Now Lord Barnard is dead and his son, Lord Charles, has come home from the crusades with the last of their men -- and Simon is not among them. Lord Charles claims Simon died saving his life. Melisende suspects there is more to the story. Left to fend for herself and her two young children, Melisende is determined to discover what really happened to Simon at the battle for Acre. The truth is far stranger and more unsettling than she could ever have imagined. If you enjoy true-to-life historical fiction based on real events, with all the passion, drama, and heartache of life in Medieval Europe, you’ll love The Lode Stone, written by multi-award-winning author Jane Ann McLachlan.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    The tales illuminate the mystical significance of knighthood and its ethos of self-purification and honour, decoding many allusions found in medieval art, literature and song.

    He dreamed of the Viking ideal, sailing to distant shores and battling honorable foes. Laden with gold, he would return home in glory. The same life of adventure that his grandfather, Ulfrik Ormsson, experienced awaited him. It proved a false dream. Along with his cousin and best friend, Yngvar discovers a world unlike the sagas of the great heroes. He encounters murder and treachery. Raiding is nothing more than merciless theft. True riches remain elusive and sea kings dominate the waves. Yngvar trusts to his honor and courage to carry him. Yet powerful enemies swarm all around him. Fate guides him into the teeth of a clash between two of history's mightiest jarls. He will require all his cunning and daring to survive. So begins a new saga of Viking adventure and war. Join the shield wall once more and witness the fierce history of the Norsemen.

    John's Cluniac monastery in Lewes. Nestled in the baby's clothing is gold and ruby crucifix of tremendous value, which puzzles the prior. The boy is named Nicodemus (Nick), and is raised by highly educated monks. Unlike other monastic orders that believe in hard labor, the Cluniacs employ servants in order to dedicated more time to study. Groomed since boyhood to be a warrior monk, Nick is ready to fight for God in the Second Crusade. The only thing that stands in his way is pretty Gwen, the daughter of a kitchen maid who constantly haunts his thoughts and stirs forbidden desires. Nick and many other crusaders board a ship heading for Dartmouth, but a storm veers it off course and they arrive in Lisbon, instead. There he meets the wealthy and powerful Lord Richard Fitzwilliam of Kent, who eventually hands Nick the key to unlock the secrets of his true identity and allow him to take his rightful place in English society. Now he must choose between God and Gwen. From the feudal nobility of Medieval England to the exciting recapture of Lisbon from the Moors, and the bloody battlefields of the exotic East, Forbidden is a tale of Honor, Desire, Denial, Love, and Destiny, which can sometimes be cruel…

    Revenge is ripe on his tongue, and he means to have it. His younger sister was raped by an English bastard, and he was going to make him pay even if it meant he had to execute his vengeance on the miscreant's younger, innocent sister. An eye for an eye was the way he saw it.Madeleine Wynton lived her life simply. She had her father and three older brothers, whom she loved dearly. Her life was calm, and while it may seem boring to others, it satisfied her and gave her purpose. She aspired to enter the abbey where she would further serve others. A life of service would surely save her and her mother’s souls from purgatory, wouldn’t it? That was the plan, that is, until she was kidnapped for ransom. Luck wasn't always on her side, but fortunately for her that day, it was. A rather large, intimidating, and surly Highlander came to her rescue. He took her back to the Highlands, promising to send word to her father that she was safe and ready to return home. The more time she spent with Connor and his family, though, the more she began to question everything she always held as truth. Connor was going to make the English reprobates pay, and not even those wide innocent eyes resting above that sharp tongue of Maddie's, was going to make him abandon his intentions. He was not only sending word to Maddie’s father in the form of a ransom, but he also intended to seduce the Englishwoman into his bed. The revenge would taste sweeter if she willingly gave herself to him. Regrettably, Connor didn’t anticipate falling for Maddie’s stubbornness, wit, or charm. It was a dilemma further complicated by his need to keep her safe from one man who wanted to kidnap Maddie for ransom, and another who bought her from her father. Connor needed to keep his secret if he wanted to spend his life with Maddie. Secrets have a way of coming to light no matter how hard you try to keep them in the dark, and his will have everyone questioning the life they thought they knew. Can the love Connor and Maddie nurtured on a net of lies survive the fall when the deceit unravels, or will their love be a casualty of vengeance?The Highlander Who Saved Me is a stand-alone historical romance novel that will have you holding on through twists and turns. The Heart of a Highlander…where the only thing fiercer than a warrior’s battle cry, is the way that he loves…

    He is a royal Fae, immortal and endowed with more than eye candy looks. He is a being with immeasurable powers but life for him lacked something—so he looked around, and found... humans.Watching their lives and interactions, from another dimension filled him with feelings he had thought long lost in the ennui of immortality. The more he watched--the more addicted to their antics he became. An affection for the human race grew inside the heart Fae are not supposed to have, and it was inevitable that he began to have preferences with regards to them.In 1314, when Scotland’s rule was in jeopardy and the British were about to take more than they should, he chose a side--and then he saw her, and nothing would ever be the same for the prince ever again…

    The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

     AMBER by Elizabeth Rose Amber de Burgh is a novice of the Sisters of St. Ermengild, in training to take her final vows of becoming a nun. But when the doors to the church slam open one night and a wounded man named Lucifer who everyone thinks is the devil enters, her life changes forever. Lucifer, or Lucas as he prefers to be called, has a very tarnished past and a future that fares no better. And when he lays his eyes on the abbey's new novice, he knows he can never let her become a nun. Having been abandoned as a baby on the steps of the church, Lucas will do anything to live a different lifestyle. And before he knows it, he finds himself right in the middle of church corruption. He is sent to Canterbury on a pilgrimage with Amber, but while she intends to pray, that is the furthest thing from his mind. His mission is to steal the Regale ruby of Canterbury Cathedral at Becket's shrine. Can a pure dove change the morals of a devil or will he change her morals first? FOLLOW YOUR HEART by Ruth Kaufman Joanna Peyntor has two uses for a man: to pose for a stained glass window design or to commission her skills. But when her brother conspires to ruin her reputation, she concedes to a third: a husband to help save her glass-painting workshop. On a quest to redeem his family name and lands, Sir Adrian Bedford must marry without delay. But what woman he’d accept would wed an impoverished former nobleman who insists on an unusual stricture in their marriage contract? Joanna, a woman striving to succeed in a man’s world. When irresistible attraction makes their marriage of convenience inconvenient, will his dangerous secrets keep them from following their hearts? THE HIGHLANDER’S OUTLAW BRIDE by Cathy MacRae Thrust into the role of laird upon his father's unexpected death, Connor MacLaurey returns home to learn his cousin has usurped his lands and title. Furthermore, his betrothed--a lass he barely knows and certainly did not agree to marry--is hunted by the sheriff, accused of stealing cattle. His plan is to petition the king for clemency for the foolish chit, break the betrothal, and take his castle back from his treacherous cousin. Marriage is not in his plans. Brianna Douglas has no use for men. Widowed young, berated daily for failing to give her husband a child, and sent home in subsequent disgrace, she devotes her life to holding her family's land for her young brother as their sotted father drowns his sorrow in whisky over their mother's death. Raiders have hit her clan hard, and to save them, she finds herself betrothed to Laird MacLaurey's absent son to seal a pact of protection with the MacLaurey clan. Forced into a marriage neither wants, it will take a king's edict and sacrifice from both to discover what love means. But can they accept their losses and learn from their mistakes before Brianna marries another? HIGHLAND DAYDREAMS by April Holthaus Forced into a loveless marriage Lara's husband Dermot, wanted more from her than just a docile wife, he wants to claim a treasure her clan secretly has in their possession. After several failed attempts to claim it, Dermot found a way to rid the burden of his defiant bride by having her locked away in the dungeon forever. Lara had almost given up hope until a nameless warrior whose strength and strong-will gave her the courage she needed. Thought to be dead, Bram MacKinnon barely held onto life after battling the English for Scotland’s freedom. Imprisoned with no means of escape, he is rescued by his cellmate, a woman. For saving his life, he vows to protect her and return her to her family, but Bram did not realize it was more than he bargained for.

    Convened at Rouen and directed by bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, which sometimes preserves Joan's very words, unveils her life, character, visions, and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman.This new translation, the first in fifty years, is based on the full record of the trial proceedings in Latin. Recent scholarship dates this text to the year of the trial itself, thereby lending it a greater claim to authority than had traditionally been assumed. Contemporary documents copied into the trial furnish a guide to political developments in Joan's career--from her capture to the attempts to control public opinion following her execution.Daniel Hobbins sets the trial in its legal and historical context. In exploring Joan's place in fifteenth-century society, he suggests that her claims to divine revelation conformed to a recognizable profile of holy women in her culture, yet Joan broke this mold by embracing a military lifestyle. By combining the roles of visionary and of military leader, Joan astonished contemporaries and still fascinates us today.Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.

    But Celtica's villages and mines are silent. It is only when the three find an exhausted and starving girl called Evanlyn that they learn why: Morgarath has sent his foul creatures to enslave the Celts. As Gilan rides swiftly back to Araluen to report this news to the King, Will and Horace discover the true purpose behind Morgarath's actions. The Kingdom is sure to be defeated in a surprise three-sided attack - unless the two friends can somehow intervene.

    It's considered one of the most important works of late medieval German literature. The poem's 34 short chapters are a dialog between a plowman, whose beloved wife has recently died, & Death. In odd-numbered chapters the grieving plowman accuses Death for his loss. In even-numbered chapters Death responds to the plowman's emotions with cold cynical logic. In the penultimate chapter God appears & adjudicates the dispute, reminding the plowman that he owes his life to God & reminding Death that he owes his powers to God. The final chapter is a prayer by the plowman for the soul of his wife. Sixteen manuscripts & 17 early printed editions of the work are preserved. The present manuscript was created around 1470 in the workshop of Ludwig Hennflin in Stuttgart. It is presently held by Heidelberg University Library.

    But within lay a root of darkness - inheritance, perhaps, of Viking ancestors. Twice, at least, in her lifetime the Viking streak broke through, in vengeance on a faithless lover, in fury wreaked on a rival of the marriage bed. The marriage, though fruitful of so many children, was on her side no match of love. But a passionate loyalty to her husband, an equally passionate ambition, together with her own sense of justice, gave her the will and the skill to dissemble her feelings and to make her the praise of Christendom. No Queen ever wielded so much power as she in the long years she ruled Normandy; before her no woman in England was ever crowned or was known as Queen.