So when a leading cloth-manufacturer is found murdered and his business totters on the brink of collapse, everyone fears his fall will ruin hundreds of working families and cause the economy of the whole county to collapse. In near panic, the mayor and aldermen turn to an unlikely person to solve the riddle: Mr. Ashmole Foxe, a man who claims to be a mere bookseller, yet lives in grand style, dresses like a dandy and associates as easily with the demi-monde as the gentry. With few firm clues to go on and every sign the dead man himself had been hiding many secrets, Mr Foxe sets out to do as the City Fathers want. Who benefited from the death? Why had the murdered man been stockpiling cloth for months? Who is the stranger now trying to buy up all this surplus stock and what will he do with it? Follow Mr Foxe through Norwich’s teeming 18th-century streets as he seeks out the answers and tracks down a killer with more than profit on his mind.

    A sniper. A city on edge. As investigative journalist Andrea Kellner is heading out of Chicago for a long weekend, a driver in front of her is shot and killed. The city’s gang violence problems have spilled onto a major expressway for the third time in a month. Or is something else at play? Her career faltering and marriage all but over, Andrea desperately needs a win, provided she can find out what’s really behind the shootings. With a boss who wants her sitting on the sidelines—or back in his bed, a competitive co-worker who just wants her gone, and a detective blinded by his own past, Andrea must look past CPD’s explanation and discover the truth behind the shootings. Provided she can live to tell the story. Lies in High Places is the first book in the Andrea Kellner crime fiction series. If you like complex plots and smart, ballsy, crime-solving women, you’ll love Dana Killion’s page-turning debut.

    Although Charley doesn't like the idea, he has no choice but to put up with it. Isherwood shows the squad what difference observation makes to how a potential crime scene is viewed, when asked to help by a member of the public who is worried for the safety of her sister. Is she right? Is the girl's fiance a monster who has already killed his previous wives? The problem is that he is perceived as a high profile member of society and the Chief warns the detectives to tread carefully. Will Isherwood tread on anyone's ego as he provides insight on this potential murder case? This is the first of the series of Isherwood Case Files in which our detective gets up close and personal with homicide, showing the squad the difference between the American approach and the more reserved British approach. Mystery 2:The Case of the Ghost Writer With Jon Isherwood being asked to help in the Los Angeles Police Department's homicide division, a call is received from a landlord who has found his tenant has been murdered. In this salubrious part of town, the ghost writer has found his demise. Will the clues be sufficient to pin the murder on anyone? Since the ghost writer lived a very private life, investigation takes Isherwood and his team to the home of a rich and famous author. There are many questions unanswered, though with forensics on their side, will they be able to work out the motive that anyone could have had to kill the solitary figure? Using observation, Isherwood and his team work toward finding a conclusion to a story which spells sadness, disappointment and revenge. But whose will the revenge be and will it be easy to crack the case? Readers will need to take the journey with our detectives to find the answers to their questions. Not all is always as it seems. Mystery 3:The Case of the Dead Man with No Identity When a victim is found at the bottom of the laundry chute in a hotel, where will the inquiries begin. There is no identification on the man and nothing to say who he was. Isherwood investigates the case of the dead man with no identity with his usual flare. Should he be looking in other places or are the clues there for him to find? As the story unfolds, is the killer who they think it is? Can a killer actually be charged with murder when the victim is seemingly already dead? One of Isherwood's most irritating cases, the blandness of the whole affair baffles him. Instead of being riddled with detail for him to unfold, this crime comes with no clues, no answers and no real leads. How will the detectives find out who killed Ian Bradshaw? And what stories can the dead body tell the coroner's office about how the death occurred? Readers will discover within the pages of this story. Mystery 4: A Case of Check Mate When a murderer leaves the calling card of a chess piece, Isherwood is left to find out the significance. Does this mean something particular? The preacher who was murdered seems an unlikely victim, though Isherwood is left to do what he can to make sense of the killing. Looking through past history, perhaps there are links that may have been missed, other than for that calling card.