Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Yet in this Eden of such natural beauty and richness, the old culture of totems and potlaches is under attack - slowly being replaced by a new culture of prefab houses and alcoholism. Into this world, where an entire generation of young people has become disenchanted and alienated from their heritage, Craven introduces Mark Brian, a young vicar sent to the small isolated parish by his church.This is Mark's journey of discovery - a journey that will teach him about life, death, and the transforming power of love. It is a journey that will resonate in the mind of readers long after the book is done.

    Nathan Coulter begins Wendell Berry's sequence of novels about the citizens of Port William, Kentucky- a setting that is taking its place alongside Yoknapatawpha County, Mississippi, and Winesburg, Ohio, as one of our most distinctive and recognizable literary locales.

    The courage to face the unthinkable is at the core of this magnificent new novel. How do we manage to confront the truths in our lives and find forgiveness in the most unforgiving of circumstances? How do we love truly and deeply in a world that is as brutal as it is beautiful?When Ethan Ford fails to show up for work on a brilliant summer morning, none of his neighbors would guess that for more than thirteen years, he has been running from his past. His true nature has been locked away, as hidden as his real identity. But sometimes locks spring open, and the devastating truths of Ethan Ford's history shatter the small-town peace of Monroe, affecting family and friends alike.This deeply felt and compelling novel makes it clear why Alice Hoffman has been called "one of the best writers we have today" (Cleveland Plain Dealer). Honest, shattering, seductive, and ultimately healing, Blue Diary is an unforgettable novel by a writer who tells "truths powerful enough to break a reader's heart" (Time).

    Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    Winner of the 1989 PEN/Hemingway Foundation Award for best first novel, this exquisite book confronts real-life issues of alienation and violence  from which the author creates a stunning testament  to the human capacity for mercy, compassion and love.

    Through the eyes of the ship's scholar-naturalist, Erasmus Darwin Wells, we encounter the Narwhal's crew, its commander, and the far-north culture of the Esquimaux. In counterpoint, we meet the women left behind in Philadelphia, explorers only in imagination. Together, those who travel and those who stay weave a web of myth and mystery, finally discovering what they had not sought, the secrets of their own hearts.

    Inspired by a brief passage in Moby Dick, it is the story of Una, exiled as a child to live in a lighthouse, removed from the physical and emotional abuse of a religion-mad father. It is the romantic adventure of a young woman setting sail in a cabin boy's disguise to encounter darkness, wonder, and catastrophe; the story of a devoted wife who witnesses her husband's destruction by obsession and madness. Ultimately it is the powerful and moving story of a woman's triumph over tragedy and loss through her courage, creativity, and intelligence.

    Following an incident with an escaped tiger, Jaffy goes to work for Mr. Charles Jamrach, the famed importer of exotic animals, alongside Tim, a good but sometimes spitefully competitive boy. Thus begins a long, close friendship fraught with ambiguity and rivalry. Mr. Jamrach recruits the two boys to capture a fabled dragon during the course of a three-year whaling expedi­tion. Onboard, Jaffy and Tim enjoy the rough brotherhood of sailors and the brutal art of whale hunting. They even succeed in catching the reptilian beast. But when the ship’s whaling venture falls short of expecta­tions, the crew begins to regard the dragon—seething with feral power in its cage—as bad luck, a feeling that is cruelly reinforced when a violent storm sinks the ship. Drifting across an increasingly hallucinatory ocean, the sur­vivors, including Jaffy and Tim, are forced to confront their own place in the animal kingdom. Masterfully told, wildly atmospheric, and thundering with tension, Jamrach’s Mena­gerie is a truly haunting novel about friendship, sacrifice, and survival.

    And yet, his physical curse proves to be a blessing, allowing him to try to win the heart of the same woman three times as at each successive encounter she fails to recognize him, taking him for a stranger, so giving Max another chance at love.Set against the historical backdrop of San Francisco at the turn of the twentieth century, Andrew Sean Greer's The Confessions of Max Tivoli is a beautiful and daring feat of the imagination, questioning the very nature of love, time, and what it means to be human.

    The Gold children—four adolescents on the cusp of self-awareness—sneak out to hear their fortunes.The prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in '80s San Francisco; dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy; eldest son Daniel seeks security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.A sweeping novel of remarkable ambition and depth, The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. It is a deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.

    But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby's life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl's assistant later charges—the patient wasn't already dead, and it was Sibyl who inadvertently killed her?As recounted by Sibyl's precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except for the fact that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience, Midwives engages, moves, and transfixes us as only the very best novels ever do.

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    It began life as a slapstick comedy about Siamese twins, but as he wrote, something deepened. "The tale kept spreading along, and spreading along, and other people got to intruding themselves and taking up more and more time with their talk and their affairs. It changed from a farce to a tragedy while I was going along with it," Twain wrote in his frank afternote to the novel. In the end, the voice that comes to dominate the tale is Roxana's, a light-skinned slave who switches her infant son with her master's son to keep him from being sold down the river. Roxana, Twain's most complex and fully-realized adult female character, is a compelling and memorable tragic heroine, trapped with her son by the brutal system of slavery and by their own inescapable racial identities. At his best, Twain is the most uniquely American of writers, and it is inevitable that his best work revolves around the issues of race and of slavery embedded in the American psyche. The Tragedy of Pudd'nhead Wilson is a dark and powerful novel of race in America, written by the American master.

    Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly ter, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.