An attorney with enough problems of her own, Gail sifts through her murdered sister's past and discovers a maze of horrifying questions.

    The only silver lining to her mother's death is that Margot, who was adopted, can finally go looking for her birth mother. What she finds is an imcomplete family--the only person left is Nikki, her mother's older sister. Aunt Nikki brings upetting news: Margot's mother is dead, murdered many years ago, one of a series of sex workers killed in Glasgow.The killer--or killers?--has never been found, Aunt Nikki claims. They're still at large... and sending her letters, gloating letters that include the details of the crime. Now Margot must choose: take the side of the world against her dead mother, or investigate her murder and see that justice is done at last. Darkly funny and sharply modern, Denise Mina's latest novel is an indelible, surprisingly moving story of daughters and mothers, blood family and chosen family, and how the search for truth helps one woman to find herself.

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    The photo shows a shuttered, ramshackle house on top of a steep hill. On the back, a puzzling inscription: Destiny calls us.Ava is certain that it’s a clue to her elusive past. Twenty-three years ago, she’d been found wrapped in a yellow blanket in the narthex of the Holy Saviour Catholic Church—and rescued—or so she’d been told. Her mother claimed there was no more to the story, so the questions of her abandonment were left unanswered. For Ava, now is the time to find the roots of her mother’s lies. It begins with the house itself—once the scene of a brutal double murder.When Ava enlists the help of the two people closest to her, a police detective and her best friend, she fears that investigating her past could be a fatal mistake. Someone is following them there. And what’s been buried in Ava’s nightmares isn’t just a crime. It’s a holy conspiracy.

    The son of a survivalist family, Shaw is an expert tracker. Now he makes a living as a "reward seeker," traveling the country to help police solve crimes and private citizens locate missing persons. But what seems a simple investigation quickly thrusts him into the dark heart of America's tech hub and the cutthroat billion-dollar video-gaming industry. "Escape if you can."When another victim is kidnapped, the clues point to one video game with a troubled past--The Whispering Man. In that game, the player has to survive after being abandoned in an inhospitable setting with five random objects. Is a madman bringing the game to life?"Or die with dignity."Shaw finds himself caught in a cat-and-mouse game, risking his own life to save the victims even as he pursues the kidnapper across both Silicon Valley and the dark 'net. Encountering eccentric game designers, trigger-happy gamers and ruthless tech titans, he soon learns that he isn't the only one on the hunt: someone is on his trail and closing fast.The Never Game proves once more why "Deaver is a genius when it comes to manipulation and deception" (Associated Press).

    Representing wealthy doctors in malpractice cases, Sarasota attorney Lilly is attacked in her office after a kayak whiplash case, a situation that prompts her to employ an unorthodox method for finding out who is trying to get her.

    "Thoughtful and uncommonly observant detective work".--Philadelphia Inquirer.The author of Blood Innocents, Tabernacle and other critically hailed mysteries, Cook creates a haunting atmosphere that envelops the reader of his strange new novel. Frank Clemons, a homicide detective in Atlanta, is obsessed by the murder of beautiful Angelique Devereaux. Her body is found in a slum, far from the mansion where Angelique lived with her older sister Karen, an artist. Orphans since childhood, both girls had been oddly uncommunicative although occupying the same house. Questioning the students at the dead girl's school, Clemons learns she had isolated herself from them also. All he knows is that she was lovely and pregnant, which propels him into a near-frantic search for even a whisper about Angelique and her unknown lover. As the officer follows the trail to the victim's last few days, he arrives at a staggering truth that leaves him, and the reader, limp. The writing and characterizations are flawless, particularly as Cook unobtrusively but surely commands empathy for Frank Clemons, a good cop and a real human being.

    Teaming up with local detective, DCI Brad Madison, Juliet strives to find out why she has been targeted and how it’s connected to the accident that killed her brother, nineteen years ago.Can Juliet use her knowledge of the human psyche to get inside the mind of the killer, before another body is found under a bridge? And how long before Juliet herself becomes the next target?

    . . but when the storm hits, no one is getting awayIt's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it.Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.

    Known to the world as thriller author Elizabeth Fairchild, she had become the subject of a fanatic's obsession. After being held in a van for three days by her kidnapper, Levi Brooks, Beth managed to escape, and until he is captured, she's got to get away. Cold and remote, Alaska seems tailor-made for her to hideout.Beth's new home in Alaska is sparsely populated with people who all seem to be running or hiding from something, and though she accidentally booked a room at a halfway house, she feels safer than she's felt since Levi took her. That is, until she's told about a local death that's a suspected murder. Could the death of Linda Rafferty have anything to do with her horror at the hands of Levi Brooks?As Beth navigates her way through the wilds of her new home, her memories of her time in the van are coming back, replaying the terror and the fear--and threatening to keep her from healing, from reclaiming her old life again. Can she get back to normal, will she ever truly feel safe, and can she help solve the local mystery, if only so she doesn't have to think about her own?

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    So she stayed, taking a job at the local paper, to try to both convince the sheriff that she was right-and maybe convince herself she was wrong. After all, her father had been the town doctor, loved (she always thought) by all. To think he was killed was to think that one of her friends or neighbors has harbored some deep resentment toward him. Then she finds the dead body of the women who had been her father's nurse for many years. Obviously murdered. Now Catherine knows that she was not wrong about her parent's death. Someone in Lowfield has a terrible secret, a secret worth killing for. Not once, not twice, but -- when another body is found -- three times. And the killer won't hesitate to add more victims to the list, as Catherine gets closer and closer to the truth.

    But she is also trying to exorcise painful childhood memories by visiting her old family home.

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.