"No rock critic-living or dead, American or otherwise-has ever written about pop music with the evocative, hyperpoetic perfectitude of Rob Sheffield." So said Chuck Klosterman about Love is a Mix Tape, Sheffield's paean to a lost love via its soundtrack. Now, in Talking to Girls About Duran Duran, Sheffield shares the soundtrack to his eighties adolescence. When he turned 13 in 1980, Rob Sheffield had a lot to learn about women, love, music and himself, and in Talking to Girls About Duran Duran we get a glimpse into his transformation from pasty, geeky "hermit boy" into a young man with his first girlfriend, his first apartment, and a sense of the world. These were the years of MTV and John Hughes movies; the era of big dreams and bigger shoulder pads; and, like any all-American boy, this one was searching for true love and maybe a cooler haircut. It's all here: Inept flirtations. Dumb crushes. Deplorable fashion choices. Members Only jackets. Girls, every last one of whom seems to be madly in love with the bassist of Duran Duran. Sheffield's coming-of-age story is one that we all know, with a playlist that any child of the eighties or anyone who just loves music will sing along with. These songs-and Sheffield's writing-will remind readers of that first kiss, that first car, and the moments that shaped their lives.

    In the 1940s, a bored heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.

    However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. This updated and expanded reissue of Elizabeth Kendall’s 1981 book The Phantom Prince chronicles her intense, six-year relationship with Ted Bundy and its eventual unraveling. Featuring a new introduction and a new afterword by the author, never-before-seen photos, and a new chapter from the author’s daughter, Molly, this gripping account presents a remarkable examination of obsession, intrigue, and the darkness that love can mask.

    Harvey Burdell in his lower Manhattan home made front-page news across the United States in 1857. "Who killed Dr. Burdell?" was a question that gripped the nation. 31 Bond Street, a debut novel by Ellen Horan, interweaves fiction with actual events in a clever historical narrative that blends romance, politics, greed and sexual intrigue in a suspenseful drama. The story opens when an errand boy discovers Burdell's body in the bedroom of his posh Bond Street home. The novel's central characters are Dr. Harvey Burdell, a dentist and unscrupulous businessman; his lover, the ambitious, Brooklyn-born Emma Cunningham; the District Attorney, Abraham Oakey Hall (later to become mayor of New York); and Henry Clinton, a prominent defense lawyer. The enigmatic relationship between Emma and Dr. Burdell makes her the prime suspect, and her trial is nothing less than sensational. During the trial, the two lawyers fight for truth, justice and their careers. This novel is set against the background of bustling, corrupt New York City, just four years before the Civil War. The author intertwines two main narratives: the trial through the perspective of the defense attorney Henry Clinton, and the story of the lovely young widow Emma Cunningham whose search for a husband brings her into the arms and home of Dr. Burdell.

    Within hours, the flames had destroyed 4.5 million bottles of California's finest wine worth more than $250 million, making it the largest destruction of wine in history. The fire had been deliberately set by a passionate oenophile named Mark Anderson, a skilled con man and thief with storage space at the warehouse who needed to cover his tracks. With a propane torch and a bucket of gasoline-soaked rags, Anderson annihilated entire California vineyard libraries as well as bottles of some of the most sought-after wines in the world. Among the priceless bottles destroyed were 175 bottles of Port and Angelica from one of the oldest vineyards in California made by Frances Dinkelspiel's great-great grandfather, Isaias Hellman, in 1875. Sadly, Mark Anderson was not the first to harm the industry. The history of the California wine trade, dating back to the 19th Century, is a story of vineyards with dark and bloody pasts, tales of rich men, strangling monopolies, the brutal enslavement of vineyard workers and murder. Five of the wine trade murders were associated with Isaias Hellman's vineyard in Rancho Cucamonga beginning with the killing of John Rains who owned the land at the time. He was shot several times, dragged from a wagon and left off the main road for the coyotes to feed on. In her new book, Frances Dinkelspiel looks beneath the casually elegant veneer of California's wine regions to find the obsession, greed and violence lying in wait. Few people sipping a fine California Cabernet can even guess at the Tangled Vines where its life began.

    On July 5, 2011, nearly three years after her initial arrest, Casey Anthony walked away, virtually scot-free, from one of the most sensational murder trials of all time. She'd been accused of killing her daughter, Caylee, but the trial only left behind more questions: Was she actually innocent? What really happened to Caylee? Was this what justice really looked like?In Imperfect Justice, prosecutor Jeff Ashton, one of the principal players in the case's drama, sheds light on those questions and much more, telling the behind-the-scenes story of the investigation, the trial, and the now-infamous verdict. Providing an inside account of the case, Ashton, a career prosecutor for the state of Florida, goes where the press and pundits have only speculated, detailing what really happened during the investigation, showing how the prosecution built their case, and explaining how a woman so shrouded in suspicion was proclaimed innocent.Moving beyond the simple explanations, Ashton offers an in-depth look at the complex figure of Casey Anthony, a woman whose lies he spent three years trying to understand. And yet this focus on Casey came with its own risks; here he details how this widespread fixation on Casey—both in the media and in the trial—may have undermined the case itself. As everyone got caught up in the quest to understand the supposed villain, somehow the victim, Caylee, was all but forgotten—not just to the public, but more important, to the jury.Complete with never-before-revealed information about the case and the accused, Ashton examines what the prosecution got right, what they got wrong, and why he remains completely convinced of Casey Anthony's guilt.

    Michelle was a young single mother when she was kidnapped by a local school bus driver named Ariel Castro. For more than a decade afterward, she endured unimaginable torture at the hand of her abductor. In 2003 Amanda Berry joined her in captivity, followed by Gina DeJesus in 2004. Their escape on May 6, 2013, made headlines around the world.Barely out of her own tumultuous childhood, Michelle was estranged from her family and fighting for custody of her young son when she disappeared. Local police believed she had run away, so they removed her from the missing persons lists fifteen months after she vanished. Castro tormented her with these facts, reminding her that no one was looking for her, that the outside world had forgotten her. But Michelle would not be broken.In Finding Me, Michelle will reveal the heartbreaking details of her story, including the thoughts and prayers that helped her find courage to endure her unimaginable circumstances and now build a life worth living. By sharing both her past and her efforts to create a future, Michelle becomes a voice for the voiceless and a powerful symbol of hope for the thousands of children and young adults who go missing every year.

    Sixteen-year-old Padma sparked and burned. Fourteen-year-old Lalli was an incorrigible romantic.They grew up in Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh crammed into less than one square mile of land. It was out in the fields, in the middle of mango season, that the rumors started.Then one night in the summer of 2014 the girls went missing; and hours later they were found hanging in the orchard. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind.In the ensuing months, the investigation into their deaths would implode everything that their small community held to be true, and instigate a national conversation about sex and violence. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of Padma and Lalli's short lives and shameful deaths, and dares to ask: what is the human cost of shame?

    . .In February 1990, Oregon State Police arrested John Sosnovke and Laverne Pavlinac for the vicious rape and murder of Taunja Bennet, a troubled 23-year-old barfly who had suffered mild retardation since birth. Pavlinac had come forth and confessed, implicating her boyfriend and producing physical evidence that linked them to the crime. Authorities closed the case.There was just one problem. They had the wrong people.And the real killer wasn't about to let anyone take credit for his kill. Keith Hunter Jesperson was a long haul truck driver and the murderer of eight women, including Taunja Bennet. As the case wound through police precincts and courts--ending in life sentences for both Sosnovke and Pavlinac--Jesperson began a twisted one man campaign to win their release. To the editors of newspapers and on the walls of highway rest stops, Jesperson scribbled out a series of taunting confessions:I killed Tanya Bennett . . . I beat her to death, raped her and loved it. Yes I'm sick, but I enjoy myself too. People took the blame and I'm free . . ..Look over your shoulder. I may be closer than you think.At the end of each confession, Jesperson drew a happy face, earning for himself the grisly sobriquet "The Happy Face Killer."Based on access to interviews, diaries, court records, and the criminal himself, I: The Creation of a Serial Killer is Jesperson's chilling story. It chronicles his evolution from angry child to sociopathic murderer, from tormentor of animals to torturer of women. It is also the story of the fate that befell him after two innocent citizens were imprisoned four years for one of his killings.Edgar Award winner Jack Olsen lets the killer to tell his story in his own words, offering unprecedented insight into the twisted thought process of a serial murderer. Olsen takes his readers along on Jesperson's vicious cross-country killing spree, letting him describe how he played his "death game" with eight innocent victims and how he finally came to grips with the fate he deserved.I: The Creation of a Serial Killer is one of the most revealing and insightful pieces of crime reporting ever published.

    Yet despite numerous articles, books, television shows, and feature films, nobody has ever told the in-depth true story of this legendarily fierce-and far-reaching-clash in the heart of Appalachia. Drawing upon years of original research, including the discovery of previously lost and ignored documents and interviews with relatives of both families, bestselling author Dean King finally gives us the full, unvarnished tale, one vastly more enthralling than the myth.Unlike previous accounts, King's begins in the mid-nineteenth century, when the Hatfields and McCoys lived side-by-side in relative harmony. Theirs was a hardscrabble life of farming and hunting, timbering and moonshining-and raising large and boisterous families-in the rugged hollows and hills of Virginia and Kentucky. Cut off from much of the outside world, these descendants of Scots-Irish and English pioneers spoke a language many Americans would find hard to understand. Yet contrary to popular belief, the Hatfields and McCoys were established and influential landowners who had intermarried and worked together for decades.When the Civil War came, and the outside world crashed into their lives, family members were forced to choose sides. After the war, the lines that had been drawn remained-and the violence not only lived on but became personal. By the time the fury finally subsided, a dozen family members would be in the grave. The hostilities grew to be a national spectacle, and the cycle of killing, kidnapping, stalking by bounty hunters, and skirmishing between governors spawned a legal battle that went all the way to the United States Supreme Court and still influences us today.Filled with bitter quarrels, reckless affairs, treacherous betrayals, relentless mercenaries, and courageous detectives, THE FEUD is the riveting story of two frontier families struggling for survival within the narrow confines of an unforgiving land. It is a formative American tale, and in it, we see the reflection of our own family bonds and the lengths to which we might go in order to defend our honor, our loyalties, and our livelihood.

    A warm summer Saturday. An amusement park. David Harwood is glad to be spending some quality time with his wife, Jan, and their four-year-old son. But what begins as a pleasant family outing turns into a nightmare after an inexplicable disappearance. A frantic search only leads to an even more shocking and harrowing turn of events. Until this terrifying moment, David Harwood is just a small-town reporter in need of a break. His paper, the Promise Falls Standard, is struggling to survive. Then he gets a lead that just might be the answer to his prayers: a potential scandal involving a controversial development project for the outskirts of this picturesque upstate New York town. It’s a hot-button issue that will surely sell papers and help reverse the Standard’s fortunes, but strangely, David’s editors keep shooting it down. Why? That’s a question no longer at the top of David’s list. Now the only thing he cares about is restoring his family. Desperate for any clue, David dives into his own investigation—and into a web of lies and deceit. For with every new piece of evidence he uncovers, David finds more questions—and moves ever closer to a shattering truth.

    Alon's sixteen-year-old neighbor, Fred Burton, was deeply shocked by this crime that rocked his sleepy suburban neighborhood. As it turned out, Alon wasn't just a pilot he was a high-ranking military official and with intelligence ties. The assassin was never found and the case was closed. In 2007, Fred Burton who had since become a State Department counterterrorism special agent reopened the case. Here, in Chasing Shadows, Burton spins a gripping tale of the secret agents, double dealings, terrorists and heroes he encounters he chases leads around the globe in an effort to solve this decades-old murder. From swirling dogfights over Egypt and Hanoi to gun battles on the streets of Beirut, this action-packed thriller looks in the dark heart of the Cold War to show power is uses, misused, and sold to the most convenient bidder."

    Versace's friends no less than Andrew's friends were helpless not to make hay off the carcass, for the narrative itself excluded from existence all relevant persons who failed to appear, to put their two cents in...and because the narrative had the force of a psychic avalanche it provided the seque ferom the previous marrivtie, extricated the public eye form the previous keyhole, the Andrew narrative, in effect, solved the JonBenét Ramsey murder case, as that case had finally wrapped up the O. J. Simpson case, which in turn had closed the Menendez case, the Andrew mystery would ultimately be solved by the death of Princess Di..." -- from Three Month FeverIn Three Month Fever, his first book-length work of nonfiction, Gary Indiana presents the 1997 killing spree of Andrew Cunanan as a peculiarly contemporary artifact, an alloy in which reality and myth have been inseparably combined. The case generated an astonishing sequence of news reports in which the suspect became a "monster," "serial killer," "high-priced homosexual prostitute," "pervert," "master of disguise," "chameleon," and so forth. In reality, this figure of dread bore little resemblance to the scary sociopath of legend.In following Cunanan's "trail of death," Indiana presents a riveting, fully realized portrait of a very bright, even brilliant young man whom people liked. He had charisma, great looks, and money that he spent very freely on others. He was a sympathetic listener with a phenomenal memory for names, faces, and virtually anything he read or saw. But he didn't fit in anywhere, and he couldn't solve the problem of how to live.He was trying to do better, to come from a better place, to have a better background. He made up stories about himself that made him feel more like other people or made him seem more interesting than he thought he was.He wanted to be loved for himself. The two people he thought might love him for himself didn't, and he ended up killing them. This was probably the last thing he wanted to do.Andrew was compulsively social, and as long as he could establish some intercourse with the outside world he could function, even if he had to conceal the ugly secrets he was accumulating. He could hang out in gay bars in Chicago while on the run, come to New York and live in a bathhouse, go to movies, pick people up. Even after the killing in New Jersey, his crimes were below the threshold of most people's awareness.But in Miami he found himself trapped, the very places where he expected to "blend in" were informed about who he was and what he looked like. It was isolation he could not deal with--and that led to his total disintegration and the death of Gianni Versace.Three Month Fever is a tour de force in which Indiana reveals how Andrew Cunanan fell apart over time and what he might have sounded like in his own mind. Rarely has a writer immersed himself in the mind of a killer with such startling effect. Gary Indiana has created a new form of true crime that is as insightful as it is riveting.

    When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.   The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost. Through it all she would dream of the eventual trial, a conviction—all her questions finally answered. But after the trial, Sarah’s questions only grew. She wanted to understand her mother’s life, not just her final hours, and so she began a personal investigation, one that drew her back to Maine, taking her deep into the abiding darkness of a small American town.   Told in searing prose, After the Eclipse is a luminous memoir of uncomfortable truth and terrible beauty, an exquisite memorial for a mother stolen from her daughter, and a blazingly successful attempt to cast light on her life once more.

    Now a journalist is following them.When Stieg Larsson died, the author of The Girl with the Dragon Tattoo had been working on a true mystery that out-twisted his Millennium novels: the assassination on February 28, 1986, of Olof Palme, the Swedish prime minister. It was the first time in history that a head of state had been murdered without a clue who’d done it—and on a Stockholm street at point-blank range.Internationally known for his fictional far-right villains, Larsson was well acquainted with their real-life counterparts and documented extremist activities throughout the world. For years he’d been amassing evidence that linked their terrorist acts to what he called “one of the most astounding murder cases” he’d ever covered. Larsson’s archive was forgotten until journalist Jan Stocklassa was given exclusive access to the author’s secret project.In The Man Who Played with Fire, Stocklassa collects the pieces of Larsson’s true-crime puzzle to follow the trail of intrigue, espionage, and conspiracy begun by one of the world’s most famous thriller writers. Together they set out to solve a mystery that no one else could.