The assassination of President Abraham Lincoln stunned a nation that was just emerging from the chaos and calamity of the Civil War, and the president's untimely death altered the trajectory of postwar history. But to those who knew Booth, the event was even more shocking-for no one could have imagined that this fantastically gifted actor and well-liked man could commit such an atrocity. In Fortune's Fool, Terry Alford provides the first comprehensive look at the life of an enigmatic figure whose life has been overshadowed by his final, infamous act. Tracing Booth's story from his uncertain childhood in Maryland, characterized by a difficult relationship with his famous actor father, to his successful acting career on stages across the country, Alford offers a nuanced picture of Booth as a public figure, performer, and deeply troubled man. Despite the fame and success that attended Booth's career--he was billed at one point as "the youngest star in the world"--he found himself consumed by the Confederate cause and the desire to help the South win its independence. Alford reveals the tormented path that led Booth to conclude, as the Confederacy collapsed in April 1865, that the only way to revive the South and punish the North for the war would be to murder Lincoln--whatever the cost to himself or others. The textured and compelling narrative gives new depth to the familiar events at Ford's Theatre and the aftermath that followed, culminating in Booth's capture and death at the hands of Union soldiers 150 years ago. Based on original research into government archives, historical libraries, and family records, Fortune's Fool offers the definitive portrait of John Wilkes Booth.

    After all, both authors engaged in a profoundly ambivalent excoriation of their native Ireland. And while O'Brien's sexual politics can make Joyce seem like a fusty Edwardian by comparison, both novelists got a certain amount of flack for their erotic frankness. So this latest match from the Penguin Lives series seems like a good one--and largely lives up to its promise. O'Brien makes no pretense of competing with Richard Ellmann's immense, magisterial portrait. Instead she has concocted in James Joyce something that resembles one of her own novels: a spirited, lyrical, and acerbic narrative that just happens to feature the author of Ulysses in the starring role. Having experienced the constrictions of Irish life firsthand, O'Brien is particularly good on Joyce's downwardly mobile childhood. Was his resulting hatred of his native land exaggerated? Apparently not: No one who has not lived in such straitened and hideous circumstances can understand the battering of that upbringing. All the more because they had come down in the world, a tumble from semi-gentility, servants, a nicely laid table, cut glasses, a piano, the accoutrements of middle-class life, relegated to the near slums in Mountjoy Square, the gaunt spectral mansions in which children sat like mice in the gaping doorways. The author also gives a vivid sense of her subject's devotion to his art, an altar upon which he happily sacrificed his family, health, friends, and even his eyesight. She is stubborn in her defense of Joyce's sublime irresponsibility, which she ascribes to all writers: "It is a paradox that while wrestling with the language to capture the human condition they become more callous, and cut off from the very human traits which they so glisteningly depict." O'Brien's own wrestling match in James Joyce has, to be honest, its share of pins and minor pratfalls: there are some embarrassing repetitions and punctuational oddities, and her occasional assimilation of Joyce's own language is an awkward (if heartfelt) form of homage. Still, when she sticks to her own inflections, her account of this "funnominal man" is an eminently readable and entertaining dose of Irish bitters. --James Marcus

    To her admirers Alma was a self-sacrificing socialite who inspired many great artists. Her detractors found her a self-aggrandizing social climber and an alcoholic, bigoted, vengeful harlot—as one contemporary put it, “a cross between a grande dame and a cesspool.” So who was she really? When historian Oliver Hilmes discovered a treasure-trove of unpublished material, much of it in Alma’s own words, he used it as the basis for his first biography, setting the record straight while evoking the atmosphere of intellectual life in Europe and then in émigré communities on both coasts of the United States after the Nazi takeover of their home territories. First published in German in 2004, the book was hailed as a rare combination of meticulously researched scholarship and entertaining writing, making it a runaway bestseller and advancing Oliver Hilmes to his position as a household name in contemporary literature.Alma Mahler was one of the twentieth century’s rare originals, worthy of her immortalization in song. Oliver Hilmes has provided us with an even-handed yet tantalizingly detailed account of her life, bringing Alma’s singular story to a whole new audience.

    Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon. Wrapped in Rainbows, the first biography of Zora Neale Hurston in more than twenty-five years, illuminates the adventures, complexities, and sorrows of an extraordinary life. Acclaimed journalist Valerie Boyd delves into Hurston’s history—her youth in the country’s first incorporated all-black town, her friendships with luminaries such as Langston Hughes, her sexuality and short-lived marriages, and her mysterious relationship with vodou. With the Harlem Renaissance, the Great Depression, and World War II as historical backdrops, Wrapped in Rainbows not only positions Hurston’s work in her time but also offers riveting implications for our own.

    Little did they know that their next roles, in a new science-fiction television series, would shape their lives in ways no one could have anticipated. In seventy-nine television episodes and six feature films, they grew to know each other more than most friends could ever imagine.Over the course of half a century, Shatner and Nimoy saw each other through personal and professional highs and lows. In this powerfully emotional book, Shatner tells the story of a man who was his friend for five decades, recounting anecdotes and untold stories of their lives on and off set, as well as gathering stories from others who knew Nimoy well, to present a full picture of a rich life.As much a biography of Nimoy as a story of their friendship, Leonard is a uniquely heartfelt book written by one legendary actor in celebration of another.

    Delving into heretofore untapped sources, Hermione Lee does away with the image of the snobbish bluestocking and gives us a new Edith Wharton—tough, startlingly modern, as brilliant and complex as her fiction. Born in 1862, Wharton escaped the suffocating fate of the well-born female, traveled adventurously in Europe and eventually settled in France. After tentative beginnings, she developed a forceful literary professionalism and thrived in a luminous society that included Bernard Berenson, Aldous Huxley and most famously Henry James, who here emerges more as peer than as master. Wharton’s life was fed by nonliterary enthusiasms as well: her fabled houses and gardens, her heroic relief efforts during the Great War, the culture of the Old World, which she never tired of absorbing. Yet intimacy eluded her: unhappily married and childless, her one brush with passion came and went in midlife, an affair vividly, intimately recounted here. With profound empathy and insight, Lee brilliantly interweaves Wharton’s life with the evolution of her writing, the full scope of which shows her far to be more daring than her stereotype as lapidarian chronicler of the Gilded Age. In its revelation of both the woman and the writer, Edith Wharton is a landmark biography.

    Born in 1894 into a poor Maryland family, Hammett left school at fourteen and held several jobs before joining the Pinkerton National Detective Agency as an operative in 1915 and, with time off in 1918 to serve at the end of World War I, he remained with the agency until 1922, participating alike in the banal and dramatic action of an operative. The tuberculosis he contracted during the war forced him to leave the Pinkertons--but it may well have prompted one of America's most acclaimed writing careers.While Hammett's life on center stage has been well-documented, the question of how he got there has not. That largely overlooked phase is the subject of Nathan Ward's enthralling The Lost Detective. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinkertons led him to novels; he would write five between 1929 and 1934, two of them (The Maltese Falcon and The Thin Man) now American classics. Though he inspired generations of writers, from Chandler to Connelly and all in between, after The Thin Man he never finished another book, a painful silence for his devoted readers; and his popular image has long been shaped by the remembrance of Hellman, who knew him after his literary reputation had been made. Based on original research across the country, The Lost Detective is the first book to illuminate Hammett's transformation from real detective to great American detective writer, throwing brilliant new light on one of America's most celebrated and remembered novelists and his world.

    When he sees her again in a Venice café a year later, he knows it is fate. He knows little English; and she, a divorced American chef, speaks only food-based Italian. Marlena thinks she is incapable of intimacy, that her heart has lost its capacity for romantic love. But within months of their first meeting, she has packed up her house in St. Louis to marry Fernando — “the stranger” as she calls him — and live in that achingly lovely city in which they met. Vibrant but vaguely baffled by this bold move, Marlena is overwhelmed by the sheer foreignness of her new home, its rituals and customs. But there are delicious moments when Venice opens up its arms to Marlena. She cooks an American feast of Mississippi caviar, cornbread, and fried onions for the locals... and takes the tango she learned in the Poughkeepsie middle school gym to a candlelit trattoría near the Rialto Bridge. All the while, she and Fernando, two disparate souls, build an extraordinary life of passion and possibility.Featuring Marlena’s own incredible recipes, A Thousand Days in Venice is the enchanting true story of a woman who opens her heart — and falls in love with both a man and a city.

    Clark's clear-eyed sympathy for Hughes, his lover Assia Wevill, and other demonized players in the arena of Plath's suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark's meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.

    . . .--Sherlock Holmes on Professor Moriarty in The Final ProblemThe Victorian era's most infamous thief, Adam Worth was the original Napoleon of crime. Suave, cunning Worth learned early that the best way to succeed was to steal. And steal he did.Following a strict code of honor, Worth won the respect of Victorian society. He also aroused its fear by becoming a chilling phantom, mingling undetected with the upper classes, whose valuables he brazenly stole. His most celebrated heist: Gainsborough's grand portrait of the Duchess of Devonshire--ancestor of Diana, Princess of Wales--a painting Worth adored and often slept with for twenty years.With a brilliant gang that included "Piano" Charley, a jewel thief, train robber, and playboy, and "the Scratch" Becker, master forger, Worth secretly ran operations from New York to London, Paris, and South Africa--until betrayal and a Pinkerton man finally brought him down.In a decadent age, Worth was an icon. His biography is a grand, dazzling tour into the gaslit underworld of the last century. . . and into the doomed genius of a criminal mastermind.

    She was M-G-M's most bankable asset, a blonde bombshell whose bleached hair, voluptuous body, and bawdy humor inspired a fervent cult following that remains to this day. Despite Harlow's blinding fame, the events of her life have been obscured by a fifty-year haze of secrets, lies, and silence. Until the publication of this book. After years of research, critically acclaimed biographer David Stenn unearthed the truth behind the improbable rise of this tow-headed tomboy from Kansas City, her huge success, and her tragic fall. After fifty-six years, David Stenn persuaded Harlow's family, friends, colleagues, and employers to break their silence and provide previously sealed legal, financial, and medical records, which solved the mystery of her death. His account is confirmed by scores of exclusive interviews with eyewitness sources, including Harlow's nurses during the last days of her life. Exhaustively researched and compulsively readable, Bombshell stands as the definitive Harlow biography. This edition contains a new UNSEEN SCENES section of never-before-seen photos of deleted scenes from Harlow's biggest hits. This book is a must-have not only for every Harlow fan, but anyone interested in a truly riveting story.

    His plan began when he adopted Maude’s mother and indoctrinated her with his esoteric ideals. Her mission was to give him a daughter as blonde as she was, and then to take charge of the child’s education. That child was Maude, on whom her father conducted his outrageous experiment—to raise the perfect ‘super-human’ being.The three lived in an isolated mansion in northern France, where her father made her undergo endless horrifying endurance tests. Maude had to hold an electric fence without flinching. Her parents locked her in a cellar overnight and ordered her to sit still on a stool in the dark, contemplating death, while rats scurried around her feet.How did this girl, with her loveless and lonely childhood, emerge so unscathed, so full of the empathy that was absent in her childhood? How did she manage to escape?Maude was sustained by her love of nature and animals and her passion for literature. In writing this memoir, Maude Julien shows that it is possible to overcome severe trauma. She recounts her chilling and deeply moving story in a compelling and compassionate voice.

    In prison, he was to lose even more - his freedom, his sanity, his dignity, his confidence in his faith, and eventually even his wife. Inmate 07407-058, one-time confidant to presidents, had hit bottom. Jim Bakker was wrong about many things. Exactly what they were and how he came to confess them will surprise and inspire you. This is his story.

    The girl with the pigtails, the symbol of innocence in The Wizard of Oz. The brightest star of the Hollywood musical and an entertainer of almost magical power. The woman of a half-dozen comebacks, a hundred heartbreaks, and thousands of headlines. Yet much of what has been written about her is either inaccurate or incomplete, and the Garland the world thought it knew was merely a sketch for the astonishing woman Gerald Clarke portrays in Get Happy. Here, more than thirty years after her death, is the real Judy.

    Graham Nash's songs defined a generation and helped shape the history of rock and roll he s written over 200 songs, including such classic hits as "Carrie Anne," On A Carousel, "Simple Man," "Our House," Marrakesh Express, and "Teach Your Children." From the opening salvos of the British Rock Revolution to the last shudders of Woodstock, he has rocked and rolled wherever music mattered. Now Graham is ready to tell his story: his lower-class childhood in post-war England, his early days in the British Invasion group The Hollies; becoming the lover and muse of Joni Mitchell during the halcyon years, when both produced their most introspective and important work; meeting Stephen Stills and David Crosby and reaching superstardom with Crosby, Stills, Nash & Young; and his enduring career as a solo musician and political activist. Nash has valuable insights into a world and time many think they know from the outside but few have experienced at its epicenter, and equally wonderful anecdotes about the people around him: the Beatles, the Stones, Hendrix, Cass Elliot, Dylan, and other rock luminaries. From London to Laurel Canyon and beyond, Wild Tales is a revealing look back at an extraordinary life with all the highs and the lows; the love, the sex, and the jealousy; the politics; the drugs; the insanity and the sanity of a magical era of music."