The rubber snake might as well be a real snake—the nightmare reality—when they elicit the same response. Blind fear will make both horse and rider try to outrun lions, even when those lions are made of paper. Blind fear can send you straight over a cliff, and even if you manage to pull up before the edge, that is no way to live life. It is only through training, training, and more training, and then testing that training, that you learn to turn and face fear, find courage, and welcome the ride, wild though it promises to be. These are the rings of fire, the trials that lie ahead for all of us, whether they be taking command of a spooky horse or navigating more human problems. Once trained, with worthy companions marching with you, shoulder-to-shoulder, you are ready for the ride. Welcome to The Dressage Chronicles IV: Rings of Fire.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    Now available in the Arcade definitive edition, the Lehrstucke (or learning plays) lie at the heart of Brechtian theater.

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Not only faced with a life of adversity, Ruth and her mother Caitlin also share a secret, one that no one else must ever know. Ruth and Caitlin's wages are barely enough to put food on the table let alone pay the rent. And an increasingly neglected young Glynis runs wild. When Caitlin contracts tuberculosis and dies they have no option but to move into an even more squalid neighbourhood. But Ruth is still determined to keep their secret, at all costs. That is, until their father dies unexpectedly and an ever more desperate Ruth and Glynis find themselves living hand-to-mouth...

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    Or so they think.

    She's homeschooled by her guru, Sahasra, who induces the idea of empathy and charity to Kaveri. Kaveri discovers her destiny. Hindered by her mother's emotions, she has no other choice but to wait for her time to come. Will she cross her hindrance and make her dreams come true?

    "I think it is my most beautiful play since Streetcar," Tennessee Williams said, "and I've never stopped working on it....It is a cri de coeur, but then all creative work,all life, in a sense is a cri de coeur."In the course of its evolution, several earlier versions of The Two-Character Play have been produced. The first of them was presented in 1967 in London and Chicago and brought out in 1969 by New Directions in a signed limited edition. The next, staged in 1973 in New York under the title Out Cry, was published by New Directions in 1973 The third version (New York, 1975), again titled The Two-Character Play, is the one Tennessee Williams wished to include in New Directions' The Theatre of Tennessee Williams series. It is this version which is presented in this ND paperback.

    Her first return to novel writing has resulted in an unrestrained picture of grief that feels at times, uncomfortably intimate ... this is not a book for the fragile (Melissa Katsoulis, Times Sat. 25 April 2009).

    Catherine's lack of worldliness prevents her from realizing that the young man proposing to her is not entirely drawn to her by her charm. Catherine's father, a successful doctor, sees through the fortune hunter and forbids the marriage, but his daughter proposes an elopement that fails to materialize because the young man knows most of her expected fortune will go elsewhere if he marries her. Catherine retires into a little world of her own. But the fortune hunter turns up once more and again proposes to her. For a moment, Catherine leads him to believe that she will accept him, but when he calls by appointment, she locks the door, blows out all the lights and allows him to realize that she will not be fooled for the second time.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    His adaptation of Harper Lee's To Kill a Mockingbird and his original screenplay Tender Mercies earned him Academy Awards. He received an Indie Award for Best Writer for The Trip to Bountiful and a Pulitzer Prize for The Young Man from Atlanta. In his plays and films, Foote has returned over and over again to Wharton, Texas, where he was born and where he lives, once again, in the house in which he grew up. Now for the first time, in Farewell, Foote turns to prose to tell his own story and the stories of the real people who have inspired his characters. His memoir is both a celebration of the immense importance of community and evidence that even a strong community cannot save a lost soul. Farewell is as deeply moving as the best of Foote's writing for film and theater, and a gorgeous testimony to his own faith in the human spirit.