Midway through the season, a game-changing strike ripped baseball apart, the first time a season had ever been stopped in the middle because of a strike. Marvin Miller and the MLB Players Association squared off against Baseball Commissioner Bowie Kuhn and the owners in a fight to protect players rights to free agency and defend America's pastime.Though a time bomb was ticking as the 1981 season began, the game rose to impressive---and now legendary---heights. Pete Rose chased Stan Musial's National League hit record and rookie Fernando Valenzuela was creating a sensation as the best pitcher in the majors when the stadiums went dark and the players went on strike.For the first time in modern history, there were first- and second-half champions; the two teams with the overall best records in the National League were not awarded play-off berths. When the season resumed after an absence of 712 games, Rose's resumption of his pursuit, the resurgence of Reggie Jackson, the rise of the Montreal Expos, and a Nolan Ryan no-hitter became notable events. The Dodgers bested their longtime rivals in a Yankees-Dodgers World Series, the last classic matchup of those storied opponents.Sourcing incredible and extensive interviews with almost all of the major participants in the strike, Split Season: 1981 returns us to the on- and off-field drama of an unforgettable baseball year.

    That it culminated in an unlikely World Series win—during a campaign split by the longest player strike in baseball history—is not even the most interesting thing about this team. The Dodgers were led by the garrulous Tommy Lasorda—part manager, part cheerleader—who unyieldingly proclaimed devotion to the franchise through monologues about bleeding Dodger blue and worshiping the “Big Dodger in the Sky,” and whose office hosted a regular stream of Hollywood celebrities. Steve Garvey, the All-American, All-Star first baseman, had anchored the most durable infield in major league history, and, along with Davey Lopes, Bill Russell, and Ron Cey, was glaringly aware that 1981 would represent the end of their run together. The season’s real story, however, was one that nobody expected at the outset: a chubby lefthander nearly straight out of Mexico, twenty years old with a wild delivery and a screwball as his flippin’ out pitch. The Dodgers had been trying for decades to find a Hispanic star to activate the local Mexican population; Fernando Valenzuela was the first to succeed, and it didn’t take long for Fernandomania to sweep far beyond the boundaries of Chavez Ravine.They Bled Blue is the rollicking yarn of the Los Angeles Dodgers’ crazy 1981 season.

    With four World Series championships in five seasons and a deep bench of legends and comers -- Clemens, Rivera, Williams, Soriano, Jeter, O'Neill -- they dominated the major leagues.For the members of the team, though, baseball Yankees-style was a pressure cooker of anxiety, expectation, and infighting. As the spending and emotion spiraled, careers were made and broken, friendships began and ended, and a sports dynasty rose and fell.In The Last Night of the Yankee Dynasty, Buster Olney tracks the Yankees through these tumultuous seasons and into the scandals and disappointments of 2004, providing insightful portraits of the stars, the foot soldiers, the coaches, the manager, and the Boss himself. With unparalleled knowledge of the game and an insider's familiarity with the team, Olney also advances a compelling argument that the philosophy that made the Yankees great was inherently unsustainable, ultimately harmful to the sport, and led inevitably to that warm autumn night in Arizona -- the last night of the Yankee dynasty.

    During one at-bat this talented slugger lined a ball so hard that the rightfielder was able to play it off the top of the fence and throw Christobel Torrienti out at first base. The scout liked what he saw, but was disappointed in the player's appearance. "He was a light brown," recalled one of Torrienti's teammates, "and would have gone up to the major leagues, but he had real rough hair." Such was life behind the color line, the unofficial boundary that prevented hundreds of star-quality athletes from playing big-league baseball. When Only the Ball Was White was first published in 1970, Satchel Paige had not yet been inducted into the Hall of Fame and there was a general ignorance even among sports enthusiasts of the rich tradition of the Negro Leagues. Few knew that during the 1930s and '40s outstanding black teams were playing regularly in Yankee Stadium and Brooklyn's Ebbets Field. And names like Cool Papa Bell, Rube Foster, Judy Johnson, Biz Mackey, and Buck Leonard would bring no flash of smiling recognition to the fan's face, even though many of these men could easily have played alongside Ty Cobb, Walter Johnson, Hack Wilson, Lou Gehrig--and shattered their records in the process. Many baseball pundits now believe, for example, that had Josh Gibson played in the major leagues, he would have surpassed Babe Ruth's 714 home runs before Hank Aaron had even hit his first. And the great Dizzy Dean acknowledged that the best pitcher he had ever seen was not Lefty Grove or Carl Hubbell, but rather "old Satchel Paige, that big lanky colored boy." In Only the Ball Was White, Robert Peterson tells the forgotten story of these excluded ballplayers, and gives them the recognition they were so long denied. Reconstructing the old Negro Leagues from contemporary sports publications, accounts of games in the black press, and through interviews with the men who actually played the game, Peterson brings to life the fascinating period that stretched from shortly after the Civil War to the signing of Jackie Robinson in 1947. We watch as the New York Black Yankees and the Philadelphia Crawfords take the field, look on as the East-West All-Star lineups are announced, and listen as the players themselves tell of the struggle and glory that was black baseball. In addition to these vivid accounts, Peterson includes yearly Negro League standings and an all-time register of players and officials, making the book a treasure trove of baseball information and lore. A monumental and poignant book, Only the Ball Was White reminds us that what was often considered the "Golden Age" of baseball was also the era of Jim Crow. It is a book that must be read by anyone hoping not only to understand the story of baseball, but the story of America.

    Now he returns with a riotous look at the most pivotal season of the decade.America, 1976: colorful, complex, and combustible. It was a year of Bicentennial celebrations and presidential primaries, of Olympic glory and busing riots, of "killer bees" hysteria and Pong fever. For both the nation and the national pastime, the year was revolutionary, indeed. On the diamond, Thurman Munson led the New York Yankees to their first World Series in a dozen years, but it was Joe Morgan and Cincinnati's "Big Red Machine" who cemented a dynasty with their second consecutive World Championship. Sluggers Mike Schmidt and Dave Kingman dominated the headlines, while rookie sensation Mark "The Bird" Fidrych started the All-Star Game opposite Randy "Junkman" Jones. The season was defined by the outrageous antics of team owners Bill Veeck, Ted Turner, George Steinbrenner, and Charlie Finley, as well as by several memorable bench-clearing brawls, and a batting title race that became just as contentious as the presidential race.From Dorothy Hamill's "wedge" haircut to Kojak's chrome dome, American pop culture was never more giddily effervescent than in this year of Jimmy Carter, CB radios, AMC Pacers, The Bad News Bears, Rocky, Taxi Driver, the Ramones, KISS, Happy Days, Hotel California, and Frampton Comes Alive!---it all came alive in '76!Meanwhile, as the nation erupted in a red-white-and-blue explosion saluting its two- hundredth year of independence, Major League Baseball players waged a war for their own liberties by demanding free agency. From the road to the White House to the shorts-wearing White Sox, Stars and Strikes tracks the tumultuous year after which the sport---and the nation---would never be the same.

    But their greatness on the field was nearly eclipsed by how bad they were off it. Led by the indomitable Keith Hernandez and the young dynamic duo of Dwight Gooden and Darryl Strawberry, along with the gallant Scum Bunch, the Amazin’s left a wide trail of wreckage in their wake—hotel rooms, charter planes, a bar in Houston, and most famously Bill Buckner and the hated Boston Red Sox.With an unforgettable cast of characters—including Doc, Straw, the Kid, Nails, Mex, and manager Davey Joshson—this “affectionate but critical look at this exciting season” (Publishers Weekly) celebrates the last of baseball’s arrogant, insane, rock-and-roll-and-party-all-night teams, exploring what could have been, what should have been, and what never was.

    In that year—the same in which the US Supreme Court unanimously ruled, in the case of Brown vs. Board of Education, that segregation of the races be outlawed in America's public schools—Larry Doby's Indians won an American League record 111 games, dethroned the five-straight World Series champion Yankees, and went on to play Willie Mays's Giants in the first World Series that featured players of color on both teams.   Seven years after Jackie Robinson had broken the baseball color line, 1954 was a triumphant watershed season for black players—and, in a larger sense, for baseball and the country as a whole. While Doby was the dominant player in the American League, Mays emerged as the preeminent player in the National League, with a flair and boyish innocence that all fans, black and white, quickly came to embrace. Mays was almost instantly beloved in 1954, much of that due to how seemingly easy it was for him to live up to the effusive buildup from his Giants manager, Leo Durocher, a man more widely known for his ferocious "nice guys finish last" attitude.   Award-winning, New York Times bestselling author Bill Madden delivers the first major book to fully examine the 1954 baseball season, drawn largely from exclusive recent interviews with the major players themselves, including Mays and Doby as well as New York baseball legends from that era: Yogi Berra and Whitey Ford of the Yankees, Monte Irvin of the Giants, and Carl Erskine of the Dodgers. 1954 transports readers across the baseball landscape of the time—from the spring training camps in Florida and Arizona to baseball cities including New York, Baltimore, Chicago, and Cleveland—as future superstars such as Hank Aaron, Ernie Banks, and others entered the leagues and continued to integrate the sport. Weaving together the narrative of one of baseball's greatest seasons with the racially charged events of that year, 1954 demonstrates how our national pastime—with the notable exception of the Yankees, who represented "white supremacy" in the game—was actually ahead of the curve in terms of the acceptance of black Americans, while the nation at large continued to struggle with tolerance.

    In 1968, two remarkable pitchers would dominate the game as well as the broadsheets. One was black, the other white. Bob Gibson, together with the St. Louis Cardinals, embodied an entire generation's hope for integration at a heated moment in American history. Denny McLain, his adversary, was a crass self-promoter who eschewed the team charter and his Detroit Tigers teammates to zip cross-country in his own plane. For one season, the nation watched as these two men and their teams swept their respective league championships to meet at the World Series. Gibson set a major league record that year with a 1.12 ERA. McLain won more than 30 games in 1968, a feat not achieved since 1934 and untouched since. Together, the two have come to stand as iconic symbols, giving the fans “The Year of the Pitcher” and changing the game. Evoking a nostalgic season and its incredible characters, this is the story of one of the great rivalries in sports and an indelible portrait of the national pastime during a turbulent year—and the two men who electrified fans from all walks of life.

    He then went on to win all three games of baseball's first World Series. Fifty-nine in '84 tells the dramatic story not only of that amazing feat of grit but also of big-league baseball two decades after the Civil War—a brutal, bloody sport played barehanded, the profession of uneducated, hard-drinking men who thought little of cheating outrageously or maiming an opponent to win. It is the tale, too, of the woman Radbourn loved, Carrie Stanhope, the alluring proprietress of a boarding-house with shady overtones, a married lady who was said to have personally known every man in the National League. Wonderfully entertaining, Fifty-nine in '84 is an indelible portrait of a legendary player and a fascinating, little-known era of the national pastime.

    The Brooklyn Dodgers led the New York Giants by three runs with just three outs to go in their third and final playoff game. And not once in major league baseball’s 278 preceding playoff and World Series games had a team overcome a three-run deficit in the ninth inning. But New York rallied, and at 3:58 p.m. on October 3, 1951, Bobby Thomson hit a home run off Ralph Branca. The Giants won the pennant.The Echoing Green follows the reverberations of that one moment–the Shot Heard Round the World–from the West Wing of the White House to the Sing Sing death house to the Polo Grounds clubhouse, where a home run forever turned hitter and pitcher into hero and goat.It was also in that centerfield block of concrete that, after the home run, a Giant coach tucked away a Wollensak telescope. The spyglass would remain undiscovered until 2001, when, in the jubilee of that home run, Joshua Prager laid bare on the front page of the Wall Street Journal a Giant secret: from July 20, 1951, through the very day of that legendary game, the orange and black stole the finger signals of opposing catchers. The Echoing Green places that revelation at the heart of a larger story, re-creating in extravagant detail the 1951 pennant race and illuminating as never before the impact of both a moment and a long-guarded secret on the lives of Bobby Thomson and Ralph Branca. A wonderfully evocative portrait of the great American pastime, The Echoing Green is baseball history, social history and biography–irresistible reading from any angle.

    The Red Sox and the Cincinnati Reds have endured an excruciating three-day rain delay. Tonight, at last, they will play Game Six of the World Series. Leading three games to two, Cincinnati hopes to win it all; Boston is desperate to stay alive. But for all the anticipation, nobody could have predicted what a classic it would turn out to be: an extra-innings thriller, created by one of the Big Red Machine's patented comebacks and the Red Sox's improbable late-inning rally; clutch hitting, heart-stopping defensive plays, and more twists and turns than a Grand Prix circuit, climaxed by one of the most famous home runs in baseball history that ended it in the twelfth. Here are all the inside stories of some of that era's biggest names in sports: Johnny Bench, Luis Tiant, Sparky Anderson, Pete Rose, Carl Yastrzemski--eight Hall of Famers in all--as well as sportscasters and network execs, cameramen, umpires, groundskeepers, politicians, and fans who gathered in Fenway that extraordinary night.Game Six is an unprecedented behind-the-scenes look at what is considered by many to be the greatest baseball game ever played--remarkable also because it was about so much more than just balls and strikes. This World Series marked the end of an era; baseball's reserve clause was about to be struck down, giving way to the birth of free agency, a watershed moment that changed American sports forever. In bestselling author Mark Frost's talented hands, the historical significance of Game Six becomes every bit as engrossing as its compelling human drama.

    For the first time, City of Dreams tells the full story of the controversial building of Dodger Stadium--and how it helped create modern Los Angeles by transforming its downtown into a vibrant cultural and entertainment center.In a vivid narrative, Jerald Podair tells how Los Angeles was convulsed between 1957 and 1962 over whether, where, and how to build Dodger Stadium. Competing civic visions clashed. Would Los Angeles be a decentralized, low-tax city of neighborhoods, as demanded by middle-class whites on its peripheries? Or would the baseball park be the first contribution to a revitalized downtown that would brand Los Angeles as a national and global city, as advocated by leaders in business, media, and entertainment?O'Malley's vision triumphed when he opened his privately constructed stadium on April 10, 1962--and over the past half century it has contributed substantially to the city's civic and financial well-being. But in order to build the stadium, O'Malley negotiated with the city to acquire publicly owned land (from which the city had uprooted a Mexican American community), raising sharply contested questions about the relationship between private profit and "public purpose." Indeed, the battle over Dodger Stadium crystallized issues with profound implications for all American cities, and for arguments over the meaning of equality itself.Filled with colorful stories, City of Dreams will fascinate anyone who is interested in the history of the Dodgers, baseball, Los Angeles, and the modern American city.

    The love between team and borough was equally storied, an iron bond of loyalty forged through years of adversity and sometimes legendary ineptitude. Coming off their first World Series triumph ever in 1955, against the hated Yankees, the Dodgers would defend their crown against the Milwaukee Braves and the Cincinnati Reds in a six-month neck-and-neck contest until the last day of the playoffs, one of the most thrilling pennant races in history.But as The Last Good Season so richly relates, all was not well under the surface. The Dodgers were an aging team at the tail end of its greatness, and Brooklyn was a place caught up in rapid and profound urban change. From a cradle of white ethnicity, it was being transformed into a racial patchwork, including Puerto Ricans and blacks from the South who flocked to Ebbets Field to watch the Dodgers’ black stars. The institutions that defined the borough – the Brooklyn Eagle, the Brooklyn Navy Yard – had vanished, and only the Dodgers remained. And when their shrewd, dollar-squeezing owner, Walter O’Malley, began casting his eyes elsewhere in the absence of any viable plan to replace the aging Ebbets Field and any support from the all-powerful urban czar Robert Moses, the days of the Dodgers in Brooklyn were clearly numbered.Michael Shapiro, a Brooklyn native, has interviewed many of the surviving participants and observers of the 1956 season, and undertaken immense archival research to bring its public and hidden drama to life. Like David Halberstam’s The Summer of ’49, The Last Good Season combines an exciting baseball story, a genuine sense of nostalgia, and hard-nosed reporting and social thinking to reveal, in a new light, a time and place we only thought we understood.From the Hardcover edition.

    Only one of them killed a man. This is the story of Ray Chapman of the Cleveland Indians, a popular player struck in the head and killed in August 1920 by a pitch thrown by Carl Mays of the New York Yankees. Was it, as most baseball observers thought at the time, a tragic but unavoidable accident? Mike Sowell's book investigates the incident and probes deep into the backgrounds of the players involved and the events that led to one of baseball's darkest moments.

    . . Mr. Colletti's book might be even more groundbreaking [than Moneyball] in some ways: It's a nearly unprecedented opportunity to see what running a baseball franchise looks like through the eyeballs of an actual general manager. . . [Colletti] has a gift for entertaining storytelling. . . These are stories modern general managers rarely tell, except in late-night gatherings at their favorite bars with people they know and trust. So to read them here, told in such colorful detail, makes you feel as if Ned Colletti has just invited you to plop down on the next bar stool." --Wall Street Journal "Ned Colletti is a baseball treasure with fascinating stories to tell from inside the game. The Big Chair is your all-access pass. After reading this book, you will not only understand the job of a general manager better but also the game of baseball itself."--Tom Verducci, author of The Cubs Way and co-author of The Yankee YearsAn unprecedented, behind-the-scenes look at the career of famed former Los Angeles Dodgers General Manager (a position also known as "The Big Chair"), whose tenure spanned nine of the most exciting and turbulent years in the franchise's history.During his tenure with the Dodgers, Colletti had the highest winning percentage of any general manager in the National League. In The Big Chair, he lets readers in on the real GM experience from his unique vantage point--sharing the inner workings of three of the top franchises in the sport, revealing the out-of-the-headlines machinations behind the trades, the hires and the deals; how the money really works; how the decision-making really works; how much power the players really have and why--the real brass tacks of some of the most pivotal decisions made in baseball history that led to great success along with heartbreak and failure on the field. Baseball fans will come for the grit and insight, stay for the heart, and pass it on for the wisdom.Ned Colletti began his MLB career with his beloved hometown team, the Chicago Cubs, more than 35 years ago. He worked in Chicago for a dozen years and was in the front office when the Cubs won the National League East in 1984 and 1989, after which he moved on as director of baseball operations for the SF Giants. By 1996, he became the Assistant GM for the Giants, before being hired as the GM in Los Angeles in 2006. There he oversaw the Dodgers through the highly publicized and acrimonious divorce battle between Frank and Jamie McCourt that culminated in the equally highly publicized sale of the team. He was present at the press conference where Don Mattingly, having just watched his team eliminated from the playoffs, used the post-season conference to vehemently discuss his lack of a contract extension. He brought marquee names like Greg Maddux and Clayton Kershaw to LA, as well as marquee drama with the likes of Manny Ramirez and Yasiel Puig; hired future Hall of Famer Joe Torre as manager; and oversaw fourteen Dodgers playoff wins. And these are just a few of the highlights.Colletti serves up a huge dish of first-hand experiences with some of the biggest names in baseball history (Barry Bonds, Greg Maddux, Don Mattingly, Don Zimmer, Tommy Lasorda, Scott Boras, Vin Scully, and more). From his humble early years living in a Chicago garage to his path to one of the most prestigious positions in professional sports, his very public and illustrious career has left a permanent handprint in the history of America's sport--and now he's ready to share the insight only those who have sat in The Big Chair have ever seen.