Though its earliest films, such as The Prince of Egypt, feature traditional hand-drawn cel animation, DreamWorks soon forayed into claymation with Chicken Run and Wallace & Gromit, and pioneered advanced computer animation with films such as Antz, Shark Tale, and How to Train Your Dragon. Brimming with concept art, preproduction designs, and character sketches, DreamWorks Animation marks the studio's 20th anniversary and offers unprecedented behind-the-scenes access into its archives. An introduction by DreamWorks co-founder Katzenberg provides insider perspective on the studio's most popular films, as does running commentary from artists and directors on all of DreamWorks' 30 films to date.

    Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

    Written for Learners of English by Harry GilbertRichard is bored with the quiet life of his village. He would like to have a motor-car and drive it . . . very fast. But Richard lives in a future world where there are no cars, only bicycles and small villages and green forests.And now he is twelve years old, and like the other children, he must do his Year of Sharing. He must live alone in the forest with the wild animals. He must learn to share his world; he must learn how animals live and eat and fight . . . and die.

    Acting for Animators sorts out the acting theory that animators need, presenting it in a form and with references that are more relevant to the animator's world. It explores the connections between thinking and physical action, between thinking and emotion; it provides the steps for an effective character analysis and the dynamics of a scene. Using references to animation and live action, acting principles are highlighted and explained. Plus, the accompanying CD-ROM provides explicit examples, including videoclips of improvs based on the seven essentials of acting and highlights of Rudolph Laban's movement theory. This revised edition is illustrated by Paul Naas, an animator and director whose work includes film, TV, video games, location-based entertainment, and Internet animation. He was one of the first animator/instructors hired by the Disney Institute.

    Now, actress Lara Parker, Angelique herself, tells how it all began. A passion born in ecstasy...The dashing heir of a New England shipping magnate, Barnabas Collins captured the heart of the exquisite, young Angelique amidst the sensual beauty of Martinique, her island home. But Angelique's brief happiness is doomed when Barnabas cruelly deserts her and becomes engaged to another. Little, though, does Barnabas know of the evil his betrayal will unleash...And destroyed by jealousy and betrayalFor Angelique is no ordinary woman. Raised in the mysterious black art of voodoo witchcraft, she has long ago pledged her soul to darkness and become immortal. Vowing to torment and destroy Barnabas, a vengeful Angelique damns him to eternal life as a vampire--a companion to accompany her forever. Little, though, does Angelique understand the depth of Barnabas's fury...Vividly imagined, grippingly written, each "Dark Shadows" novel is filled with the eroticism, supernatural suspense, and spellbinding storytelling that has made this classic daytime serial a timeless hit.

    Designed to be used in either English or Communication departments, Anatomy of Film helps students new to film develop a critical awareness of cinema without overwhelming them.

    The eponymous Steven is a boy who—alongside his mentors, the Crystal Gems (Garnet, Amethyst, and Pearl)—must learn to use his inherited powers to protect his home, Beach City, from the forces of evil. Bursting with concept art, production samples, early sketches, storyboards, and exclusive commentary, this lavishly illustrated companion book offers a meticulous written and visual history of the show, as well as an all-access tour of the creative team’s process. The Art of Steven Universe reveals how creator Rebecca Sugar, the writers, the animators, and the voice actors work in tandem to bring this adventure-packed television series to life.

    Lynch's unique universe of the "ridiculous sublime" is interpreted as a simultaneous playful staging and traversing of the fundamental ideological fantasies that sustain our late capitalist society.A master of reversals, Zizek invites the reader to reexamine with him easy assumptions, received opinion, and current critical trends, as well as pose tough questions about the ways in which we understand our world and culture. He offers provocative readings of Casablanca, Schindler's List, and Life Is Beautiful in the process of examining topics as diverse--and as closely linked--as ethics, politics, and cyberspace.

    Cartier-Bresson’s concept of the “decisive moment” ― a split second that reveals the larger truth of a situation ― shaped modern street photography and set the stage for hundreds of photojournalists to bring the world into living rooms through magazines.

    Romero's 2008 release Diary of the Dead this thorough, uproarious guide traces the evolution of one of horror cinema's most popular and terrifying creations. Fans will learn exactly what makes a zombie a zombie, go behind the scenes with a chilling production diary from Land of the Dead, peruse a bizarre list of the oddest things ever seen in undead cinema, and immerse themselves in a detailed rundown of the 25 greatest zombie films ever made. Containing an illustrated zombie rating system, ranging from "Highly Recommended" to "Avoid at All Costs" and "So Bad It's Good," the book also features lengthy interviews with numerous talents from in front of and behind the camera.Features chronological reviews of more than 300 zombie films.

    From her treatment in the US and the wonderful care provided by the oncologists there to how she rebuilt her life once she returned home, the book takes us on an emotional roller-coaster ride through her many fears and struggles and shows how she eventually came out triumphant.Today, as she completes six years of being cancer-free, she shares her story-one marked by apprehensions, disappointments and uncertainties-and the lessons she learnt along the way. Through her journey, she unravels cancer for us and inspires us to not buckle under its fear, but emerge alive, kicking and victorious.

    

    Hollywood has so many stories to tell and, unfortunately, so many of them do not have happy endings. From Marilyn Monroe to posthumous Oscar winner Heath Ledger, this book lays bare some of the myths and gets to the heart of some of Hollywood's Unhappiest Endings.

    Chris Marker, the undisputed master of the filmic essay, composed the film almost entirely of still photographs.It traces a desperate experiment by the few remaining survivors of World War III to recover and change the past, and gain access to the future, through the action of memory. A man is chosen for his unique quality of having retained a single clear image from prewar days: no more than an ambiguous memory fragment from childhood -- a visit to the jetty at Orly airport, the troubling glance of an unknown woman, the crumpling body of a dying man.These elements become crucial hinge-points in the ensuing narrative, thickening and accumulating nuance with each successful expedition into the historical past. The image of the woman, increasingly suffused now with the time- and eros-bestowing capacities of a deep but impossible love, provides the kernel for the recovery of the dimension through which humankind and history will be saved, as well as the tragic abyss into which both the hero and the narrative inexorably fall. The story Marker tells -- a stunning parable of our modern fate -- is about the death of the world, about loss, memory, hope, and the indomitable power of love. This edition reproduces the original film's images along with its accompanying text in both English and French.

    Included are discussions on: cinematic time and space; compositional rules; and types of editing.