Laura Auricchio gives us a rich portrait of the man, fully revealed, a man driven by dreams of glory and felled by tragic, human weaknesses. In The Marquis, we come to understand the personal struggles, social quandaries, and idealistic visions that inspired an orphaned young man to cross an ocean and fight a war that was none of his concern; we see a guileless provincial whose unexpected inheritance allowed him to marry into the highest echelons of the French aristocracy, and become a self-consciously awkward presence at the palace of Versailles. Here is the young Lafayette, removed from the French army as a result of sweeping reforms, trapped in a gilded cage until American emissaries reached Paris seeking support for their revolution. In the American cause, Lafayette, whose only vision had been of martial glory, saw a way to reach his dreams, and seized it with gusto. Americans welcomed him with open arms, and he returned their affection fully. His American éclat was so brilliant and his enthusiasm so great that he quickly became the symbol of the Franco-American alliance that ultimately defeated Great Britain. We see how Lafayette’s reputation rose to great heights during the American Revolution but collapsed during the French; that when the Bastille fell on July 14, 1789,  Parisians hailed Lafayette as the French Washington and appointed him commander of their National Guard, hoping that he would be able to restore order to a city wracked by starvation and violence. As revolutionaries hurtled in radical directions and staunch monarchists dug in their heels, Lafayette lost control, remaining steadfast in his belief that the French monarchy needed to be reformed but not abolished, and doing everything in his power to prevent an American-style republic from taking root in his native land. Formerly seen as France’s heroic figure, Lafayette was now viewed as opportunistic, a dreamer, and a traitor to his nation--and today remains a murky figure in French memory.In America, Lafayette’s momentous departure from his homeland for the War of Independence has long been hailed as the start of an extraordinary career to be celebrated for generations. In France, it is often seen as just one of his many misbegotten undertakings. Yet no one has managed to offer a satisfactory answer to the crucial question of why: Why did Americans shower Lafayette with so much acclaim in his own time that he remains a hero today, being named an honorary U.S. citizen in 2002—becoming only the seventh person ever granted this distinction? And why, in contrast, does his memory continue to be denigrated in his own land?Auricchio, drawing on substantial new research conducted in libraries, archives, museums, and private homes in France and the United States, gives us history on a grand scale as she answers these crucial questions, revealing the man and his complex life, and challenging and exploring the complicated myths that have surrounded his name for more than two centuries.

     BOOK EXCERPT: By the time Hugh Glass reached Fort Tilton it was well into November. A foot of snow lay across the countryside. Fort Tilton was a small fort that belonged to the Columbia Fur Company. It had been built by William P. Tilton and boasted a garrison of only five men. As it sat near the site of another Mandan village, the Mandans who escorted Hugh dropped him off, then immediately went to visit their cousins. Hugh went to see Tilton, where he learned right away that any hopes of finding a boat to continue his journey were in vain. “Mr. Glass,” Tilton told Hugh, “I’d like to help you but I can’t. I’ve got five men here, besides myself. I can’t spare any of them. We’re under danger of attack here night and day by the Arikaras. I need every man I have to keep them away. Even if I could spare anyone, I doubt they would go. We’re watched constantly. I had one man who left the fort for only a few minutes. From out of nowhere, that devil Stanapat rode up and killed him, practically on our doorstep. If you hadn’t had the Mandans escorting you, don’t think for a moment that you would have made it in here. Those damn Arikaras would have gotten you before you even came within sight of the fort.” Disappointed, Hugh exhaled heavily. “Stanapat,” he said ruefully. “—The Little Hawk With The Bloody Hand…” Tilton looked at him. “You speak Arikara?” he asked Hugh. “Pawnee,” Hugh said absently. “The two languages are almost identical.” Tilton continued to stare at him. Slowly, a look of dread came over his features. “Oh no,” Tilton said. “Oh, Christ, I should have known by your scars—you’re the one the Indians call White Bear.” Hugh gave him a puzzled look. “How did you know?” “Mister, you’re the talk of the plains. BIG medicine. Went one on one with a grizzly, left for dead by two white men and still managed to crawl to Fort Kiowa. The Arikaras have tried to kill you and can’t, that’s what they say. Oh, I know all about you. So does every tribe from here to the Rockies. As soon as Stanapat finds out you’re here—and he will—he’ll tear this place down to get to you. New travels real fast in these parts, mister, and the news here is that the Arikaras want you real bad!” PRAISE FOR "HUGH GLASS" by Bruce Bradley-- "--The kind of book you hate to put down!" Fraser Whitbread - Muzzle Blasts Magazine "This recent book by Bruce Bradley is a great read and should be added to the library of those who have interest in the (Fur Trade) period or are an over-all student of early American History." - On the Trail Magazine "A very readable telling of an amazing story!" —Bob Griffith-Amazon.com

    The first serious academic study of lycanthropy and "blood-lust" written in English, this book draws upon a vast body of observation, myth, and lore.

    Set since 1814 until 1914. Set in the revolutionary Europe around 1848, this is the story of two Hungarian brothers who occupy opposing political and ideological camps: Dali, a fiery, freedom-loving romantic, and Antal, a conservative bureaucrat. Throughout the tale, vivid portraits of historical figures appear: Prince Metternich, the Austro-Hungarian chancellor; Tsar Nicholas I; and Lajos Kossuth, the hero of the fight for Hungarian independence. Lajos Zilahy's graphic recreations of the momentous historical events and the passionate private lives of his characters form an unforgettable portrait of 19th-century Europe. Lajos Zilahy was the leading Hungarian novelist of the 20th century; among his books are Two Prisoners and The Deserters.

    Telling Van Gogh’s story from an utterly new perspective—that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts—Wallace allows us to view the legendary painter as we’ve never seen him before.  In our narrator’s eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet’s career.  Wallace’s narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh’s fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.

    This proved disastrous for French naval power in the region, and sparked the rise of a golden age of piracy.Tracing the lives of fabled pirates like the Chevalier de Grammont, Nikolaas Van Hoorn, Thomas Paine, and Jean Comte d'Estrées, The Lost Fleet portrays a dark age, when the outcasts of European society formed a democracy of buccaneers, settling on a string of islands off the African coast. From there, the pirates haunted the world's oceans, wreaking havoc on the settlements along the Spanish mainland and -- often enlisted by French and English governments -- sacking ships, ports, and coastal towns.More than three hundred years later, writer, explorer, and deep-sea diver Barry Clifford follows the pirates' destructive wake back to Venezuela. With the help of a lost map, drawn by the captain of the lost French fleet, Clifford locates the site of the disaster and wreckage of the once-mighty armada.

    Maurois's talent is made of proportion, sanity and balance, and his style of a sure skill in the movement and order of ideas. What a picture he gives us of an age, not yet so remote but that our own grandparents or great-grandparents may have figured in it' The Times Literary Supplement

    Working from government reports, manuscripts, and the diaries and letters of those persons—both white and Indian—who knew him, Margaret Coel has developed an unusually readable, interesting, and closely documented account of his life and the life of his tribe during the fateful years of the mid-1800s.It was in these years that thousands of gold-seekers on their way to California and Oregon burst across the plains, first to traverse the territory consigned to the Indians and then, with the discovery of gold in 1858 on Little Dry Creek (formerly the site of the Southern Arapaho winter campground  and presently Denver, Colorado), to settle.Chief Left Hand was one of the first of his people to acknowledge the inevitability of the white man’s presence on the plain, and thereafter to espouse a policy of adamant peacefulness —if not, finally, friendship—toward the newcomers.Chief Left Hand is not only a consuming story—popular history at its best—but an important work of original scholarship. In it the author:Clearly establishes the separate identities of the original Left Hand, the subject of her book, and the man by the same name who succeeded Little Raven in 1889 as the principal chief of the Southern Arapahos in Oklahoma—a longtime source of confusion to students of western history;Lays to rest, with a series of previously unpublished letters by George Bent, a century-long dispute among historians as to Left Hand’s fate at Sand Creek;Examines the role of John A. Evans, first governor of Colorado, in the Sand Creek Massacre. Colonel Chivington, commander of the Colorado Volunteers, has always (and justly) been held responsible for the surprise attack. But Governor Evans, who afterwards claimed ignorance and innocence of the colonel’s intentions, was also deeply involved. His letters, on file in the Colorado State Archives, have somehow escaped the scrutiny of historians and remain, for the most part, unpublished. These Coel has used extensively, allowing the governor to tell, in his own words, his real role in the massacre. The author also examines Evans’s motivations for coming to Colorado, his involvement with the building of the transcontinental railroad, and his intention of clearing the Southern Arapahos from the plains —an intention that abetted Chivington’s ambitions and led to their ruthless slaughter at Sand Creek.

    Together they discover that they have a connection to the same man, Ralph D'Olivier, and vow to unravel the mystery of his death.After narrowly escaping capture by the Germans, Alice is lifted out of France and taken to a hospital for wounded officers where she meets Lil, a working-class northern girl, working as a nurse. Though worlds apart, Alice and Lil form a friendship, and Alice discovers Lil is also linked to Ralph D'Olivier.Soon, the war irrevocably changes each of these women and they are thrust into a world of heartache and strife beyond anything they have had to endure before. Can they clear Ralph's name and find a lasting love and happiness for themselves?

    A powerful autobiography written in the grand Russian tradition telling the story of how Nina Markovna endured life under Stalin and the tumult of World War II, being tossed back and forth between the opposing German and Soviet armies.

    The lecturer encouraged the class to 'see history all around you', to 'dig deeper and ask why'.It was from these humble beginnings that Catherine began researching the Tuam Mother and Baby Home in County Galway, which she had passed every day as a child on her way to school. Slowly, she began to uncover a dark secret that had been kept for many years: the bodies of 796 babies had been buried in what she believed to be a sewage tank on the grounds. But who were these children, how did they get there and who had been responsible for looking after them?Determined to ask why, Catherine doggedly set about investigating further. Her quest for justice for the Tuam babies and those who went through that home would span over a decade as, often against fierce resistance, she brought to light a terrible truth that shocked the world, impacted the Vatican, and led to a Commission of Investigation in Ireland.Part memoir, part detective story, Belonging is both Catherine's account, and that of those 796 children for whom she came to care so deeply: one of the tender love of a mother and her child; of pain and trauma; of the unforgettable screams which echoed through the corridors as children were taken from their mothers; and of a mystery which continues to this very day, as so many are still left without answers, still searching to know where, and to whom they belong.

    She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.

    An American charmer and art collector, Isabella Stewart Gardner and her husband Jack kept company with the leading men of the day including Henry James, Henry Adams, John Singer Sargent and Whistler. The Stewart Gardners' Boston home, which was modelled after a Venetian

    Thirty ready-to-color illustrations depict lavish dresses and gowns of velvet and damask; smart riding outfits trimmed with braid and gilt; an elegant cashmere shawl, children's outfits; as well as hair ornaments, footwear, and other accessories. A lovely collection that offers an authentic glimpse of what well-dressed ladies and youngsters of the Victorian era were wearing, this is a must-have for coloring book fans, costume designers, and cultural historians.

    An office worker, she lives at home, along with her parents and spirited younger brother, Bertie. But her life is transformed when she meets handsome young man, Edmond Derwent, son of one of the wealthiest families in the small town of Larchbury, and student at Cambridge University.The couple are falling deeply in love when war breaks out and, eager to do his duty for England, Edmond signs up as an officer. The couple plan to be wed, eager to start a new life together - but their happiness is short-lived when Edmond is sent to Flanders to lead his men into battle. Amy trains as a VAD nurse and is soon sent to France, where she sees the true horror of war inflicted on the brave young men sent to fight.Separated by war, Edmond and Amy share their feelings through emotional letters sent from the front line. But when Edmond is critically wounded at Ypres, their love faces the biggest test of all – can their love stay strong while the world around them is crumbling?A romantic, emotional saga set in WW1 – readers of Rosie Goodwin, Katie Flynn and Val Wood will be captivated by this story of love.