Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.

    A female journalist faces skepticism from the police when she reports an assault, and finds she may have to confront the attacker herself. A family man wonders what sort of trouble the previous occupants of his new house were mixed up in—and finds some clues that were left behind in the move. These stories—and four more—from the author of the series starring Inspector Peter Pascoe and Superintendent Andrew Dalziel take us on a tour of the shadowy corners of Yorkshire, England, from a stormy churchyard to a gloomy attic, with tales of lust, greed, envy, and, of course, murder.

    London’s favorite musical comedy of the past two years was finishing its run at the end of the week. Suddenly, the line began to move, forming a wedge before the open doors as hopeful theatergoers nudged their way forward. But one man, his head sunk down upon his chest, slowly sank to his knees and then, still more slowly, keeled over on his face. Thinking he had fainted, a spectator moved to help, but recoiled in horror from what lay before him: the man in the queue had a small silver dagger neatly plunged into his back. With the wit and guile that have made Inspector Grant a favorite of mystery fans, the inspector sets about discovering just how a murder occurred among so many witnesses, none of whom saw a thing.

    THE LAST SPIN is a diverse and brilliant exposition of his multi-faceted talents, with the diamond-hard prose, the vivid characterisation that pulsates through his best-selling novels: THE BLACKBOARD JUNGLE - SECOND ENDING - STRANGERS WHEN WE MEET - A MATTER OF CONVICTION Contents: First Offence, The Fallen Angel; Silent Partner; Small Homicide; The Girl With The Pretty Eyes; See Him Die; Escape; Kid Kill; Alive Again; The Innocent One; Robert; The Prisoner; ...Or Leave It Alone; Kiss Me, Dudley; The Last Spin

    Young Nick Buckley, owner of the eerie and imposing End House, has already survived three attempts on her life, and even now is being shot at by an unseen gunman. Poirot finds himself trying to solve a murder that hasn't happened yet.

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

    The girl protests her innocence, and Amberley believes her;at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up.In an English country house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well meaning but completely baffled. Fortunately, in ferreting out a desperate killer, amateur sleuth Amberley is as brilliant as he is arrogant, but this time he's not sure he wants to know the truth...