He was my everything. We knew he would be joining the service when we graduated. Just like his dad and grandfather did before him. So, no matter how much I wanted him to stay, he had to go. He had to leave me. My mom was once in the same situation and she waited her whole life for my dad to come back to us. I saw what she went through and how it destroyed her. I couldn’t do that to myself. So, I ended it with Tank. Tank Emily thinks I will never come back to her. But what she doesn’t realize is, I don’t have a choice. No matter what happens, no matter how far away I go, I’m coming back to her. Where I Belong (Alpha Men, 5) An Alpha Man and BBW, Steamy Sweet Romance Kim I fell for Rich in a picture. He is in my brother’s army unit and twelve years older than me. Although I dreamed about him all the time, I never imagined that we would ever meet… and he would live up to my fantasy. Rich My army brother asked me to check in on his sister. I told him I would and then he gave me her picture. I fell for her just by looking at her, and I knew the minute I saw her, I was where I belong. Do Over (Alpha Men, 6) An Alpha Man, and BBW, Steamy Sweet Romance Madison Jase and I were in love and going to be together FOREVER! And then he had to leave me. I spent the last five years dealing with a broken heart. I tried to move on, I met someone else and we had a baby together. But now, Jase is back and says he’s here to get what is his. Jase I had to leave her. At the time I didn’t think I had a choice. But I worked all this time to get back to her. She thinks since her body has changed and she has a little girl now that I don’t want her. She couldn’t be more wrong and I’m going to prove it to her. I’m going to get my second chance… my do-over. Note: This is a steamy, sweet, SHORT romance. It has a HEA with alpha male and a plus-size woman that makes him hers! If you love short romances with insta love, hot love scenes, and a sweet story, then this one is for you.

     Lacey Luzzi’s rollercoaster of a life has been filled with the highest of highs and the lowest of lows. She just never expected the lows to be so… sparkly. After falling on her face during an attempt to follow in her recently-deceased mother’s stripper-boots, Lacey realizes she’s not cut out for life on stage. She sets out on a year-long investigation to find her true family, never expecting she’ll find it with a capital “F.” With a rumbling stomach, a need for money (check engine lights don’t fix themselves!), and a conscience that operates at 78% on a good day, Lacey is sucked into a whirlwind of Family secrets, hard-as-cement cookies, and mysterious, sexy men who unfortunately shoot guns, sometimes aimed at her face. The long-lost-granddaughter of Carlos Luzzi, the Godfather of the Italian Mafia, Lacey accepts her first assignment for the mob: finding fifteen million dollars of ‘the good stuff.’ Even after she enlists the help of her mouthy best-friend and her cousin, a technical genius and social disaster, she finds that going toe-to-toe with the rival Russian mob is more dangerous than expected. No one chooses their Family, but Lacey Luzzi will be lucky if she can survive hers. ** ** Lacey Luzzi: Sprinkled, is a full-length, laugh-out-loud, humorous cozy mystery with a strong female protagonist in the spirit of Janet Evanovich’s Stephanie Plum, albeit one working for the wrong side of the law… Note: Rated a strong PG-13 for sarcasm and mild language. No graphic gore or sex.

     Part of the Storycuts series, this short story was previously published in the collection If You Liked School, You'll Love Work.

    A great new addition to your Pokémon library

    Short chapters can be read in any order, with new vocabulary defined on the page as it occurs. Eight “Gateways to Art” images (from around the world and all eras) support the common course goal of learning to interpret art in multiple ways and help students build on what they already know. The text is balanced and global, with over 1,000 illustrations—from around the world, and from everyday life.

    And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. How is it that even as criticism drifts away from academia, it becomes more academic? How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp? In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes."In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World

    But a courageous and visionary young woman-Katharine Kuh-defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand L ger, Paul Klee, Joan Mir, Ansel Adams, Marc Chagall, and Alexander Calder, to name but a few. Not only did Kuh survive these rocky early years but most of the artists became increasingly famous. In 1954, the Art Institute of Chicago named her its first curator of modern painting and sculpture. Kuh's prestigious position at the museum led to friendships with Marcel Duchamp, Mark Rothko, Mies van der Rohe, and Edward Hopper. In writing her memoir, she hoped to offer intimate portraits of these luminaries and contribute to a fuller understanding of their achievements. Her book also reveals how and why America became a major force in the world of contemporary art.After Katharine Kuh's death, Avis Berman-noted art historian and Kuh's close friend and literary executor-selected, edited, and completed her writings for this book.

    Conclusions are perpetually delayed. Resolutions are continually postponed. The text is written for takeoff, not arrival. It is a first step for readers' explorations of current modes of art making and for their own future artistic achievements. The much-anticipated follow-up to Art on the Edge... and Over, Linda Weintraub's highly accessible introduction to contemporary art since the 1970s, In the Making: Creative Options for Contemporary Art explores essential but sometimes elusive facets of art making today. In her trademark writing style--straightforward and jargon-free--Weintraub sets out to itemize the conceptual and practical concerns that go into making contemporary art in all its endless permutations. In six clearly defined thematic sections---Scoping an Audience, - -Sourcing Inspiration, - -Crafting an Artistic 'Self', - -Expressing an Artistic Attitude, - -Choosing a Mission, - and -Measuring Success---Weintraub moves artist by artist, in 40 individual chapters, using each to explain a different aspect of art making. Isaac Julien makes work for a highly specific audience; Michal Rovner communicates through metaphor and symbol; Charles Ray disrupts the viewer's assumptions; Pipilotti Rist is inspired by female emotions; William Kentridge is moved by apartheid and redemption; Vanessa Beecroft epitomizes the biography of a smart, attractive, Caucasian woman; and Matthew Barney achieves success through resistance. Through a compelling combination of renowned and up-and-coming artists, Weintraub creates a complex understanding of how to make and look at contemporary art--but in a simple, easily digestible format and language.In addition to being a fine read for anyone who simply wants to understand how to look at contemporary art, In the Making is also an exceptional pedagogical tool, one that addresses what is fast becoming a huge gap in art education. Teaching artistic techniques no longer provides young artists with a sufficient education--a full range of conceptual issues needs to be considered in any well-rounded studio practice. Yet these very same conceptual issues are often those that are dealt with textually in art history and criticism classes. Weintraub persuasively offers a series of texts that fit squarely into this gap, addressing issues that concern anyone who is learning how to make art or how to understand it.In addition, In the Making includes a series of interviews in which many of the artists discuss the practical issues of their life's work. Conducted by Weintraub's students at Oberlin College, the interviews pose questions about the artists' schooling, their studio space, and how they support themselves if their main income doesn't come from their art--the kind of questions every art student has always wanted to ask the artists whose work they see on gallery walls.

    In a book that spans the years from the wild speculation of the late 1980s to the recession of the 1990s, Polsky, himself a private dealer, takes his readers on a funny, fast-paced tour through an industry characterized by humor, hypocrisy, greed, and gossip.

    Before his success as an author Goodkind worked primarily as a painter, as well as doing carpentry and woodworking. Goodkind is a proponent of Ayn Rand's philosophical approach of Objectivism, with references to Rand's ideas and novels referenced in his works.The Sword of Truth series sold twenty-five million copies worldwide and was translated into more than twenty languages. It was adapted into a television series called Legend of the Seeker, premiering November 1, 2008 but canceled after two seasons in May, 2010.

    Here you’ll find everything from an unlucky-in-love super model to a prominent doctor who falls in love with his best friend’s girlfriend to a woman putting her life back together after the death of her mother to a young couple separated by tragedy but brought back together by love. Each title offers a sizzling love story and a guaranteed happy ending. So get comfortable and be prepared to fall in love—four times!

    The tree is decorated, the mistletoe is in place, and the crab puffs are to die for. Nothing can spoil this celebration…except for some wayward magic and a pesky ghost who crashes the party.SPIRITS OF BOURBON STREETIt’s Halloween on Bourbon Street, and white witch Jade Calhoun is ready to party. But when a sexy spirit traps everyone in the past, she’s forced to forgo the cocktails in order to save those she loves...again.A MIRACLE ON BOURBON STREETIt’s Christmas Eve and Jade Calhoun’s ready for a quiet, magical night with her husband Kane. But when Santa demons and energy-stealing elves start wreaking havoc, it’s going to take a miracle on Bourbon Street to save Christmas.A BOURBON STREET VALENTINEIt’s Valentine’s Day and magic’s in the air. Only Kat Hart never expected her handmade jewelry to be at the center of everything. So when her night out at Cupid’s Ball turns into a competition to be a handsome stranger’s wife, it’s up to her to break the spell…or she might get more than she bargained for.SPIRITS, HURRICANES, AND THE KREWE OF GHOULIt’s Halloween and Pyper Rayne’s all vamped up, ready to play the vampire bride. And so is Ida May, her resident ghost. But when the “vampires” they're partying with start to appear to be real, there’s more at stake than just a little bite.KISSED BY TEMPTATIONThe last place sex-witch Mati Ballintine wants to be is at a holiday sorority party. But when the high angel from the council orders her to protect a new angel recruit, she has no choice but to go and grit her teeth through the frat boys’ advances.
The night turns from bad to worse when a demon appears and is hell-bent on taking the angel to Hell. Mati and her incubus boyfriend Vaughn will need to combine forces to not only save the angel, but everyone else the demon leaves in his wake.

    A young girl submerged into a galactic conflict. A single chance to help win the war. The daughter of a royal family, Brie Northstar believes she knows what to expect from life. She's wrong. During a routine shuttle trip to one of the outer planets, Brie's transport is destroyed and she finds herself thrust into a centuries old conflict between three warring planets, a conflict she is suddenly in the middle of. Yet somehow this young teenager from Athelon has skills and abilities she shouldn't have - she can't have. Now separated from her family with only her wits - and her newfound abilities - to help she travels from planet to planet, risking her life to prevent galactic destruction and unite a rebellion to save the galaxy. For the first time ever - the complete nine book War of the Three Planets series is available in a single omnibus for a ridiculously low price. If you love Ender's Game you will love War of the Three Planets.

    The drip paintings of Jackson Pollock, trailblazing Abstract Expressionist, appear to be the polar opposite of Thomas Hart Benton’s highly figurative Americana. Yet the two men had a close and highly charged relationship dating from Pollock’s days as a student under Benton. Pollock’s first and only formal training came from Benton, and the older man soon became a surrogate father to Pollock. In true Oedipal fashion, Pollock even fell in love with Benton’s wife.Pollock later broke away from his mentor artistically, rocketing to superstardom with his stunning drip compositions. But he never lost touch with Benton or his ideas—in fact, his breakthrough abstractions reveal a strong debt to Benton’s teachings. In an epic story that ranges from the cafés and salons of Gertrude Stein’s Paris to the highways of the American West, Henry Adams, acclaimed author of Eakins Revealed, unfolds a poignant personal drama that provides new insights into two of the greatest artists of the twentieth century.