And when an elite SS extermination squad is dispatched to solve the problem, the men find a something that's both powerful and terrifying. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.Panicked, the Nazis bring in a local expert on folklore―who just happens to be Jewish―to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way―a man who awoke from a nightmare and immediately set out to meet his destiny.The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.

    As one of the last descendants of the Van Helsing lineage, she has trained since childhood to destroy monsters both corporeal and spiritual: the corporeal undead go down by the bullet, the spiritual undead by the lens. With an analog SLR camera as her best weapon, Micheline exorcises ghosts by capturing their spiritual energy on film. She's aided by her crew: Oliver, a techno-whiz and the boy who developed her camera's technology; Jude, who can predict death; and Ryder, the boy Micheline has known and loved forever.When a routine ghost hunt goes awry, Micheline and the boys are infected with a curse known as a soulchain.As the ghostly chains spread through their bodies, Micheline learns that if she doesn't exorcise her entity in seven days or less, she and her friends will die. Now pursued as a renegade agent by her monster-hunting father, Leonard Helsing, she must track and destroy an entity more powerful than anything she's faced before . . . or die trying.Lock, stock, and lens, she’s in for one hell of a week.

    I cracked more cold cases and got more confessions than anyone else in the department. Of course that was before I traded in my badge for an ancient Celtic sword. Now, I'm the Special Liaison for the Council, the governing body of the Others, and I take my orders from witches, werewolves and vampires. I didn't just make a career change though. I'm not the same person I was before. I'm stronger, I can heal from wounds that would kill a normal person. I'm developing latent psychic skills at a breakneck speed. Oh yeah, and it would seem that a Pagan goddess has taken permanent residence in my body and mind. Crazy thing is, I'm starting to feel normal, like this is who I'm supposed to be. Of course, there are those who don't agree. Morrigan and her sisters for example. Actually, I'm pretty sure they'd like nothing more than to see me dead. And if I can't stop them and the demons they've raised, they just might get their wish.

    Howards End, A Room With a View, and Where Angels Fear to Tread are included here in their entirety.

    A volume of five of Shakespeare's most enduring works of tragedies, offering perennial insights into human emotion as well as telling inscriptions of the particular concerns of Shakespeare's own day.

    Now, after hearing voices, having strange dreams of others calling out to her, and her grandfather's last words haunting her, she sets out to find other families like hers. Along with her best friend Lily, the only person outside her family to know about her gift, Keira begins a hunt for her ancestors. A chance meeting with a young man, Lucian Turner, sets them on the right track, but their discoveries change the way Keira will see herself for ever more. Fear, superstition and heritage are shaping Keira's future and she must face her enemies, even if this could mean losing her life. Through loss and love her destiny becomes inescapable. Part Buffy-style horror, part tender romance, Bloodlines will have fans of the genre on tenterhooks waiting for the next instalment of this gripping and hell-raising tale.

    Jekyll and Mr. Hyde with a chilling twist Harper has never been worried about falling in love, something she is skeptical even exists. But everything changes when Logan moves to town, and to Harper's shock, the two tumble into an intense romance. It's everything she never thought she wanted. Then she meets Logan's twin brother, Caleb, who was expelled from his last school. True, he's a bad boy, but Harper can't shake the feeling that there's something deeply sinister about him--something dangerous. When Logan starts pulling away, Harper is convinced that Caleb's shadowy past is the wedge being driven between them. But by the time she uncovers the truth, it may be too late. The author of Prada & Prejudice, You Wish, and Ripple delivers a modern-day retelling of a famously gothic tale, full of suspense, lies, and romance.

    Henry Award winner John Biguenet is as notable for the rigor of its intellect as for the sweep of its imagination. Whether recounting the predicament of an atheistic stigmatic in "The Vulgar Soul" or a medieval torturer who must employ his terrible skills upon his own apprentice in the title tale, these stories decline to settle for ready sentiments or easy assurances.Rather than add to the massive canon of the victimized, for example, "My Slave" takes the perspective of the victimizer. In "The Open Curtain," a man achieves intimacy with his family only when he recognizes -- watching them dine as he sits in his car at the curb -- that he lives in a household of strangers. Menaced by a gang of skinheads in a Jewish cemetery, an American tourist in Germany placates the Neo-Nazis with a formula he continues to repeat even after he is safely back home in "I Am Not a Jew." And as for love, it makes demands in such stories as "Do Me" that shake our very notions of what it means to love.If these stories engage the world in sometimes shocking ways, they are virtuoso engagements, eloquent in their prose, surprising in their plotting, sly in their humor. Biguenet shifts among voices and narrative strategies and imposes neither a single style nor a repeated structure as he depicts the ecological catastrophe of "A Plague of Toads," the problem posed by a ghost in the nursery in "Fatherhood," and the ghastly discovery a grieving widower defends as "another kind of memory" in "Rose."Such mastery of craft may come as a surprise in a first-time author, but even more impressive is the object of his art. For whether it seeks to prick or to tickle, each story in The Torturer's Apprentice addresses its subject with an authority unusual in contemporary literature as it entices the reader beyond the boundaries of the expected and the accepted.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    Banks, Kelley Armstrong, and many more! Horror fiction explores the dark side of human nature, often pushing the limits of violence, graphic gore, and extreme emotions. But with the popularity of shows and movies, such as "The Walking Dead," "True Blood," "Twilight," "Buffy the Vampire Slayer," audiences have demonstrated their love for the genre--especially accompanied with a dose of humor to tone down the terror."Blood Lite III: Aftertaste" continues to put the fun back into dark fiction, featuring a wide range of humorous and highly entertaining horror-filled tales. Edited by Horror Writers Association founding member and award-winning author Kevin J. Anderson, the stories vary in tone from wry to downright laugh-out-loud funny. Featuring such well-known horror writers as Jim Butcher, Sherrilyn Kenyon, Christopher Golden, and many others, this collection of tales is perfect for anyone who enjoys being entertained as much as they love a good scare.Contents:I was a teenage Bigfoot / Jim Butcher --Blood-red greens / Joel A. Sutherland --V plates / Kelley Armstong --Put on a happy face / Christopher Golden --Devil's contract / E.S. Magill --Nine-tenths of the law / Eric James Stone --Scrumptious bone bread / Jeff Strand --Let that be a lesson to you / Mark Onspaugh --Mint in box / Mike Baron --Great zombie invasion of 1979 / J.G. Faherty --Dating after the apocalypse / Stephen Dorato --Typecast / Jeff Ryan --Making the cut / Mike Resnick, Lezli Robyn --Acknowledgments / Will Ludwigsen --Mannequin / Heather Graham --Short term / Daniel Pyle --Distressed travelers / Nina Kiriki Hoffman --Bayou brawl / L.A. Banks --Steeple people / John Alfred Taylor --For sale / David Sakmyster --Man who could not be bothered to die / Norman Prentiss --Last demon / Don D'Ammassa --Misadventure to call your own / Adrian Ludens --Smoke and mirrorballs / Chris Abbey --Brians!!! / D.L. Snell --Still life / Ken Lilli-Paetz --Day in the life / Sherrilyn

    Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! The Critical Edition of Varney the Vampire; or, The Feast of Blood includes: · A critical introduction about the Penny Dreadful Press and the lore of the Mid 19th Century Vampire · Over 200 notes explaining references, historical information, and corrections to the text · A variety of 19th century essays explaining the horrors and dangers of (gasp!) reading Penny Dreadfuls · Contemporary critical essays on James Malcolm Rymer and his most famous Penny Dreadfuls: Varney the Vampire and Sweeney Todd · Four additional early Penny Dreadfuls detailing insanity, family cannibalism, torture gone wrong, and other bedtime stories · A reader's guide · Reproductions of the original woodcut illustrations

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.

    Marooned in the run-down seaside resort of Cole Bay, his life is a horrible comedy of errors that has trapped him in the country's most dismal place at the worst possible time - the early '70s. He dreams of escaping the crumbling pier and the grumbling pensioners, of finding a place where he is appreciated, but it's the one thing he can't do. Until he discovers a faraway land with characters who are impossibly exotic, but strangely familiar. In the kingdom of Calabash he can have everything he's ever wanted from life. There's only one small problem. Calabash doesn't actually exist. In an England that's still hungover from the 60s, Kay finds it all too easy to retreat from reality. Everyone in Cole Bay expects him to conform, but Kay is prepared to risk everything to find out what makes him different, what his life really holds, and what will happen if he believes in the impossible.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.