This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    The day they were born is when their story began.In one, Louis David Alder is born a male.In the other, Louise Dawn Alder is born a female.Louis and Louise are the same in many ways - they have the same best friends, the same parents, the same dream of being a writer and leaving their hometown in Maine as soon as they can. But because of their gender, everything looks different. Certain things will happen in their lives to shape them, hurt them, build them back up again. But what will bring them back home?

    The tale of Dorian Gray’s moral disintegration caused a scandal when it first appeared in 1890, but though Wilde was attacked for the novel’s corrupting influence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

    I step into the shower and almost faint, an image of taking the day by the throat and bashing its head against the wall floating in my mind.Thirty-year-old Millie just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates wildly between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again.When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning - one that involves nicer clothes, fresh produce, maybe even financial independence - within reach. But with it also comes the paralyzing realization, lurking just beneath the surface, of just how hollow that vision has become. Darkly hilarious and devastating, The New Me is a dizzying descent into the mind of a young woman trapped in the funhouse of American consumer culture.

    And she thought he loved her. But she’s starting to realise love isn’t supposed to hurt like this. So now she’s retracing their story and untangling what happened by revisiting all the places he made her cry. Because if she works out what went wrong, perhaps she can finally learn to get over him.

    He's short, he's fast, he's got a ton of potential—and he's the runaway son of the murderous crime lord known as The Butcher.Signing a contract with the PSU Foxes is the last thing a guy like Neil should do. The team is high profile and he doesn't need sports crews broadcasting pictures of his face around the nation. His lies will hold up only so long under this kind of scrutiny and the truth will get him killed.But Neil's not the only one with secrets on the team. One of Neil's new teammates is a friend from his old life, and Neil can't walk away from him a second time. Neil has survived the last eight years by running. Maybe he's finally found someone and something worth fighting for.

    Carson presents all the extant fragments of Sappho's verse, employing brackets and white space to denote missing text - allowing the reader to imagine the poems as they were written.

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    It begins with six children--three boys and three girls--playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    Set in a place beyond good and evil - literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul - it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

    1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

    Prior to their encounter, he is a doctoral student who manages his destructive thoughts with compulsive calculations about time travel; she is a bipolar counterfeit artist undergoing court-ordered psychotherapy. After their meeting, those things do not change. Everything else, however, is slightly different. Both obsessive, eccentric personalities, Aldo Damiani and Charlotte Regan struggle to be without each other from the moment they meet. The truth—that he is a clinically depressed, anti-social theoretician and she is a manipulative liar with a history of self-sabotage—means the deeper they fall in love, the more troubling their reliance on each other becomes. An intimate study of time and space, ALONE WITH YOU IN THE ETHER is a fantasy writer's magicless glimpse into the nature of love, what it means to be unwell, and how to face the fractures of yourself and still love as if you're not broken

    Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever. Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home. What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms. For two decades, Jeannette Walls hid her roots. Now she tells her own story.

    And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt's story as written in pencil on the walls of Quiet Room in the Children's Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself....In this rediscovered modern classic from "one of France's best-loved temporary writers" (Time), Howard Buten renders with astounding insight and wry language the tale of a troubled -- or perhaps just perfectly normal -- young boy testing the boundaries of love and life.