From reinventing the nation's financial system to pushing President Lincoln to emancipate the slaves to the planning for Reconstruction, Congress undertook drastic measures to defeat the Confederacy, in the process laying the foundation for a strong central government that came fully into being in the twentieth century. Brimming with drama and outsized characters, Congress at War is also one of the most original books about the Civil War to appear in years, and will change the way we understand the conflict.

    Its features include a dramatic narrative packed with eyewitness accounts and hundreds of rare photographs, artifacts, and period illustrations. Evocative sidebars, detailed maps, and timelines add to the reference-ready quality of the text. From John Brown's raid to Reconstruction, Eyewitness to the Civil War presents a clear, comprehensive discussion that addresses every military, political, and social aspect of this crucial period. In-depth descriptions of campaigns and battles in all theaters of war are accompanied by a thorough evaluation of the nonmilitary elements of the struggle between North and South. In their own words, commanders and common soldiers in both armies tell of life on the battlefield and behind the lines, while letters from wives, mothers, and sisters provide a portrait of the home front. More than 375 historical photographs, portraits, and artifacts—many never before published—evoke the era's flavor; and detailed maps of terrain and troop movements make it easy to follow the strategies and tactics of Union and Confederate generals as they fought through four harsh years of war. Photoessays on topics ranging from the everyday lives of soldiers to the dramatic escapades of the cavalry lend a breathtaking you-are-there feeling, and an inclusive appendix adds even more detail to what is already a magnificently meticulous history.

    It saw Lincoln's assassination just five days later and a near-successful plot to decapitate the Union government, followed by chaos and coup fears in the North, collapsed negotiations and continued bloodshed in the South, and finally, the start of national reconciliation.In the end, April 1865 emerged as not just the tale of the war's denouement, but the story of the making of our nation.Jay Winik offers a brilliant new look at the Civil War's final days that will forever change the way we see the war's end and the nation's new beginning. Uniquely set within the larger sweep of history and filled with rich profiles of outsize figures, fresh iconoclastic scholarship, and a gripping narrative, this is a masterful account of the thirty most pivotal days in the life of the United States.

    Lee, Frederick Douglass, Stonewall Jackson, John Singleton Mosby, Ulysses S. Grant, Jefferson Davis, John Wilkes Booth, William Tecumseh Sherman, and more. An epic struggle between the past and future, the Civil War sought to fulfill the promise that “all men are created equal.” It freed an enslaved race, decimated a generation of young men, ushered in a new era of brutality in war, and created modern America. Featuring archival images, eyewitness accounts, and beautiful artwork that further brings the history to life, The Civil War is the action-packed and ultimate follow-up to the #1 bestsellers The Patriots and The Real West.

    cuts squarely across the accepted tradition... Fuller examines these two great soldiers from a fresh viewpoint and refuses to let himself be bound by tradition." --New York Times Book Review..". readable, instructive, stimulating, and... controversial as when first published." --Military ReviewFirst published fifty years ago, Fuller's study of Ulysses S. Grant and Robert E. Lee remains one of his most brilliant and durable works, Grant and Lee is a compelling study not only of the two men, but also of the nature of leadership and command in wartime.

    Lee—perhaps the most famous and least understood legend in American history and one of our most admired heroes.Michael Korda, author of Ulysses S. Grant and the bestsellers Ike and Hero, paints a vivid and admiring portrait of Lee as a brilliant general, a devoted family man, and principled gentleman who disliked slavery and disagreed with secession, yet who refused command of the Union Army in 1861 because he could not "draw his sword" against his beloved Virginia.Well-rounded and realistic, Clouds of Glory analyzes Lee's command during the Civil War and explores his responsibility for the fatal stalemate at Antietam, his defeat at Gettysburg (as well the many troubling controversies still surrounding it) and ultimately, his failed strategy for winning the war. As Korda shows, Lee's dignity, courage, leadership, and modesty made him a hero on both sides of the Mason-Dixon Line and a revered American icon who is recognized today as the nation's preeminent military leader.Clouds of Glory features dozens of stunning illustrations, some never before seen, including twelve pages of color, twenty-four pages of black-and-white, and nearly fifty in-text battle maps.

    But no one has labeled Thomas Jonathan Jackson a "marble man," as impenetrable as the statues which commemorate his valor, because his pious Christian character, his service to the church and teaching vocation, his unwavering commitment to duty, his affectionate role as husband and father, as well as his magnificent service to Virginia and the Southern Confederacy were carefully recorded by his close friend and confidant Robert Lewis Dabney. Dr. Dabney understood, far better than most subsequent biographers, the animating principles of Stonewall Jackson's life - his personal faith in Jesus Christ and his absolute trust in the Providence of God. Labeled by some a religious fanatic, General Jackson was simply a consistent biblical Christian who lived out his faith every day, seriously and without compromise.

    It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune."In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me."When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched."Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized.A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.