Contained within these pages, is his story. It is a story that will horrify the non criminal mind and lay bare, how Massey unwittingly became the architect of his own demise. Massey was not the only casualty of a toxic feud that had ignited between two Salford gangs following the most trivial of disputes. John Kinsella, a close friend of Massey's, was gunned down in front of his pregnant partner. A seven-year-old boy and his mother were shot, a hand grenade was hurled through the front window of a family home, an attempt was made to behead a man with a machete and an orgy of beatings, stabbings, kidnappings and shootings were carried out in the name of respect. In today's underworld, the old school criminal code has been confined to the bin. Being known as a hard man, once demanded respect, but no more. Guns, and having the mindset to use one, often for little or no reason, has become the norm. Drugs are the currency and death often the penalty for a discrepancy or misdemeanour. It is an unforgiving world that Paul Massey helped to create and a world, that ultimately resulted in his death.

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Photographs.

    (The first book, 'Mrs Caldicot's Cabbage War was filmed starring Pauline Collins in the title role.) Mrs Caldicot and her colleagues from the Twilight Years Rest Home win the lottery. Their win is small but it transforms their lives in an unexpected way. A trip abroad results in disaster but Mrs Caldicot and company rise above their misfortune.

    Robin Robertson has written a book of remarkable cohesion and range that calls on his knowledge of folklore and myth to fuse the old ways with the new. From raw, exposed poems about the end of childhood to erotically charged lyrics about the end of desire, from a brilliant retelling of the metamorphosis and death of Actaeon to the final freeing of the waters in "Holding Proteus," these are close examinations of nature--of the bright epiphanies of passion and loss.At times sombre, at times exultant, Robertson's poems are always firmly rooted in the world we see, the life we experience: original, precise, and startlingly clear.

    Replacing the slim volume which introduced Stevie Smith to American readers, New Selected Poems is chronologically arranged and contains 165 poems along with many of the author's doodles.

    How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and Jane Austen to Samuel Beckett and J. K. Rowling.

    Linguistics. Originally appearing in 1977 and now in its 11th printing, THE NEW SENTENCE by Ron Silliman is a classic collection of essays by one of the sharpest minds in American contemporary poetic thought. It is a collection with rich insight into Silliman's own monumental poetical work and the writing of his peers, a book which both illuminates the concerns of the era in which it was written and radiates outward with a tremendous scope that continues to bear fruit for the contemporary reader. Ron Silliman is a terrific prose critic...positively bristles with intellectual and political energy of a very high order -Bruce Boone.

    

    Avram Escovitz, a young Jew, arrives in Glasgow from Russia. He dreams of playing football until WWI intervenes and he begins work as a credit draper, peddling goods to Highlanders. A stranger in a strange land, Avram must set up a new business and capture the heart of a Highland lass. But how easy will it be to shake off his Jewish roots?

    Then he mowed the lawn (again) and knew his life was over. His wife was happy doing her crosswords, but Stanley felt like an old age pensioner with nothing to look forward to apart from sitting in his chair, watching daytime TV, and walking his dog, Roobarb. On a whim, after yet another wet walk with his overweight pooch, he put an advert in the corner shop window: Old Age Pensioner Investigations. No job too big, or small. From murder to missing cats, Detective Stanley can solve it all. He went home, got told off for letting Roobarb get mud on the lino, stared at Custard the cat who stole the only biscuit he was allowed a day (he was putting on weight), and fell asleep in his chair. Then the doorbell rang. He had a case. The old age private eye was in business. Now all he had to do was actually solve a murder. Oh, and get a pad, and a pen, and maybe detectives had cars too, and secretaries, and offices... He wasn't bored any more, that was the main thing. Plus the murder mystery, of course.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    She was young promising composer in search of a master to teach her and advise her.Serena Singleton was the beautiful up and coming talent brought to the attention of the eccentric, famous, and wildly wealthy Sebastian Sorenson, one of the foremost and most talent composers in Hollywood and in the Academics field.A chance encounter brings them into an arrangement that turns out beyond their expectations and desire, testing their boundaries.Who is the student, the protege, and who is the teacher?Nothing is as it seems in this romantic exotic thriller.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.