg, where almost everyone is white, the struggles of being a minority are unavoidable. It becomes clear that the only way to survive is to lighten up—whiten up. And if Dad signed her up for this program, he wouldn’t have just wanted Liliana to survive, he would have wanted her to thrive. So what if Liliana is now going by Lili? So what if she’s acting like she thinks she’s better than her old friends? It’s not a big deal. It’s fine. But then she discovers the gutting truth about her father: He’s not on one of his side trips. And it isn’t that he doesn’t want to come home…he can’t. He’s undocumented and he’s been deported back to Guatemala. Soon, nothing is fine, and Lili has to make a choice: She’s done trying to make her white classmates and teachers feel more comfortable. Done changing who she is, denying her culture and where she came from. They want to know where she’s from, what she’s about? Liliana is ready to tell them.

    Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.

    Like I’m breaking apart, shattering. Who am I? Where do I belong?Jasmine de los Santos has always done what’s expected of her. Pretty and popular, she’s studied hard, made her Filipino immigrant parents proud and is ready to reap the rewards in the form of a full college scholarship.And then everything shatters. A national scholar award invitation compels her parents to reveal the truth: their visas expired years ago. Her entire family is illegal. That means no scholarships, maybe no college at all and the very real threat of deportation.For the first time, Jasmine rebels, trying all those teen things she never had time for in the past. Even as she’s trying to make sense of her new world, it’s turned upside down by Royce Blakely, the charming son of a high-ranking congressman. Jasmine no longer has any idea where—or if—she fits into the American Dream. All she knows is that she’s not giving up. Because when the rules you lived by no longer apply, the only thing to do is make up your own.

    She's got more pressing problems: her mom can't move off the couch, her dad's in prison, her brother's been kidnapped by Child Protective Services, and now her best friend isn't speaking to her. Writing in a dictionary format, Macy explains the world in her own terms—complete with gritty characters and outrageous endeavors. With an honesty that's both hilarious and fearsome, slowly Macy reveals why she acts out, why she can't tell her incarcerated father that her mom's cheating on him, and why her best friend needs protection . . . the kind of protection that involves Macy's machete.

    Helen of Troy and Paris. Romeo and Juliet. And now... Henry and Flora.For centuries Love and Death have chosen their players. They have set the rules, rolled the dice, and kept close, ready to influence, angling for supremacy. And Death has always won. Always.Could there ever be one time, one place, one pair whose love would truly tip the balance?Meet Flora Saudade, an African-American girl who dreams of becoming the next Amelia Earhart by day and sings in the smoky jazz clubs of Seattle by night. Meet Henry Bishop, born a few blocks and a million worlds away, a white boy with his future assured—a wealthy adoptive family in the midst of the Great Depression, a college scholarship, and all the opportunities in the world seemingly available to him.The players have been chosen. The dice have been rolled. But when human beings make moves of their own, what happens next is anyone’s guess.Achingly romantic and brilliantly imagined, The Game of Love and Death is a love story you will never forget.

    Unsplit. Not half white or half Latina. But that was before her Guatemalan cousins moved to town and before her dad asked her to speak some Spanish. Now her continents are splitting apart. Let’s face it, when you’re named after Spain’s most famous loser, Don Quixote, you might make a secret escape plan. Join Quijana as she earns to make a tortilla, comes of age in the Guatemalan-American hyphen, and discovers her missing half. Chronicle brings us poet Rebecca Balcárcel's middle grade novel about a biracial girl who's navigating between the Anglo and Guatemalan sides of her family, a burgeoning crush and a cool new friend, and trying to figure out what's going on with her little brother, who is becoming remote and hard to reach, all while trying to determine just who she is.

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014