Joy, Tali, Luce, and Zoe knew their final summer at Camp Okahatchee would come to an end, but they swore they’d stay friends.After: Now, two years later, their bond has faded along with those memories.Then: That is, until the fateful flash of a photo booth camera transports the four of them back in time, to the summer they were fifteen—the summer everything changed.Now: The girls must recreate the past in order to return to the present. As they live through their second-chance summer, the mystery behind their lost friendship unravels, and a dark secret threatens to tear the girls apart all over again.Always: Summers end. But this one will change them forever.

    Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    I look away, down the rutted parking lot.“Don’t... waste those words on me.”He touches my cheek. “You just need someone to show you.”“No.” I ease back again. “I don’t. So please, Torrin, stop trying to swoop in and save me. I don’t need saving.” College freshman, Quinn Montgomery, will do anything to avoid the mistake her sister made — killing herself over a boy. But when she is forced into nude modeling at a local college to support her family after a bankruptcy, she begins to crack, just enough to let Torrin, the university’s top varsity oarsman, see that the real Quinn is not as feisty and unapproachable as she wants everyone to think. But letting someone in comes at a steep cost and, it turns out, Torrin is connected to Quinn’s family in more ways than she could ever imagine.

    With a best friend who hates her and a dad who’s marrying a yogi she can’t stand, Analee spends most of her time avoiding reality and role-playing as Kiri, the night elf hunter at the center of her favorite online game.Through Kiri, Analee is able to express everything real-life Analee cannot: her bravery, her strength, her inner warrior. The one thing both Kiri and Analee can’t do, though, is work up the nerve to confess her romantic feelings for Kiri’s partner-in-crime, Xolkar—aka a teen boy named Harris whom Analee has never actually met in person.So when high school heartthrob Seb Matias asks Analee to pose as his girlfriend in an attempt to make his ex jealous, Analee agrees. Sure, Seb seems kind of obnoxious, but Analee could use some practice connecting with people in real life. In fact, it’d maybe even help her with Harris.But the more Seb tries to coax Analee out of her comfort zone, the more she starts to wonder if her anxious, invisible self is even ready for the real world. Can Analee figure it all out without losing herself in the process?

    But after bungling her audition for the prestigious Amberley School of Music--where her father is on faculty--Ruby is suddenly just . . . Ruby. And who is that again? All she knows is that she wants out of the orbit of her relentlessly impressive family, and away from the world of classical music for good. Yes? Yes. Oscar is a wunderkind, a musical genius. Just ask any of the 1.8 million people who've watched him conduct his own compositions on YouTube--or hey, just ask Oscar. But while he might be the type who'd name himself when asked about his favorite composer and somehow make you love him more for it, Oscar is not the type to jeopardize his chance to study under the great Martin Chertok--not for a crush. He's all too aware of how the ultra-privileged, ultra-white world of classical music might interpret a black guy like him falling for his benefactor's white daughter. Right? Right.But as the New York City summer heats up, so does the spark between Ruby and Oscar. Soon their connection crackles with the same alive, uncontainable energy as the city itself. But can two people still figuring themselves out figure out how to be together? Or will the world make the choice for them?

    There was a fight. The next morning, Sam’s best friend, Hayden, was dead. All he left Sam was a playlist of songs—and a note, saying that he took his own life. But what Sam doesn’t know is: Why?To figure out what happened, Sam has to rely on the playlist and his own memory. But the more he listens, the more he realizes that his memory isn’t as reliable as he thought. Especially when someone claiming to be Hayden starts sending him cryptic messages, and a series of violent attacks begins on the bullies who made Hayden’s life hell.Sam knows he has to face up to what happened the night. But it’s only by taking out his earbuds and opening his eyes to the people around him—including an eccentric, unpredictable girl who’s got secrets, too—that Sam will finally be able to piece together his best friend’s story.And maybe have a chance to change his own.

    But when she wins a major competition, she inadvertently sets off a firestorm of angry comments from male fans.When Cameron's family moves the summer before her senior year, she hopes to complete her costume portfolio in peace and quiet away from the abuse. Unfortunately, the only comic shop in town--her main destination for character reference--is staffed by a dudebro owner who challenges every woman who comes into the shop. At her twin brother's suggestion, Cameron borrows a set of his clothes and uses her costuming expertise to waltz into the shop as Boy Cameron, where she's shocked at how easily she's accepted into the nerd inner sanctum. Soon, Cameron finds herself drafted into a D&D campaign alongside the jerky shop-owner Brody, friendly (almost flirtatiously so) clerk Wyatt, handsome Lincoln, and her bro Cooper, dragged along for good measure. But as her "secret identity" gets more and more entrenched, Cameron's portfolio falls by the wayside--and her feelings for Lincoln threaten to make a complicated situation even more precarious.

    But a majorly public breakup with the guy she's been dating causes some disastrous waves. It is right before prom and Avery no longer has the perfect date. She runs the prom committee, how could she not show up with somebody?Post-breakup, Avery gets to thinking about all of the guys that she has ever dated. How come none of those relationships ever worked out? Could it be her fault? Avery decides to investigate. In history class she's learning about this method of record-keeping called "oral history" and she has a report due. So Avery decides to go directly to the source. Avery tracks down all of the guys she's ever dated, and uses that information, along with thoughts from her friends, family, and teachers, to compile a total account of her dating history.Avery discovers some surprises about herself and the guys she's spent time with -- just in time for prom night!

    Everyone says guys and girls can’t be just friends, but these two are. They hang out after school, share tons of inside jokes, their families are super close, and Levi even starts dating one of Macallan’s friends. They are platonic and happy that way.Eventually they realize they’re best friends—which wouldn’t be so bad if they didn’t keep getting in each other’s way. Guys won’t ask Macallan out because they think she’s with Levi, and Levi spends too much time joking around with Macallan, and maybe not enough time with his date. They can’t help but wonder . . . are they more than friends or are they better off without making it even more complicated?

    We'd been so sure someone would find us by now. Emma had always orbited Henri, her fierce, magnetic queen bee of an older sister, and the two had always been best friends. Until something happened that wrecked them. I'd trusted Henri more than I'd trusted myself. Wherever she told me to go, I'd follow. Then the unthinkable occurs—a watery nightmare off the dazzling coast. The girls wash up on shore, stranded. Their only companion is Alex, a troubled boy agonizing over his own secrets. Trapped in this gorgeous hell, Emma and Alex fall together as Emma and Henri fall catastrophically apart. For the first time, I was afraid we'd die on this shore. To find their way home, the sisters must find their way back to each other. But there’s no map for this—or anything. Can they survive the unearthing of the past and the upheaval of the present?

    Then there's Juliet, straight-A student and rigorous debater, whose college trajectory has been carefully planned for years. They couldn't be more different. But from the moment Lucas sees Juliet, he swears he remembers their first kiss. Their first dance. Their first fight. In fact, Lucas knows everything that's going to happen between them - not because he can predict the future, but because he claims to have already lived it.Juliet doesn't know whether to be afraid for herself - or for Lucas. Because as Lucas's memories occur more frequently, they also grow more ominous. All Juliet wants is for Lucas to be safe with her in the present. But how do you hold onto someone you love now when they've begun slipping away from you in the future?

    Both Elliott and Catherine feel like outcasts, yet they find an easy friendship with each other. But when Catherine needs him most, Elliott is forced to leave town.Elliott finally returns, but he and Catherine are now different people. He’s a star high school athlete, and she spends all her free time working at her mother’s mysterious bed-and-breakfast. Catherine hasn’t forgiven Elliott for abandoning her, but he’s determined to win back her friendship…and her heart.Just when Catherine is ready to fully trust Elliott, he becomes the prime suspect in a local tragedy. Despite the town’s growing suspicions, Catherine clings to her love for Elliott. But a devastating secret that Catherine has buried could destroy whatever chance of happiness they have left.

    Houston, Texas. Evie Barnes is a bad girl. So are all her friends. They’re the sort who wear bold makeup, laugh too loud, and run around with boys. Most of all, they protect their own against the world. So when Evie is saved from a sinister encounter by a good girl from the "right" side of the tracks, every rule she's always lived by is called into question. Now she must redefine what it means to be a bad girl and rethink everything she knew about loyalty. In this riveting story of murder, secrets, and tragedy, Jennifer Mathieu puts a female twist on S. E. Hinton's The Outsiders. Bad Girls Never Say Die has all the drama and heartache of that teen classic, but with a feminist take just right for our times.

     Harder when your whole life is on fire, though. Charlie Vega is a lot of things. Smart. Funny. Artistic. Ambitious. Fat.People sometimes have a problem with that last one. Especially her mom. Charlie wants a good relationship with her body, but it's hard, and her mom leaving a billion weight loss shakes on her dresser doesn't help. The world and everyone in it have ideas about what she should look like: thinner, lighter, slimmer-faced, straighter-haired. Be smaller. Be whiter. Be quieter. But there's one person who's always in Charlie's corner: her best friend Amelia. Slim. Popular. Athletic. Totally dope. So when Charlie starts a tentative relationship with cute classmate Brian, the first worthwhile guy to notice her, everything is perfect until she learns one thing--he asked Amelia out first. So is she his second choice or what? Does he even really see her? UGHHH. Everything is now officially a MESS.A sensitive, funny, and painful coming-of-age story with a wry voice and tons of chisme, Fat Chance, Charlie Vega tackles our relationships to our parents, our bodies, our cultures, and ourselves.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.