(Ages 12+)It's 1895, and after the suicide of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's been followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls—and their foray into the spiritual world—lead to?

    He was born with a gift for knowing what people are thinking and an uncanny ability to throw his voice, and he has been using those skills while working for a rather foolish magician. That work will soon end, however, and on the night of the magician's final performance, Yann's life will truly begin. That's the night he meets shy Sido, an heiress with a cold-hearted father, a young girl who has only known loneliness until now. Though they have the shortest of conversations, an attachment is born that will influence both their paths. And what paths those will be! While Revolution is afoot in France, Sido is being used as the pawn of a fearful villain who goes by the name Count Kalliovski. Some have instead called him the devil, and only Yann, for Sido's sake, will dare to oppose him.

    Hidden until now in the pages of her diary, Mary's startling story begins in 1659, the year her beloved grandmother is hanged in the public square as a witch. Mary narrowly escapes a similar fate, only to face intolerance and new danger among the Puritans in the New World. How long can she hide her true identity? Will she ever find a place where her healing powers will not be feared?Just two weeks after publication, Celia Rees's WITCH CHILD spirited its way onto the Book Sense Children's Only 76 list as one of the Top 10 books that independent booksellers like to handsell. Within a month, this riveting book sold out its first two hardcover printings. Now, Candlewick Press is pleased to announce the publication of WITCH CHILD in paperback.

    Now Briony has worn her guilt for so long it's become a second skin. She often escapes to the swamp, where she tells stories to the Old Ones, the spirits who haunt the marshes. But only witches can see the Old Ones, and in her village, witches are sentenced to death. Briony lives in fear her secret will be found out, even as she believes she deserves the worst kind of punishment. Then Eldric comes along with his golden lion eyes and mane of tawny hair. He's as natural as the sun, and treats her as if she's extraordinary. And everything starts to change. As many secrets as Briony has been holding, there are secrets even she doesn't know.

    HANGED. ALIVE? (AND TRUE!)Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon.

    One dark night, Kit finds his master bleeding from a mortal wound, dons the man's riding cloak to seek help, and changes the course of his life forever. Mistaken for Whistling Jack and on the run from redcoats, Kit is catapulted into a world of magic and wonders he thought the stuff of fairy tales. Bound by magical law, Kit takes up his master's quest to rescue a rebellious fairy princess from an arranged marriage to King George III of England. But his task is not an easy one, for Kit must contend with the feisty Princess Morgana, gobling attacks, and a magical map that portends his destiny: as a hanged man upon the gallows…. Fans of classic fairy-tale fantasies will find much to love in this irresistible YA debut by Ben Tripp, the son of one of America's most beloved illustrators, Wallace Tripp (Amelia Bedelia). Following in his father's footsteps, Ben has woven illustrations throughout the story. "Delightful and charming. A swashbuckling adventure in the vein of Robert Louis Stevenson." —#1 New York Times bestselling author Brandon Sanderson

    She’s read every book in his library, has an impressive knowledge of the world’s most sought-after relics, and has all the ambition in the world. What she doesn’t have is her father’s permission. That honor goes to her father’s nineteen-year-old protégé—and once-upon-a-time love of Theodora’s life—Huck Gallagher, while Theodora is left to sit alone in her hotel in Istanbul.Until Huck returns from an expedition without her father and enlists Theodora’s help in rescuing him. Armed with her father’s travel journal, the reluctant duo learns that her father had been digging up information on a legendary and magical ring that once belonged to Vlad the Impaler—more widely known as Dracula—and that it just might be the key to finding him.Journeying into Romania, Theodora and Huck embark on a captivating adventure through Gothic villages and dark castles in the misty Carpathian Mountains to recover the notorious ring. But they aren’t the only ones who are searching for it. A secretive and dangerous occult society with a powerful link to Vlad the Impaler himself is hunting for it, too. And they will go to any lengths—including murder—to possess it.

    From the bestselling master of teen fantasy, Garth Nix.In a slightly alternate London in 1983, Susan Arkshaw is looking for her father, a man she has never met. Crime boss Frank Thringley might be able to help her, but Susan doesn’t get time to ask Frank any questions before he is turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive Merlin.Merlin is a young left-handed bookseller (one of the fighting ones), who with the right-handed booksellers (the intellectual ones), are an extended family of magical beings who police the mythic and legendary Old World when it intrudes on the modern world, in addition to running several bookshops.Susan’s search for her father begins with her mother’s possibly misremembered or misspelt surnames, a reading room ticket, and a silver cigarette case engraved with something that might be a coat of arms.Merlin has a quest of his own, to find the Old World entity who used ordinary criminals to kill his mother. As he and his sister, the right-handed bookseller Vivien, tread in the path of a botched or covered-up police investigation from years past, they find this quest strangely overlaps with Susan’s. Who or what was her father? Susan, Merlin, and Vivien must find out, as the Old World erupts dangerously into the New.

    He’s also dying, which is inconvenient, as he’s only sixteen and he’d much rather be planning for his first kiss than considering who will inherit his crown…Jane (reads too many books) is Edward’s cousin, and far more interested in books than romance. Unfortunately for Jane, Edward has arranged to marry her off to secure the line of succession. And there’s something a little odd about her intended…Gifford (call him G) is a horse. That is, he’s an Eðian (eth-y-un, for the uninitiated). Every day at dawn he becomes a noble chestnut steed—but then he wakes at dusk with a mouthful of hay. It’s all very undignified.The plot thickens as Edward, Jane, and G are drawn into a dangerous conspiracy. With the fate of the kingdom at stake, our heroes will have to engage in some conspiring of their own. But can they pull off their plan before it’s off with their heads?

    A fictionalized account, told in verse, of the Salem witch trials, told from the perspective of three young women living in Salem in 1692-- Mercy Lewis, Margaret Walcott, and Ann Putnam, Jr.

    Three girls witness the action of Shakespeare's play firsthand - and their lives are forever changed because of it.Lady Mary is a ward of Lord and Lady Macbeth whose life is forever changed when her father, Lord Cawdor, betrays the Scottish king - and is hanged as a traitor. In an instant, Mary has lost both her father and future. Now she's trapped in a castle with a power-hungry couple who will do anything to get what they want - and are willing to crush anyone in their way. Including Mary. As the murderous events of Shakespeare's play unfold around her, Mary must struggle to survive - and do what she can to prevent more deaths. But can a lone girl save lives when a legion of Scottish lords cannot?

     If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. And there are no strangers in the town of Near.These are the truths that Lexi has heard all her life. But when an actual stranger-a boy who seems to fade like smoke-appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. Still, he insists on helping Lexi search for them. Something tells her she can trust him.As the hunt for the children intensifies, so does Lexi's need to know-about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

    . .Sometimes, when a person dies, their spirit goes looking for somewhere to hide. Some people have space within them, perfect for hiding. Twelve-year-old Makepeace has learned to defend herself from the ghosts which try to possess her in the night, desperate for refuge, but one day a dreadful event causes her to drop her guard. And now there's a spirit inside her. The spirit is wild, brutish and strong, and it may be her only defence when she is sent to live with her father's rich and powerful ancestors. There is talk of civil war, and they need people like her to protect their dark and terrible family secret. But as she plans her escape and heads out into a country torn apart by war, Makepeace must decide which is worse: possession – or death.

    And certainly not careers in magic. At least, most of them didn't.Shy, studious Persephone Leland would far rather devote herself to her secret magic studies than enter society and look for a suitable husband. But right as the inevitable season for "coming out" is about to begin, Persy and her twin sister discover that their governess in magic has been kidnapped as part of a plot to gain control of the soon-to-be Queen Victoria. Racing through Mayfair ballrooms and royal palaces, the sisters overcome bad millinery, shady royal spinsters, and a mysterious Irish wizard. And along the way, Persy learns that husband hunting isn't such an odious task after all, if you can find the right quarry.

    She’s angry at her father for leaving, angry at her mother for not being able to cope, and heartbroken by the loss of her younger brother, Truman. Rage and grief are destroying her. And she’s about to be expelled from Brooklyn Heights’ most prestigious private school when her father intervenes. Now Andi must accompany him to Paris for winter break.PARIS: Alexandrine Paradis lived over two centuries ago. She dreamed of making her mark on the Paris stage, but a fateful encounter with a doomed prince of France cast her in a tragic role she didn’t want—and couldn’t escape. Two girls, two centuries apart. One never knowing the other. But when Andi finds Alexandrine’s diary, she recognizes something in her words and is moved to the point of obsession. There’s comfort and distraction for Andi in the journal’s antique pages—until, on a midnight journey through the catacombs of Paris, Alexandrine’s words transcend paper and time, and the past becomes suddenly, terrifyingly present.