He lives with his gran and his uncle Rory. His best friend is Clinton Tull. Adrian loves to draw, and he wants a dog. He’s afraid of quicksand, shopping centers, and self-combustion. But as closely as he watches his suburban world, there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again. . . .In this suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy - unwanted, unloved, and intensely curious - a story as achingly beautiful as it is shattering. As her quiet tale ominously unfolds, we are reminded of how fragile are the threads that hold us secure - and how brave, how precious, is the heart of each child who soldiers on.

     Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

    .Poppy's world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend.At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies' privileges at work.Meanwhile, their colleague Frankie would love a night out, away from her darlings - she's not had one this decade and she's heartily sick of being judged by women at the office as well as stay-at-home mums.Then Poppy and Annalise's group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.A rivalry that was once harmless fun is spiraling out of control.Because one of their members is a wolf in sheep's clothing. And she has an agenda of her own . . .

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    Plans for an exciting life in a town that didn’t involve a main street with one pub or a particular boy named Ryan Blackburn.But after fifteen years and a lifetime later, Julia’s forced to put her career and big-city life on hold when she returns home to finalise her mother’s estate. Which is exactly where she runs smack-bang into the town’s hero, Ry. As in Ryan Blackburn.The sensible thing to do? Stay the hell away from him and head back to Melbourne as fast as her stilettos can carry her! But instead, Julia finds his offer of a helping hand and a hot body too delicious to refuse.Soon, Julia’s ignoring her better judgement and diving into an ‘I’ll think about it tomorrow’ fling with Ry. But what she doesn’t realise is that tomorrow has a way of sneaking up on you...and that saying goodbye to her home town — and to Ry — is so much harder the second time around.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    And you can talk about a Mallee tree. And you can talk about the Mallee itself: a land and a place full of red sand and short stubby trees. Silent skies. The undulating scorch of summer plains. Quiet, on the surface of things. But Elise wasn't from the Mallee, and she knew nothing of its ways. Discover the world of a small homestead perched on the sunburnt farmland of northern Victoria. Meet Elise, whose urbane 1950s glamour is rudely transplanted to the pragmatic red soil of the Mallee when her husband returns to work the family farm. But you cannot uproot a plant and expect it to thrive. And so it is with Elise. Her meringues don't impress the shearers, the locals scoff at her Paris fashions, her husband works all day in the back paddock, and the drought kills everything but the geraniums she despises.As their mother withdraws more and more into herself, her spirited, tearaway daughters, Marjorie and Ruby, wild as weeds, are left to raise themselves as best they can. Until tragedy strikes, and Marjorie flees to the city determined to leave her family behind. And there she stays, leading a very different life, until the boy she loves draws her back to the land she can't forget...'In the same vein as Rosalie Ham, Brinsden weaves a compelling story of country Australia with all its stigma, controversy and beauty.' Fleur McDonald

    I felt I owed them no explanation.’‘All I heard from the pulpit were grim hints.’‘I became acutely aware of the parts of myself that were unpalatable to queers who grew up in the city.’‘My queerness was born in a hot dry land that was never ceded.’‘Even now, I sometimes think that I don’t know my own desire.’Compiled by celebrated author and journalist Benjamin Law, Growing Up Queer in Australia assembles voices from across the spectrum of LGBTIQA+ identity. Spanning diverse places, eras, ethnicities and experiences, these are the stories of growing up queer in Australia. ‘For better or worse, sooner or later, life conspires to reveal you to yourself, and this is growing up.’ With contributions from David Marr, Fiona Wright, Nayuka Gorrie, Steve Dow, Holly Throsby, Sally Rugg, Tony Ayres, Nic Holas, Rebecca Shaw and many more.

    Their route cuts through a particularly dangerous and unforgiving section of the Dead Red Heart, a war-ravaged desert landscape plagued by rogue semi-sentient machinery and other monsters from a bygone age.But when the caravan witnesses a relic-Angel satellite unexpectedly crash to Earth, a chain of events begins that sends Star on a journey far away from the life she once knew. Shanghaied upon the sandship Dogwatch, she is forced to cross the Obsidian Sea by Quarrel, an ancient Templar supersoldier. Eventually shipwrecked, Star will have no choice but to place her trust in both thieves and priestesses while coming to terms with the grim reality of her past—and the horror of her unfolding destiny—as the terrible secret her sister had been desperate to protect her from begins to unravel.Meanwhile, something old and powerful has woken in the desert. A Lotus Blue, deadliest of all the ancient war machines. A warrior with plans of its own, far more significant than a fallen Angel. Plans that do not include the survival of humanity.

    A woman grapples with survivor’s guilt after a body is found in her garden bed; an ageing beauty queen contemplates her past; a world champion free-diver disappears during routine training...In moments disquieting or quietly inspiring, this collection considers the complexity of the connections we make—with our family, friends and neighbours, and with those met briefly or never at all.In her timely debut, Emily Paull voices a chorus of characters that reveal and re-evaluate the expectations of women in Australia today—after all, well-behaved women rarely make history.

    A mother-of-three had died at her house after a botched abortion. Rebecca was sentenced to three years hard labour, but less than six months into her prison term she gave birth to a child, a girl, who she kept with her in prison. "LONG BAY is that rare thing: a historical novel untainted by sentimentality, with a story not only fascinating in the context of its time, but made relevant to the modern world." - Hannah Kent, author of BURIAL RITES"Rebecca Sinclair is a character who will live on in my memory long after turning the final page on her story - which seems only just, as Limprecht has rescued an otherwise forgotten woman from archival obscurity. LONG BAY wears its history lightly but packs an emotional wallop, straight to the guts of our humanity. Deftly researched, deeply satisfying." - Clare Wright, author of THE FORGOTTEN REBELS OF EUREKA

    Her father is the prime suspect. And things are about to get a whole lot worse…Graphic designer Dervla Johns wakes one morning to the news that her father, Warren, is missing and her stepmother and step-siblings were found dead in their beds. While the police hunt for Warren, Dervla searches for answers. Could her father really be a killer? Refusing to be warned off by police threats, or intimidated by the reporter who appears to be following her, she delves into her family’s past.But as she uncovers one shocking secret after another, Dervla’s world is rocked further by another murder – and she finds herself desperately trying to untangle a web of illicit love and betrayal. Soon, Dervla must face her greatest fear… or suffer the same deadly fate as her stepmother.“If you like mystery fiction with a psychological flair, Vicki Tyley will deliver. She understands that fiction is about real people, and that real people have their dangerous flaws.” –Scott Nicholson, Bestselling author of Liquid Fear

    Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous.Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.

    At 7, she discovers that love isn't necessarily forever.At 21, she finds love but it escapes her.At 35, she learns that love can be dangerous.By 49, she realises that the greatest love of all comes from the heart.As her life's milestones come and go, you will recognise yourself in her: her loves, her mistakes, and her belief that she doesn't deserve more.Australian author Tasma Walton's debut novel is a moving and confronting fable about the power of the human heart, the worthiness of its desires and the often dire consequences of ignoring them.

    Senior Constable Andrew Rich claims he ‘had no choice’ other than to shoot 24-year-old Elijah Holcombe — Elijah had run at him roaring with a knife, he tells police.Some witnesses to the shooting say otherwise, though, and this act of aggression doesn't fit with the sweet, sensitive, but troubled young man that Elijah's family and friends knew him to be. The shooting devastates Elijah's family and the police officer alike.So what happened in that Armidale laneway — and how could it have been avoided? Waiting for Elijah is the culmination of journalist Kate Wild's six-year investigation — an investigation that not only seeks to answer these questions, but also poses some vitally important ones of its own: Why is it still taboo to talk about mental illness in our society? Is it fair to expect police to be first responders in mental health crises? If the community insists this job belongs to police, how can these interactions be improved?Written with clear-eyed compassion and a compelling narrative drive, Waiting for Elijah is an account of a tragedy that didn’t have to happen. It is also an intense, forensic deconstruction of the extended legal proceedings that followed, and a heartbreaking portrait of a family’s grief.