A creature of Persian mythology. A Legendary.But she doesn’t want to be. Unlike the Legendaries in The Red, Yasmin wants nothing more than an ordinary life. She tries to fool herself into believing that she doesn’t change into a beast every full moon and savagely kill innocent people.But when Yasmin starts hearing a voice in her head and is drawn into dreams that aren’t her own, she is led to Fray—a girl who once saved Yasmin from hunters, who has shadowy memories that hint at her having Legendary magic—and Yasmin is catapulted into a life of Majick and malevolence.Despite the danger around her and Fray, Yasmin might finally have a chance at being a normal girl with a normal girlfriend. But with Legendaries being killed, a war between the Gods brewing, and the beast inside Yasmin becoming stronger each moon, her mundane life is little more than a dream.

    His brother, Connor, has already been kicked out of the house for being gay and laying low seems to be his only chance to avoid the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands.Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself.-------------------------------------------------------------------------------------Optioned for screen by Game of Thrones’ Nikolaj Coster-Waldau’s, Ill Kippers Productions, and Pretty Little Liars’ Julian Morris

    She runs the school, and if she chose, she could blow up Maria and Lily’s whole world with a pointed look, or a carefully placed word.But what Delilah doesn’t know is that Lily and Maria are willing to do anything—absolutely anything—to make their dreams come true. And the first step is unseating Delilah for the Kingsley Prize. The full scholarship, awarded to Maria, will lock in her attendance at Stanford―and four more years in a shared dorm room with Lily.Maria and Lily will stop at nothing to ensure their victory—including harnessing the dark power long rumored to be present on the former plantation that houses their school.But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what is imagined, the girls must decide where they draw the line.

    The last thing she wants is to fall in love with a girl--especially when that girl is her best friend, Baker. Hannah knows she should like Wally, the kind, earnest boy who asks her to prom. She should cheer on her friend Clay when he asks Baker to be his girlfriend. She should follow the rules of her conservative Louisiana community--the rules that have been ingrained in her since she was a child.But Hannah longs to be with Baker, who cooks macaroni and cheese with Hannah late at night, who believes in the magic of books as much as Hannah does, and who challenges Hannah to be the best version of herself. And Baker might want to be with Hannah, too--if both girls can embrace that world-shaking, yet wondrous, possibility.

    A woman grieves the loss of a sister, a "gay divorce," and the pain of unacknowledged abuse with the help of a lone wallaby on a farm in Washington State. A professor of women's and gender studies revels in academic and sexual power but risks losing custody of the family dog.Corinne Manning’s defiant, beautifully realized story collection about the messy complications of contemporary queer life follow a cast of queer characters as they explore the choice of assimilation over rebellion, feeling the promise of a radically reimagined world but facing complicity instead.

    “My full name is Serene-Heart-in-the-Chaos-of-Battle.”Elliot’s mouth fell open. “That is badass.”The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border—unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and—best of all as far as Elliot is concerned—mermaids.Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands.It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world.

    What to eat, where to go, whom to love. But there is one thing she is absolutely sure of—she wants to spend the rest of her life writing music with her younger sister, Lea. Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. Now thousands of miles from home, Rumi struggles to navigate the loss of her sister, being abandoned by her mother, and the absence of music in her life. With the help of the “boys next door”—a teenage surfer named Kai, who smiles too much and doesn’t take anything seriously, and an eighty-year-old named George Watanabe, who succumbed to his own grief years ago—Rumi attempts to find her way back to her music, to write the song she and Lea never had the chance to finish. Aching, powerful, and unflinchingly honest, Summer Bird Blue explores big truths about insurmountable grief, unconditional love, and how to forgive even when it feels impossible.

    I’d never had a crush on anyone. No boys, no girls, not a single person I had ever met. What did that mean? Georgia has never been in love, never kissed anyone, never even had a crush – but as a fanfic-obsessed romantic she’s sure she’ll find her person one day. As she starts university with her best friends, Pip and Jason, in a whole new town far from home, Georgia’s ready to find romance, and with her outgoing roommate on her side and a place in the Shakespeare Society, her ‘teenage dream’ is in sight. But when her romance plan wreaks havoc amongst her friends, Georgia ends up in her own comedy of errors, and she starts to question why love seems so easy for other people but not for her. With new terms thrown at her – asexual, aromantic – Georgia is more uncertain about her feelings than ever. Is she destined to remain loveless? Or has she been looking for the wrong thing all along? This wise, warm and witty story of identity and self-acceptance sees Alice Oseman on towering form as Georgia and her friends discover that true love isn’t limited to romance.

    Here you'll find the Lady of the Lake reimagined as an albino Ugandan sorceress and the Lady of Shalott as a wealthy, isolated woman in futuristic Mexico City; you'll see Excalibur rediscovered as a baseball bat that grants a washed-up minor leaguer a fresh shot at glory and as a lost ceremonial drum that returns to a young First Nations boy the power and the dignity of his people. There are stories set in Gilded Age Chicago, '80s New York, twenty-first century Singapore, and space; there are lesbian lady knights, Arthur and Merlin reborn in the modern era for a second chance at saving the world and falling in love--even a coffee shop AU.Brave, bold, and groundbreaking, the stories in Sword Stone Table will bring fresh life to beloved myths and give long-time fans a chance to finally see themselves in their favorite legends.

    A smile across a counter at a coffee shop or video store. A secret revealed in a song from another place and time. Or in a love ballad crooned at a high school dance. In this anthology of never-before-published sweet LGBTQ+ stories, six authors explore the beginnings of love between young and new adult couples. All proceeds will support The Trevor Project's work with crisis intervention and suicide prevention for LGBTQ+ youth.

    These stories feature clockwork hearts, lascivious queens, paper men, island circuses, and a flooded world.• On the island of Skye, an antlered girl and a tiger-tailed boy resolve never to be friends – but can they resist their unique connection?• In an alternative 19th-century Paris, a love triangle emerges between a man, a woman, and a coin-operated boy.• A teenager deals with his sister’s death by escaping from their tiny Scottish island – but will she let him leave?• In 1920s New Orleans, a young girl comes of age in her mother’s brothel.Some of these stories are radical retellings of classic tales, some are modern-day fables, but all explore substitutions for love.

    Sam doesn’t plan to fall for anyone in the nine weeks before his birthday. He’ll spend his time working at the Eezy-Freeze with his dad; cooking up some midsummer magic with his grandmother, great-grandmother, and great-great-grandmother (the Grands); and experimenting with drag with the help of the queens at the Shangri-La, the local gay club. But when a new guy comes to town, Sam finds himself in trouble when they strike up a friendship that might be way more than that.As Sam’s birthday approaches and he still hasn’t quite fallen in love, the curse seems to get more powerful and less specific about who it targets. A mysterious girl Sam talks to on the phone late at night and a woman he’s only seen in a dream might have the answers he’s been looking for—but time is running out to save the people he cares about.

    Or why the boy who shot Freddie, David Combs, disappeared from the same parking lot minutes later after getting sucked up into the clouds. What also can’t be explained are the talking girl on the front of a tampon box, or the reasons that David Combs shot Freddie in the first place.As more unbelievable things occur, and Elena continues to perform miracles, the only remaining explanation is the least logical of all—that the world is actually coming to an end, and Elena is possibly the only one who can do something about it.

    Easton when he was four permanently set Cole's status to freak. At seventeen, his exit plan is simple: make it through the last few weeks of high school with his grades up and his head down. When he pushes through the front door of the school and finds himself eighty kilometers away holding the door of a museum he was just thinking about, Cole faces facts: he's either more deluded than old Ms. Easton, or he just teleported. Now every door is an accident waiting to happen―especially when Cole thinks about Malik, who, it turns out, has a glass door on his shower. When he starts seeing the same creepy people over his shoulder, no matter how far he's gone, crushes become the least of his worries. They want him to stop, and they'll go to any length to make it happen. Cole is running out of luck, excuses, and places to hide. Time for a new exit plan.

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors