At first their new life is full of promise: The wheat is high, the dugout is warm and cozy, and a new baby is born to share in their happiness. Then disaster strikes, and David must go east for the winter to find work. Molly is left alone with the baby -- with nothing but her own courage to face the dangers of the harsh prairie winter.

    Dreiser's unsparing story of a country girl's rise to riches as the mistress of a wealthy man marked the beginning of the naturalist movement in America. Both its subject matter and Dreiser's objective, nonmoralizing approach made it highly controversial, and only a heavily edited version could be published in 1900. In this restored version, the truly revolutionary nature of Sister Carrie is made fully evident.

    Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket's kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you're a veteran of the Battle of Lexington, and you've helped whip the King's best soldiers...

    We follow her from high school in Savannah to college in Berkeley and then to work in Saigon.For the soldiers she knew and met there, Viet Nam would change their lives in ways they could never have imagined. For the men in her life, Viet Nam would change their lives in ways hey could not escape or deny. Peter Wilson, fresh from law school, was a new recruit who would confont his fate in Da Nang. Ralph Johnson, a seasoned AP correspondent, had been in Saigon since the beginning. He knew Vietnam and the war inside out. Bill Quinn, captain of the Cu Chi tunnel rats, was on his fourth tour of duty and it seemed nothing could touch him. Sergeant Tony Campobello had come to Vietnam from the streets of New York to vent a rage that had followed him all the way to Saigon.For seven years  Paxton Andrews would write an acclaimed newspaper column from the front before finally returning to the States and then attending the Paris peace talks. But for her and the men who fought in Viet Nam, life would never be the same again.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    Santa Fe Cameron, named for the place of her birth, was the child of a Spanish mother and a Scotch father and inherited from both a high degree of psychic perceptivity. Natanay, an American Indian, saw this and gave the little orphan a turquoise amulet as a keepsake; this turquoise, the Indian symbol of the spirit, dominates her life. For Santa Fe Cameron, life is made up of violent contrasts: the rough wagon of the gay young Irish medicine vendor who brings her East and the scented hansom cabs and carriages waiting before her own Fifth Avenue mansion; the glittering world of the Astors and a dreary cell in the Tombs. All the color, excitement, and rich period detail which distinguish Anya Seton’s novels are here, together with one of her most unusual heroines.

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Inspired by a brief passage in Moby Dick, it is the story of Una, exiled as a child to live in a lighthouse, removed from the physical and emotional abuse of a religion-mad father. It is the romantic adventure of a young woman setting sail in a cabin boy's disguise to encounter darkness, wonder, and catastrophe; the story of a devoted wife who witnesses her husband's destruction by obsession and madness. Ultimately it is the powerful and moving story of a woman's triumph over tragedy and loss through her courage, creativity, and intelligence.

    The place is Wigan, England, a coal town where rich mine owners live lavishly alongside miners no better than slaves. Into this dark, complicated world comes Jonathan Blair, who has accepted a commission to find a missing man.When he begins his search every road leads back to one woman, a haughty, vixenish pit girl named Rose. With her fiery hair and skirts pinned up over trousers, she cares nothing for a society that calls her unnatural, scandalous, erotic.As Rose and Blair circle one another, first warily, then with the heat of mutual desire, Blair loses his balance. And the lull induced by Rose's sensual touch leaves him unprepared for the bizarre, soul-scorching truth. . . .

    This 1947 outing features Albion Hamlin, who comes to Boston in 1800 to defend a man accused of violating the Alien and Sedition Act. In a whirlwind of action, Hamlin is jailed, then escapes to Haiti in search of his client's daughter, Lydia Bailey, with whom he has fallen in love simply by gazing at her portrait. Roberts is known for his historical accuracy, so this should please fans of the genre.

    Crossing three millennia to Pharaonic Egypt, this tale returns to that land's essences - the war, magic, gods, death and reincarnations, the lusts, ambitions, jealousies, and betrayals.

    For the serf, it is surely worth fighting for. But is it worth dying for?Arriving home disillusioned from the Crusades, Hugh DeLuc discovers that his village has been ransacked and his wife abducted. The dark riders came in the dead of night, like devils, wearing no colours but black crosses on their chests, leaving no clue as to who they are. Knights they may be, but honour and chivalry are not part of their code. They search for a relic, one worth more than any throne in Europe, and no man can stand in their way. Until Hugh, taking on the role of a jester, is able to infiltrate the enemy's castle where he believes his wife is being held captive.And when a man is fighting for freedom - for his wife, and for everything he holds dear - he will prove a formidable opponent.

    . . in return for one night of unparalleled pleasure.In the fading echoes of hollow wedding vows, a promise is broken -- as a sensuous free-spirit flees to a lush Caribbean paradise, abandoning the handsome stranger she married to the gallows. But Ruark Beauchamp's destiny is now eternally intertwined with his exquisite, tempestuous Shanna's. And no iron ever forged can imprison his magnificent passion . . . and no hangman's noose will deny him the ecstasy that is rightfully his.

    First published in 1940, the story covers the period from 1913 to 1919. This is the beginning of a monumental 7,340 page novel, the story of Lanny Budd, a young American, beginning in Europe in 1913. It is also an intimate record of a great world which fell victim to its own civilization. A new world was about to be born.