In 1943, when the United States learns that Germany is on the verge of a deadly innovation that could tip the balance of the war, the government turns to an unlikely source for help: the nation’s top science fiction writers. Installed at a covert military lab within the Philadelphia Naval Yard are the most brilliant of these young visionaries. The unruly band is led by Robert Heinlein, the dashing and complicated master of the genre. His “Kamikaze Group,” which includes the ambitious genius Isaac Asimov, is tasked with transforming the wonders of science fiction into science fact and unlocking the secrets to invisibility, death rays, force fields, weather control, and other astounding phenomena—and finding it harder than they ever imagined. When a German spy washes ashore near the abandoned Long Island ruins of a mysterious energy facility, the military begins to fear that the Nazis are a step ahead of Heinlein’s group. Now the oddball team, joined by old friends from the Pulp Era including L. Ron Hubbard (court-martialed for attacking Mexico), must race to catch up. The answers they seek may be locked in the legendary War of Currents, which was fought decades earlier between Nikola Tesla and Thomas Edison. As the threat of an imminent Nazi invasion of America grows more and more possible, events are set in motion that just may revolutionize the future—or destroy it—while forcing the writers to challenge the limits of talent, imagination, love, destiny, and even reality itself. Blazing at breathtaking speed from forgotten tunnels deep beneath Manhattan to top-secret battles in the North Pacific, and careening from truth to pulp and back again, The Astounding, the Amazing, and the Unknown is a sweeping, romantic epic—a page-turning rocket ship ride through the history of the future.

    But when I found him shot to death on the floor of his office, I had no choice. I had to track down the person responsible. And not just to lay Del to rest, either. Next to his body, the office safe was wide open, and a contract worth millions was missing...From the pen of MWA Grand Master Ed McBain comes this unforgettable story of warring agents and Hollywood dealmaking, murder and scandal—and passions igniting in the dark of night. First publication in nearly 60 years! Features a brand new cover painting by legendary illustrator Robert McGinnis Also featuring Now Die In It, a bonus McBain novelette from the pulps, starring private eye Matt Cordell from THE GUTTER AND THE GRAVE Cover art by Robert McGinnis

    The game is afoot...Pons, Solar. Born 1880 in Prague. Public school education. Graduated Oxford University 1889. Unmarried. Member Savile, Diogenes, Athenaeum, Cliff Dwellers, Lambs. Est. private inquiry practice at 7B Praed Street, 1907. British Intelligence World War I, II. Widely travelled. Residences: New York, Chicago, Paris, Vienna, Prague, Rome, 7B Praed Street, London W2. Telephone: AMbassador 10000.Sherlock Holmes' decision to live alone in the bee-loud glade left an abhorrent vacuum in the life of London; but of all the Holmesian commentators, only August Derleth perceived the obvious truth - that the vacuum had to be filled. And how admirably Solar Pons fills it! - Anthony Boucher"In Re: Solar Pons" by Vincent Starrett"A Word From Dr. Lyndon Parker""The Adventure of the Frightened Baronet""The Adventure of the Late Mr. Faversham""The Adventure of the Black Narcissus""The Adventure of the Norcross Riddle""The Adventure of the Retired Novelist""The Adventure of the Three Red Dwarfs""The Adventure of the Sotheby Salesman""The Adventure of the Purloined Periapt""The Adventure of the Limping Man""The Adventure of the Seven Passengers""The Adventure of the Lost Holiday""The Adventure of the Man With a Broken Face".

    Now he was just an addict, scraping to get by, letting his hunger for drugs consume him. But a man’s life can always get worse - as Ray Stone discovers when he wakes up beside a beautiful nightclub singer only to find her dead... and 16 ounces of pure heroin missing. On the run from the law, desperate to prove his innocence and find a killer, Ray also faces another foe, merciless and unforgiving: his growing craving for a fix...

    The lost pulp crime novel by great American novelist Gore Vidal! Hired to smuggle an ancient artefact out of Egypt, Pete Wells finds himself the target of killers and femme fatales - and just one step away from triggering a revolution that will set Cairo aflame!

    It catches the excitment of man's dream of harnassing a power as great as the sun itself, and it surges ahead to the momentous day that ended a war and plunged mankind into a frightening new era.

    From the Academy Award-Nominated Screenwriter of BREAKFAST AT TIFFANY'S and THE MANCHURIAN CANDIDATE Comes a Breathtaking Story of Murder and Mischief...IT'S THE STORY of a big-game hunter, fisherman, fighter, visitor to Cuba, drunk, and Nobel Prize-winning author, recently deceased of a self-inflicted gunshot wound, whose final unpublished manuscript could fetch a mint...IT'S THE STORY of a short, balding man with a high-pitched voice and a vicious wit, whose cocktail parties are the talk of the town, especially when a beautiful woman dies at one of them...IT'S THE STORY of Hollywood's sexiest starlet, who manages to conceal things even when she's wearing nothing but a towel......and it's the story of Dick Sherman, intrepid New York publisher, on the trail of the literary find of the century-and the killer who will stop at nothing to keep it from being found.

    McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.   The emergence of the “McGinnis Woman”—long-legged, intelligent, alluring, and enigmatic—established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.   McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts, and others. McGinnis women frequently cropped up in the men’s magazines of the ’60s and ’70s.   His first movie poster was for Breakfast at Tiffany’s, with an iconic rendering of Audrey Hepburn. Almost instantly, his poster artwork could be seen everywhere—in theaters, on billboards, in newspapers, and even on soundtrack albums. His work for Hollywood became a who’s-who, with posters for James Bond, The Odd Couple, Woody Allen, The Private Life of Sherlock Holmes, and many more.   Some of his most ambitious works have been his gallery paintings, often depicting stunning American landscapes, vast Western vistas, and of course, beautiful women. The Art of Robert E. McGinnis collection reveals the full scope and beauty of the work of a true American master—one whose legacy continues today.

    After witnessing an explosion that decimates the city’s organized crime community, killing dozens, the Black Beetle—Colt City’s sleuthing sentinel—is on the hunt for answers and justice! Follow Francesco Francavilla’s critically acclaimed pulp hero as he searches island prisons, dank sewers, and swanky nightclubs for the mysterious man known as Labyrinto.

    It's way over my head...Maybe you're waiting for some dream girl to come along in a coach drawn by six white horses, and she'll pick you up and haul you away to the clouds, where it's all milk and honey and springtime all year around. Maybe that's what you're waiting for. That dream girl.Maybe, he murmurmed.And then he looked at the blonde. His smile was soft and friendly and he said, I guess that's why I can't start with you. I'm waiting for the dream girl.But the dream girl does not come. In the meantime Ralph must deal with the yearnings of everyday life and take what he is offered.Written in 1954, The Blonde on the Street Corner is full of the passions and desires that are the hallmarks of a David Goodis novel.His books are a lethally potent cocktail of surreal desription, brilliant language, cracker barrel philosophy and gripping obsession. - Adrian Wootton

    The death of legendary private eye George Rowell looked like an accident; but searching for the truth behind it will put down-and-out East Village detective Payton Sherwood on the corpse-littered trail of a runaway investment scam artist, a drug-addicted reality TV star, and the bewitching beauty whose appearance set it all in motion...

    It's 1955. It's dark; it's sexy. It's dangerous. Everyone has an angle. And while infamous gangster Mickey Cohen rots in a prison cell, Los Angeles ignores the blackest parts of the city's heart...where clandestine groups of LAPD detectives moonlight as sanctioned hitmen knows as "Hit Squads." HIT is a dark crime drama filled with murderers, rapists, and drug lords...and the men who will stop at nothing to bring them to justice. Based on true events. Some of the details of this story and certainly the names have been changed.

    — From the corridors and compartments of the Orient Express to the shadowy, ruined streets of Budapest -- which he saw firsthand as a foreign correspondent during World War II -- Parker takes you on a nightmare tour of a land where life is cheap, old hatreds run strong, and a couple of Americans can find themselves in more danger than they ever imagined. With all the immediacy of the wartime dispatches Parker filed from Turkey, Danzig, Warsaw, and Bucharest and all the authority of a man who himself spent three years crossing borders without a passport and narrowly avoiding arrest by the Gestapo, PASSPORT TO PERIL paints a heart-stopping picture of desperate men in a desperate time.

    Stalked by a vicious killer and losing his hold on power, Mallorys old boss needs helpthe kind of help only a man like Mallory can provide. But behind the walls of the fenced-in island compound he once called home, Mallory is about to find himself surrounded by beautiful women, by temptation, and by dangerand one wrong step could trigger a bloodbath

    A COP HAD KILLED HIMSELF, AND EVERY CROOK IN TOWN KNEW THAT WOULD BE SURE TO BRING ON THE BIG HEAT. Why did they fear a dead man? Dave Bannion, homicide sergeant, fought for the answer to that question. The dead man was a police clerk who shot himself for no obvious reason. That was Bannion's first judgment, until a girl named Lucy presented a quite different picture of the dead man from the one he had shown to the world and to his fastidious, glacial wife. Bannion's chief, Lieutenant Wilks, wanted the case closed and speculation ended quickly and tightly. So did Max Stone and Lagana, who held the city in a sinister, underworld grip. But why? Why did they all fear a dead man . . . ?