In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."

    Retired actor, thrice divorced, hapless father - Buffy is well versed in the complicated family Christmas, shuffling between exes and children.Except this year will be different. He has inherited a B&B in rural Wales, and can finally escape the nearest and dearest, and play 'Myne Host' to a group of paper-hatted strangers, on escape-routes from their own clans. But when the strangers check in with their emotional baggage, and the Cab Sav begins to flow, Buffy soon realises that Christmas is never without its little complications.Join the gang at Heartbreak Hotel as they run riot, and celebrate Christmas the Buffy way.

    The playground, like childhood itself, is a nightmare of torment and vulnerability; Charles fears his sensitive son will be destroyed there just as he almost was so many years ago.Underhill's sister Carol, who has moved in to help raise the young boy after his mother passed away, feels differently. The playground, she believes, is preparation for life, Jim will survive the experience, she feels, and he will be the better for it and more equipped to deal with the rigor and obligation of adult existence.Underhill is caught between his own fear and his sister's invocation of reason and feels paralyzed. A mysterious boy calls out to him from the playground, and seems to know all too well why Underhill is there and what the source of his agony really is. A mysterious Manager also lurks to whom the strange boy directs Underhill. An agreement can be made perhaps this is what the boy tells Underhill. Perhaps Jim can be spared the playground, but of course, a substitute must be found.

    They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress.With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times."The Hunt" was short-listed for the 2012 Sunday Times EFG Private Bank Short Story Award.

    Steele - "Begone" by Daryl Gregory - "The Red Menace" by Lavie Tidhar - "Muse of Fire" by John Scalzi - "Writer’s Block" by Nancy Kress - "Highland Reel" by Jack Campbell - "Karin Coxswain" or "Death as She Is Truly Lived" by Paul Di Filippo - "The Lady Astronaut of Mars" by Mary Robinette Kowal - "Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air" by Tad Williams - "Declaration" by James Patrick KellyAs a bonus, the authors introduce their stories, explaining what they ripped-off - and why.Rip-Off! was produced in partnership with SFWA - Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.

    Frederick Barthelme creates an unforgettably wistful cast of characters, ordinary people moving carefully and curiously through a gently painful world.

    Ingeniously plotted, with richly drawn characters and Jeffrey Archer's trademark of deliciously unexpected conclusions, this new collection has the added bonus of thirteen charming illustrations by the internationally acclaimed artist Ronald Searle. Some of these twelve stories were inspired by the two years Jeffrey Archer spent in prison, including the story of a company chairman who tries to poison his wife while on a trip to St. Petersburg---with unexpected consequences. "The Red King" is a tale about a con man who discovers that an English lord requires one more chess piece to complete a set that would be worth a fortune. In another tale of deception, "The Commissioner," a Bombay con artist ends up in the morgue after he uses the police chief as bait in his latest scam. "The Perfect Murder" reveals how a convict manages to remove an old enemy while he's locked up in jail, and then set up two prison officers as his alibi. In "Charity Begins at Home," an accountant realizes he has achieved nothing in his life, and sets out to make a fortune before he retires. And then there is Archer's favorite, "In the Eye of the Beholder," in which a handsome star athlete falls in love with a three-hundred-pound woman . . . who happens to be the ninth-richest woman in Italy. Jeffrey Archer is the only author to have topped international bestseller lists with his fiction, nonfiction, and short stories. "Cat o'Nine Tales" is Archer at his best: witty, poignant, sad, surprising, and unforgettable.

    The assignment that awaits him: The army is meeting with its Capitol Hill paymasters for classified talks on a new, state-of-the-art sniper rifle for U.S. forces. But vital details about the weapon are leaking—straight from the Capitol and probably into the hands of unidentified foreign arms dealers. The prospect of any and every terrorist, mercenary, or dictator’s militia getting their hands on the latest superior firepower is unthinkable. That’s where Reacher comes in. His task: infiltrate the top-secret proceedings and smoke out the mole. His target: a quartet of high-powered Army political liaison officers—all of them fast-track women on their way to the top. According to his bosses, it’s a zero-danger mission. No need to draw a gun . . . just chat over drinks. But Reacher knows that things are rarely what they seem. And he’s learned the hard way never to underestimate an opponent. Or four. Lessons that will come in handy when he starts digging for the truth—and gets his hands a lot dirtier than he expected.

    Confined in an upstairs room to recuperate by her well-meaning but dictatorial and oblivious husband, the yellow wallpaper in the room becomes the focal point of her growing insanity.

    The letter is anticipated by more than just the Beresfords, and they must fight to keep the information from getting into the wrong hands.

    The first novel, The Sins of the Fathers, appeared in 1975, and A Drop of the Hard Stuff - the 17th and most recent - was published in 2011. Over the years Scudder has also been featured in 11 short works of fiction; A Candle for the Bag Lady, which first appeared in AHMM in 1977, is the second of them.Out the Window and A Candle for the Bag Lady kept Scudder alive for me after Dell failed to sell the first three books effectively. There seemed little point in trying to interest another publisher in a series that had already proved unsuccessful, but I couldn't abandon Scudder, and wrote the two novelettes for magazine publication. Then I wrote the fourth novel, A Stab in the Dark, and Don Fine published it at Arbor House, and Scudder was back in business.If you catch me in a weak moment, you might persuade me to sing the title song...A Candle for the Bag Lady was briefly retitled Like a Lamb to Slaughter in order to serve as the title story of a collection; it's original was subsequently restored. It is included in The Night and the Music, my collection of all 11 Matthew Scudder short stories, available for Kindle or as a handsome trade paperback.

    Some are less than a page long, others more substantial; all were unpublished in his lifetime. These matchless short works range from the gleeful miniature horror 'Little Fable' to the off-kilter humour of 'Investigations of a Dog', and from the elaborate waking nightmare of 'Building the Great Wall of China' to the creeping unease of 'The Burrow', where a nameless creature's labyrinthine hiding place turns into a trap of fear and paranoia.

    Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.

    His girlfriend has stopped returning his text messages. His dissertation adviser is dubious about his job prospects. It's the summer of 2008, and his bank account is running dangerously low. Perhaps a few months in Moscow are just what he needs. So Andrei sublets his room in Brooklyn, packs up his hockey stuff, and moves into the apartment that Stalin himself had given his grandmother, a woman who has outlived her husband and most of her friends. She survived the dark days of communism and witnessed Russia's violent capitalist transformation, during which she lost her beloved dacha. She welcomes Andrei into her home, even if she can't always remember who he is.Andrei learns to navigate Putin's Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly--but surprisingly sharp!--grandmother, finds a place to play hockey, a cafe to send emails, and eventually some friends, including a beautiful young activist named Yulia. Over the course of the year, his grandmother's health declines and his feelings of dislocation from both Russia and America deepen. Andrei knows he must reckon with his future and make choices that will determine his life and fate. When he becomes entangled with a group of leftists, Andrei's politics and his allegiances are tested, and he is forced to come to terms with the Russian society he was born into and the American one he has enjoyed since he was a kid.A wise, sensitive novel about Russia, exile, family, love, history and fate, A Terrible Country asks what you owe the place you were born, and what it owes you. Writing with grace and humor, Keith Gessen gives us a brilliant and mature novel that is sure to mark him as one of the most talented novelists of his generation.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.