For years she has asked the gods for the strength she'll need to avenge this foul death, and it seems the gods have answered her. She's been granted an array of powers never before seen in one person, but she has also acquired a most terrifying burden, a demonmark. This mark can open the door to undreamed abilities, but it can also open her soul to the forbidden dark side of magic. Keleios must choose between the demonmark's tainted power and the lives of those she holds most dear. In an epic battle of good versus evil, of enchanted swords and shapeshifting dragons, of unquenchable hatred and unlikely love, Keleios must face her own demons—before she can acquire the most important power of all: the power to forgive.

    Its wealth is beyond measure; its port is open to all the merchants of the world, and its ruler, the Khai Saraykeht, commands forces to rival the Gods. Commerce and trade fill the streets with a hundred languages, and the coffers of the wealthy with jewels and gold. Any desire, however exotic or base, can be satisfied in its soft quarter. Blissfully ignorant of the forces that fuel their prosperity, the people live and work secure in the knowledge that their city is a bastion of progress in a harsh world. It would be a tragedy if it fell.Saraykeht is poised on the knife-edge of disaster.At the heart of the city's influence are the poet-sorcerer Heshai and the captive spirit, Seedless, whom he controls. For all his power, Heshai is weak, haunted by memories of shame and humiliation. A man faced with constant reminders of his responsibilities and his failures, he is the linchpin and the most vulnerable point in Saraykeht's greatness.Far to the west, the armies of Galt have conquered many lands. To take Saraykeht, they must first destroy the trade upon which its prosperity is based. Marchat Wilsin, head of Galt's trading house in the city, is planning a terrible crime against Heshai and Seedless. If he succeeds, Saraykeht will fall.Amat, House Wilsin's business manager, is a woman who rose from the slums to wield the power that Marchat Wilsin would use to destroy her city. Through accidents of fate and circumstance Amat, her apprentice Liat, and two young men from the farthest reaches of their society stand alone against the dangers that threaten the city.

    As such, he had no right to aspire to the hand of the fair lady, Queen Vendora, not even when he saved her during the siege of her frontier castle. But aspire he did.Contains additional chapters, glossary, and author's afterword.

    Steerswomen, and a very few Steersmen, are members of an order dedicated to discovering and disseminating knowledge. Although they are foremost navigators of the high seas, Steerswomen are also explorers and cartographers upon land as well as sea. With one exception, they are pledged to always answer any question put to them with as truthful a response as is possible within their own limitations. However, they also require anyone of whom they ask questions to respond in the same manner, upon penalty of the Steerswomen's ban; those under the ban do not receive answers from the steerswomen.In this novel, Rowan is a Steerswoman who is interested in some strange jewels which have been found distributed in an unusual pattern. These jewels are made of strange materials bonded onto metal. Some think that such jewels are magically produced.

    First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time.The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you!

    An inveterate womaniser and rogue, he and his gang make a living on the wrong side of the law, avoiding the heavily armed flying frigates of the Coalition Navy. With their trio of ragged fighter craft, they run contraband, rob airships and generally make a nuisance of themselves. So a hot tip on a cargo freighter loaded with valuables seems like a great prospect for an easy heist and a fast buck. Until the heist goes wrong, and the freighter explodes. Suddenly Frey isn't just a nuisance anymore - he's public enemy number one, with the Coalition Navy on his tail and contractors hired to take him down. But Frey knows something they don't. That freighter was rigged to blow, and Frey has been framed to take the fall. If he wants to prove it, he's going to have to catch the real culprit. He must face liars and lovers, dogfights and gunfights, Dukes and daemons. It's going to take all his criminal talents to prove he's not the criminal they think he is ...

    Gwynn is a gunslinger from the north, a loner, a survivor . . . a killer. Raule is a wandering surgeon, a healer who still believes in just--and lost--causes. Bound by a desire to escape the ghosts of the past, together they flee to the teeming city of Ashamoil, where Raule plies her trade among the desperate and destitute, and Gwynn becomes bodyguard and assassin for the household of a corrupt magnate. There, in the saving and taking of lives, they find themselves immersed in a world where art infects life, dream and waking fuse, and splendid and frightening miracles begin to bloom . . .

    When he learns that his dead mother was a djinn — more commonly known as a genie — and that his drunken loutish father is a sitting emissary to the djinns (e.g. a magician), his whole world is turned inside out. Suddenly, and for reasons that totally escape him, his father is found in a supernatural coma, and Indelbed is kidnapped by the djinn and delivered to a subterranean prison. Back in the city, his cousin Rais and his family struggle to make sense of it all, as an impending catastrophe threatens to destroy everything they know. Needless to say, everything is resting on Indelbed’s next move — and he’s got a new partner to help him: the world’s most evil djinn.

    The sprawling estate, bordered by unknown territory on all four sides, is both orphanage, academy, and prison. The school has a large staff, but only five students, none of whom know what their real names are, or even how old they are.Precocious and rebellious, all five teenagers are more than just prodigies. Amelia can see in four dimensions. Victor can control the molecular arrangement of matter. Vanity can find secret passageways where none existed before. Colin is a psychic. Quentin is a warlock.And, as time goes by, they're starting to suspect that none of them are entirely human . . .John C. Wright previous fantasy novels, the Epic Chronicles of Everness, were lavishly praised by both readers and reviewers. Now he embarks on an ambitious new saga that explores the overlapping boundaries of science, mythology, and the imagination.

    Armored knights ride their horses across dunes of rust, battling for the honor of the Queen. But the knights find more to menace them than mere swords and lances. A brave quest leads them face to face with the awesome power of a complex, lethal technology that has been erased from the face of the Earth--but lives on, underground.

    The girl, though, is the incarnation of Attalissa, goddess of Lissavakail, and the dog a shape-changing guardian spirit whose origins have been forgotten. Possessed and nearly driven mad by the Blackdog, Holla-Sayan flees to the desert road, taking the powerless avatar with him. Necromancy, treachery, massacres, rebellions, and gods dead or lost or mad, follow hard on the their heels. But it is Attalissa herself who may be the Blackdog’s—and Holla-Sayan’s—doom.

    The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.

    Clarke Awards. For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods. It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

    A missing professor. Some nefarious men in gray suits. And a dreamworld called the Troposphere? Ariel Manto has a fascination with nineteenth-century scientists--especially Thomas Lumas and The End of Mr. Y, a book no one alive has read. When she mysteriously uncovers a copy at a used bookstore, Ariel is launched into an adventure of science and faith, consciousness and death, space and time, and everything in between. Seeking answers, Ariel follows in Mr. Y’s footsteps: She swallows a tincture, stares into a black dot, and is transported into the Troposphere--a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

    Trader. Deal-maker. Hustler, some call me. I work the Night Fair circuit, buying and selling pre-nuke videos from the world before. I know how to get a high price, especially on Big Bang collectibles. But the hottest ticket of all is information on the Horsemen—the mind-control weapons that tilted the balance in the war between the Americas. That’s the prize I’m after.But it seems I’m having trouble controlling my own mind.The Horsemen are coming.