Fearing for his life and fighting to prove his own innocence, Max goes on the run with no one to trust and too many unanswered questions.Max must dust off his own hacking skills and maneuver the dangerous labyrinth of underground hacktivist networks, ever-shifting alliances, and virtual identities — all while hoping to find the truth behind the “Silence of Six” before it’s too late.

    No slow burn, no filler. This couple gets right to the point.Nova Bradford and Mikhail Luther have a long history. They've known each other since they were students at Blythe T. Young Magnet High School. Mikhail was the handsome high school jock with the pretty homecoming queen on his arm and Nova, well Nova was the ugly duckling no one cared about. After years of working on her self-confidence thanks to a friend and therapy, she finally decides albeit reluctantly, to embark on a school reunion cruise to tropical paradise where she will come face to face with her former classmates that taunted her every day.What she doesn't expect to find is Mikhail, alone and not the same young man from school. What follows seems unlikely, but it's also the thing they both need ...

    Genres range between sci-fi, fantasy, romance, humor, and everything in between!

    Kennedy brings back together some of the authors that brought you Collected Christmas Horror Shorts, alongside several new authors, from upcoming indie stars to Amazon top sellers. Whether you like Easter or not, you’ll certainly have a different view of it after you read the stories contained within these pages. Grab an Easter egg, dim the lights, get cosy and get ready for some chilling tales by some of the horror world’s finest. C.S.Anderson – He Has Risen Christopher Motz - Magic Awaits Veronica Smith​ - It’s Not All About Bunnies and Chocolates Peter Oliver Wonder​ - Easter Gunny Mark Cassell​ - The Rebirth Andrew Lennon​ - Trying To Write A Horror Story Mark Lukens​ - Mia's Easter Basket Lex Jones​ - SonnesHill JC Michael​ - Lord of The Dance Steven Stacy - Echoes of The Bunny-Man Weston Kincade​ & David Chrisley - An Easter Prayer Christina Bergling​ - Hatch James Matthew Byers​ - Killer Jelly Beans from Outer Space (poem) Jeff Menapace​ - Paying It Forward Jeff Strand​ - Rotten Eggs Lisa Vasquez​ - Bunny and Clyde Mark Fleming​ - Sulphur Suzanne Fox - Last Supper Briana Robertson​ - Baby Blues Latashia Figueroa - Easter Eggs Amy Cross - Lamb to Slaughter Kevin J. Kennedy - A Town Called Easter

    even from beyond the grave! All-new BONUS FEATURES include: the complete SCREENPLAY of the feature film and hundreds of on-set/behind-the-scenes PHOTOS giving you an inside glimpse of the making of the film!OFFICER DOWNE is (TM) and (c) Joe Casey & Chris Burnham, 2010. All Rights Reserved.

    Never before has anyone seen anything like this. Three months later, all over Mumbai, men, women and children are ravaged by a disease that begins with initially mild symptoms—that swiftly progress until an ultimately gruesome death. Who will it hit next? And where did it come from? As the rogue microbe wreaks its bloody havoc—striking rich and poor, young and old—chaos ensues. Thousands try to flee the city, including the most powerful man in the country. Can this deadly plague be stopped? After all, all that stands between the city and apocalypse is a ragged team of doctors, civil servants, and scientists. But their intervention may be too little, too late. Suspenseful and gripping from the first page to the last, Bombay Fever is a meticulously researched novel—too plausible to ignore and too chilling to put down—from one of India’s most talented writers.

    It was edited by Harlan Ellison, illustrated by Ed Emshwiller. Like its predecessor, Again, Dangerous Visions and the 46 stories within it received many awards. The Word for World Is Forest, by Ursula K. Le Guin, won a Hugo for Best Novella. When It Changed by Joanna Russ won a Nebula Award for Best Short Story. For a 2nd time, Ellison received a special Hugo for editing the anthology. Again, Dangerous Visions was to be followed by a 3rd anthology, The Last Dangerous Visions. At this point, Ellison has said that it will probably never see the light of day.Introduction: An Assault of New Dreamers by Harlan Ellison The Counterpoint of View by John Heidenry Ching Witch! by Ross Rocklynne The Word for World Is Forest by Ursula K. Le Guin For Value Received by Andrew J. Offutt Mathoms from the Time Closet: 1/Robot's Story, 2/Against the Lafayette Escadrille, 3/Loco Parentis by Gene Wolfe Time Travel for Pedestrians by Ray Nelson Christ, Old Student in a New School (poem) by Ray Bradbury King of the Hill by Chad Oliver The 10:00 Report Is Brought to You by... by Edward Bryant The Funeral by Kate Wilhelm Harry the Hare by James B. Hemesath When It Changed by Joanna Russ The Big Space Fuck by Kurt Vonnegut Bounty by T.L. Sherred Still-Life by K.M. O'Donnell (Barry N. Malzberg) Stoned Counsel by H.H. Hollis Monitored Dreams & Strategic Cremations: 1/The Bisquit Position, 2/The Girl with Rapid Eye Movements by Bernard Wolfe With a Finger in My I by David Gerrold In the Barn by Piers Anthony Soundless Evening by Lee Hoffman [█] by Gahan Wilson The Test-Tube Creature, Afterward by Joan Bernott And the Sea Like Mirrors by Gregory Benford Bed Sheets Are White by Evelyn Lief Tissue: At the Fitting Shop & 53rd American Dream by James Sallis Elouise and the Doctors of the Planet Pergamon by Josephine Saxton Chuck Berry, Won't You Please Come Home by Ken McCullough Epiphany for Aliens by David Kerr Eye of the Beholder by Burt K. Filer Moth Race by Richard Hill In re Glover by Leonard Tushnet Zero Gee by Ben Bova A Mouse in the Walls of the Global Village by Dean R. Koontz Getting Along by James Blish & Judith Ann Lawrence Totenbüch by Parra y FiguéredoThings Lost by Thomas M. Disch With the Bentfin Boomer Boys on Little Old New Alabama by Richard A. Lupoff Lamia Mutable by M. John Harrison Last Train to Kankakee by Robin Scott Empire of the Sun by Andrew Weiner Ozymandias by Terry Carr The Milk of Paradise by James Tiptree, Jr.

    The “what ifs” and the planning were just conversations to have fun with. Who would be the first to go? Where would people be safe? Who would survive the zombie apocalypse? No one is laughing anymore. Awakening to a nightmare, Dan Foster is forced to flee his suburban Chicago home. Together with his wife Abby and little girl Katie, they begin a dangerous trek across the wintery Midwest in hopes to reconnect with his brother in the heartland of Wisconsin. Dan soon discovers the ravenous hordes of undead are not the only things out there that threaten the lives of his family. Can he stay the man he is, or will he need to become something more dangerous in order to protect the ones he loves? In the end, how much of Dan’s humanity will survive this dying world?

    With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child seeks vengeance within a bed's hollow box spring. A lucid dreamer is haunted by an impossible house. A dummy reveals its own anatomy in 20 simple steps. A stuttering librarian holds the key to a mill town's unspeakable secrets. A commuter's worldview is shattered by two words printed on a cardboard sign. An aspiring ventriloquist spends a little too much time looking at himself in a mirror. And a presence speaks through them all. Contents: Introduction by Matt Cardin The Mindfulness of Horror Practice Murmurs of a Voice Foreknown The Indoor Swamp Origami Dreams 20 Simple Steps to Ventriloquism Infusorium Organ Void The Secret of VentriloquismEscape to Thin Mountain

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.