There are three things you should know about Piper Green: 1. She always says what’s on her mind (even when she probably shouldn’t). 2. She rides a lobster boat to school. 3. There is a Fairy Tree in her front yard.   Life on an island in Maine is always interesting. But when a new teacher starts at Piper’s school—and doesn’t appreciate the special, um, accessory that Piper has decided to wear—there may be trouble on the horizon. Then Piper discovers the Fairy Tree in her front yard. Is the Fairy Tree really magic? And can it fix Piper’s problems?

    Bugs, of all kinds, were considered to be “born of mud” and to be “beasts of the devil.”  Why would anyone, let alone a girl, want to study and observe them? One of the first naturalists to observe live insects directly, Maria Sibylla Merian was also one of the first to document the metamorphosis of the butterfly. In this nonfiction biography, illustrated throughout with full-color original paintings by Merian herself, author Joyce Sidman paints her own picture of one of the first female entomologists and a woman who flouted convention in the pursuit of knowledge and her passion for insects.

    This biographical picture book about the Notorious RBG, tells the justice’s story through the lens of her many famous dissents, or disagreements.

    He tries to tell his zombie pals that there’s more to life than eating brains, but they’re just not interested. Will Reginald find a way to bring peace to Quirkville and convince the other zombies that there’s nothing better than peanut butter and jelly?Debut author Joe McGee and up-and-coming illustrator Charles Santoso have crafted a delicious tale about being true to yourself that will make readers hungry for more.

    Darth Vader's parenting skills are tested as young Luke and Leia won't go to sleep. Can he calm them by reading a story featuring, Han Solo, Yoda, Boba Fett, and others as they each settle down for the night?

    But when a bully goes too far, Mary's revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself.Years later, Ella moves to a new town where she has a perfect view of the dilapidated, abandoned Thornhill Institute. Determined to befriend the mysterious, evasive girl she sees there, Ella resolves to unravel Thornhill's history and uncover its secrets.Ella's story is told through striking, bold art; Mary's is told through diary entries. Each informs the other until the two eventually intersect to reveal the truth behind Thornhill's shadowy past, once and for all. Strikingly told and masterfully illustrated, Pam Smy bends genres and expectations alike.

    A family moves into an old, abandoned house. Jules's parents love the house, but Jules is frightened and feels a sense of foreboding. When she sees a pale face in an upstairs window, though, she can't stop wondering about the eerie presence on the top floor—in a room with a locked door. Could it be someone who lived in the house a century earlier? Her fear replaced by fascination, Jules is determined to make contact with the mysterious figure and help unlock the door. Past and present intersect as she and her ghostly friend discover—and change—the fate of the family who lived in the house all those many years ago.

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    Can you imagine that many of anything?The playful illustrations from New York Times–bestselling artist Isabel Greenberg and the friendly, straightforward voice of author Seth Fishman illuminate some of the biggest numbers in the universe—a hundred billion trillion stars—and the smallest—one unique and special YOU. Here is a book for story time, for science time, for math time, for bedtime, and all the times in between.Perfect for curious children, classrooms eager for STEM content, and readers who have devoured Ada Twist, Scientist and How Much Is a Million?

    But you’ll never guess who is the scariest creature in the house!

       But, Jane embraces her dilemma, writing about Shakespeare, his plays, and his famous phrases with glee. After all, what better words are there to use to write about the greatest writer in the English language than his very own?  As readers will discover, "the long and the short of it" is this: Will changed the English language forever.   Backmatter includes an author’s note, a bibliography, and a timeline.

    Open 365 days a year and unrestricted by the constraints of physical space, each title in this series is organized into galleries that display more than 200 full-color specimens accompanied by lively, informative text. Offering hours of learning, this first title within the series "Animalium" presents the animal kingdom in glorious detail with illustrations from Katie Scott, an unparalleled new talent.

    Get the buzz on bugs in this picture book from Angela DiTerlizzi!Grab your magnifying glass!Find your field guide!And come hop, hide, swim, and glidethrough this buggy backyard world! Featuring insects including butterflies and moths, crickets and cicadas, bumblebees and beetles, this zippy rhyming exploration of backyard-bug behavior is sure to have insect enthusiasts of all ages bugging out with excitement!

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    In this lovely biography, poetic text and gorgeous paintings combine to create a portrait of Jacques Cousteau that is as magical as it is inspiring.