So when she agrees to accompany her best friend Renee to a Southside ball game, her only concern is keeping her cool around the peeps. She's not there to ogle men like Renee, but the moment Jewel lays eyes on Roman Montgomery, she begins to wonder just what she's been missing. When it comes to men, Jewel's heard it all before, but suddenly it seems like Rome's working from a whole new script. . .Renee Nightingale loves to fall in love. Right now, she's got her sights set on landing a rock from her current main squeeze, Gregory. She's not getting any younger, and she sure isn't going to reach thirty still single. And to ensure no one plays her, she's always got a game going on. So when temptation comes calling in the form of a fine, young man with a chiseled physique, she can't resist--and why should she? What Gregory doesn't know, can't hurt them--or so she thinks. . .

    Harris, I'm sorry, but you have cancer.” Although devastated to learn he has just one year to live, fifty-five-year-old Julius Harris has always known that the day would come when he would pay for walking out on his wife and three children twenty years earlier. Now, with a sudden and passionate determination to make his family whole again, Julius begins trying to find a way back to his sons. Caleb, the youngest, struggling to support a son and make his way in a relentless world, couldn't care less about his own absentee father. Middle son Marcus can't abide even his father's memory, which gets in the way of his committing to the one woman who has turned his life around. And Austin, Julius' eldest child, so adores what he remembers of his father that he's following in his footsteps, abandoning his wife and children just as Julius had done. Inspired by RM Johnson's own fragile family history, The Harris Men is his poignant exploration of the increasing problem of absentee fathers—and of the compromises made by the families they leave behind. As the Harris men grapple with their fears and their choices, Johnson gets to the very heart of what it means to be a man.

    He lives in gray, broken Bellmont, a town ruled by the Irish Mob, drugs, violence, and racially charged rivalries. At home, he takes care of his disabled grandfather, and at school he’s called “White Rabbit”, the only white kid on the varsity basketball team. He’s always dreamed of getting out somehow with his girlfriend, Erin. But until then, when he puts on his number 21, everything seems to make sense.Russ has just moved to the neighborhood. A former teen basketball phenom from a privileged home, his life has been turned upside down by tragedy. Cut off from everyone he knows, he now answers only to the name Boy21—his former jersey number—and has an unusual obsession with outer space.As their final year of high school brings these two boys together, “Boy21” may turn out to be the answer they both need.

    In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.

    She also has a weekly beauty-parlor date with Tina, who keeps Venus's long, processed hair slick and straight. But when Clint--who's been reluctant to commit over the past four years--brings home a puppy instead of an engagement ring, Venus decides to give it all up. She trades in her long hair for a dramatically short, natural cut and sends Clint packing.It's a bold declaration of independence--one that has effects she never could have imagined. Reactions from friends and coworkers range from concern to contempt to outright condemnation. And when Clint moves on and starts dating a voluptuous, long-haired beauty, Venus is forced to question what she really wants out of life. With wit, resilience, and a lot of determination, she finally learns what true happiness is--on her own terms. Told with style, savvy, and humor, Nappily Ever After is a novel that marks the debut of a fresh new voice in fiction.

    Eric, a Nordic Adonis, is graced by a seemingly endless supply of good fortune. Tommy is a lame black boy, cursed with health problems, yet he remains optimistic and strong.After tragedy rips their makeshift family apart, the lives of these boys diverge astonishingly: Eric, the golden youth, is given everything but trusts nothing; Tommy, motherless and impoverished, has nothing, but feels lucky every day of his life. In a riveting story of modern-day resilience and redemption, the two confront separate challenges, and when circumstances reunite them years later, they draw on their extraordinary natures to confront a common enemy and, ultimately, save their lives.

    At the end of the day, the Banks sisters are no different than any other family in the city of Richmond--other than the fact that they are rotten to the core. Sure, the girls are bonded by D.N.A, but they're also tied together because of their past of robbing banks, extortion, drug dealing, and even cold-blooded murder. However, that bond means absolutely nothing to them. When it comes down to it, it is every sister for herself, even if it means throwing her siblings underneath the bus to avoid the consequences of their many crimes. Sisterly love be damned; this is survival!

    from Middle English "wenchel," 1 a: a girl, maid, young woman; a female child.Tawawa House in many respects is like any other American resort before the Civil War. Situated in Ohio, this idyllic retreat is particularly nice in the summer when the Southern humidity is too much to bear. The main building, with its luxurious finishes, is loftier than the white cottages that flank it, but then again, the smaller structures are better positioned to catch any breeze that may come off the pond. And they provide more privacy, which best suits the needs of the Southern white men who vacation there every summer with their black, enslaved mistresses. It's their open secret.Lizzie, Reenie, and Sweet are regulars at Tawawa House. They have become friends over the years as they reunite and share developments in their own lives and on their respective plantations. They don't bother too much with questions of freedom, though the resort is situated in free territory–but when truth-telling Mawu comes to the resort and starts talking of running away, things change.To run is to leave behind everything these women value most–friends and families still down South–and for some it also means escaping from the emotional and psychological bonds that bind them to their masters. When a fire on the resort sets off a string of tragedies, the women of Tawawa House soon learn that triumph and dehumanization are inseparable and that love exists even in the most inhuman, brutal of circumstances–all while they are bearing witness to the end of an era.An engaging, page-turning, and wholly original novel, Wench explores, with an unflinching eye, the moral complexities of slavery.

    She's feisty, gorgeous, smart, and savvy -- a single woman playing the field and loving it. She sticks to the rules of dating she's learned through life's tough breaks as she fends off two-bit actors, old flames, and a determined secret admirer. The game changes, however, when Mr. Right appears on the scene. But just as Madison is about to follow her heart, her life turns upside down, forcing her to learn a whole new set of rules about love, loss, and trust.

    She left everything behind to elope with Middleburg attorney Rick Manfred, never imagining he would stand her up at the altar. Now, hoping just to get by until she can decide what to do next, Steph thinks she's found the perfect position at the local tea shop.

    In a shallow attempt to move forward, she marries the older Deacon of the church, but is liberated when he dies on their wedding night. Now free to find love and happiness, Sabrina discovers the dark side of love and lust when she is confronted by her new best friend Blair; when Blair thinks Sabrina has stolen the man she loves.

    As they embark on their search to find their soul mates, they navigate the full-contact sport known as being a SSBFLA (successful, single, black, female in L.A.) and negotiate the shark-infested waters of making a name for themselves professionally in Hollywood.Can Trista, the hyper-driven celebrity agent, find the time to schedule a meaningful romance? Will Amaya, the sexy starlet, convince the married hip hop-label exec she has been seeing to leave his wife, or will the NBA star steal her heart in the final seconds? After undergoing a complete makeover, will Vivian, the jaded gossip columnist, win back the father of her child?As seductive as it is empowering, The Vow is a page-turner that will keep you cheering for these women as they discover that their desire to find a husband isn't as important as finding themselves.

    That's why no one is more surprised than her when she starts dating Thomas Anthony Young, the fit and handsome office heartthrob. After eight months together, Tiffany is sure that he's about to propose at any minute.Instead, she's taken off guard when they have a senseless argument. Thomas abruptly departs for a business trip, leaving Tiffany hurt and confused. In an effort to cheer herself up, she calls her friend Alicia for some company. Alicia already has plans to attend the wedding of a cousin she's not too fond of. She suggests that Tiffany go with her. They'll make a brief appearance and then spend the rest of the day together, shopping and catching up. Neither one of them is prepared for the pandemonium that breaks loose when they get to the wedding and Tiffany discovers that Thomas is the groom!

    Its central characters, Herbie and Noon, are a loving but unconventional couple whose marriage remains unconsummated for many years as Noon struggles to repossess her sexuality after a brutal attack in her past. While she seeks salvation in the church, Herbie gains sexual gratification in the arms of a bewitching jazz singer named Ethel, a woman who profoundly affects both Noon's and Herbie's lives when she leaves with them, first, a baby girl and then later, a five-year-old named Liz. When a road planned by the city council threatens to break up this South Philadelphia neighborhood, the community must band together. Unexpectedly, Noon rises up and takes the lead in the opposition, fighting for all she's worth to keep her family and community together. Tumbling is a beautifully rendered, poignant story about the ties that bind us and the secrets that keep us apart. With striking lyricism, Diane McKinney-Whetstone keenly guides us through the world of community, family, and the human heart.

    He’s dazzled by what they’ve accomplished, and they seem to think he has the potential to be as successful as they are. They invite him for a weekend away from it all—no wives, no cell phones, no talk of business. But far from home and cut off from everyone he loves, he discovers a disturbing secret that challenges some of his deepest convictions…Martin finds out that his glittering new friends are part of a secret society dedicated to the preservation of the institution of slavery—but this time around, the black men are called “Master.” Joining them seems to guarantee a future without limits; rebuking them almost certainly guarantees his death. Trapped inside a picture-perfect, make-believe world that is home to a frightening reality, Martin must find a way out that will allow him to stay alive without becoming the very thing he hates.A novel of rage and compassion, good and evil, trust and betrayal, Forty Acres is the thought-provoking story of one man’s desperate attempt to escape the clutches of a terrifying new moral order.