Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnesses Hae-on in the passenger seat of Jeongjun's car just a few hours before her death. But when Jeongjun's alibi turns out to be solid, and no evidence can be pinned on Manu, the case goes cold.Seventeen years pass without any resolution for those who knew and loved Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she's lost, ultimately setting out to find the truth of what happened.Told at different points in time from the perspectives of Da-on and two of Hae-on's classmates, Lemon loosely follows the structure of a detective novel. But finding the perpetrator is not the main objective here. Instead, the work explores grief and trauma, raising important questions about guilt, retribution, and the meaning of death and life.

    Adopted by the community, Kampol is soon being raised by figures like Chong the shopkeeper, who rents out calls on his telephone and goes into debt while extending his customers endless credit. Kampol also plays with local kids like Noi, whose shirt is so worn that it rips right in half, and the sweet, deceptively cute toddler Penporn.Dueling flea markets, a search for a ten-baht coin lost in the sands of a beach, pet crickets that get eaten for dinner, bouncy ball fads in school, and loneliness so merciless that it kills a boy’s appetite all combine into Bright, the first-ever novel by a Thai woman to appear in English translation. Duanwad Pimwana’s urban, and at times gritty, vignettes are balanced with a folk-tale-like feel and a charmingly wry sense of humor. Together, these intensely concentrated, minimalist gems combine into an off-beat, highly satisfying coming-of-age story of a very memorable young boy and the age-old legends, practices, and personalities that raise him.

    . . and transforms this moment into a powerful, sweeping epic that resonates across continents and oceans, bridging East and West . . . The scope and breadth of Kim’s talent is evident on every page of this breathtaking novel.” —ListIn 1904, as the Russo-Japanese War deepened, Asia was parceled out to rising powers and the Korean empire was annexed by Japan. Facing war and the loss of their nation, more than a thousand Koreans left their homes to seek possibility elsewhere—in unknown Mexico.After a long sea voyage, these emigrants—thieves and royals, priests and soldiers, orphans and entire families—disembark with the promise of land. Soon they discover the truth: they have been sold into indentured servitude.Aboard ship, an orphan, Ijeong, fell in love with the daughter of a noble; separated when the various haciendados claim their laborers, he vows to find her. After years of working in the punishing heat of the henequen fields, the Koreans are caught in the midst of a Mexican revolution. Some flee with Ijeong to Guatemala, where they found a New Korea amid Mayan ruins. A tale of star-crossed love, political turmoil, and the dangers of seeking freedom in a new world, Black Flower is an epic story based on a little-known moment in history.

    Asiya dreams of her daughter’s happiness. Sajida dreams of becoming a doctor. Subaida dreams of the day when her family will become free of woes. Parveen dreams of a little independence, a little space for herself in the world. Mothers, daughters, aunts, sisters, neighbours… In this tiny Muslim village in Tamil Nadu, the lives of these women are sustained by the faith they have in themselves, in each other, and the everyday compromises they make. Salma’s storytelling – crystalline in its simplicity, patient in its unravelling – enters this interior world of women, held together by love, demarcated by religion, comforted by the courage in dreaming of better futures.A beautiful novel by writer and activist Salma, translated from Tamil by Meena Kandasamy.

    A man of simple needs whose greatest ambition is to one day own his own rickshaw, Xiangzi is nonetheless thwarted, time and again, in his attempts to improve his lot in life.One of the most important and popular works of twentieth-century Chinese literature, Rickshaw Boy is an unflinchingly honest, darkly comic look at a life on the margins of society and a searing indictment of the philosophy of individualism.

    When a small group of paratroopers kill everyone who lives there with her, and then turn on each other, Billie is forced to learn to live with the violent, innocent, and troubled Rafael, who decides to abandon the soldier’s life and become a farmer, no matter what it takes.A lyrical and continually surprising take on the absurdity of war and the mysteries of childhood, Children in Reindeer Woods is a moving modern fable.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    I quit trusting anything that anyone told me.My life was skidding into darkness at high speed, and I couldn't stop it.I didn't think that there was a man anywhere in the world who could love me.I was 22 years old and dead on the vine.I want to see a thousand lonely strangers dancing happily at my party.An international literary phenomenon - now available for the first time in English translation—Candy is a blast of sex, drugs, and rock 'n' roll that opens up to us a modern China we've never seen before.

    Unspeakable things have happened to his mother and his mentally disabled 12-year-old brother. As Takeru gets to know Mitsuko, his new caretaker, and Saki, his spunky neighbor, he meets more of his mother's old friends, discovering her history and confronting the terrible acts that have left him alone. All the while he begins to see a strange figure that calls himself Bunji—the same name of a delicate young boy who mysteriously vanished one day on the village's coastline at Lion's Cross Point.At once the moving tale of a young boy forced to confront demons well beyond his age, a sensitive portrayal of a child's point of view, and a spooky Japanese ghost story, Lion's Cross Point is gripping and poignant. Acts of heartless brutality mix with surprising moments of pure kindness, creating this utterly truthful tale of an unforgettable young boy.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    THE WHITE BOOK becomes a meditation on the color white, as well as a fictional journey inspired by an older sister who died in her mother's arms, a few hours old. The narrator grapples with the tragedy that has haunted her family, an event she colors in stark white--breast milk, swaddling bands, the baby's rice cake-colored skin--and, from here, visits all that glows in her memory: from a white dog to sugar cubes.As the writer reckons with the enormity of her sister's death, Han Kang's trademark frank and chilling prose is softened by retrospection, introspection, and a deep sense of resilience and love. THE WHITE BOOK--ultimately a letter from Kang to her sister--offers powerful philosophy and personal psychology on the tenacity and fragility of the human spirit, and our attempts to graft new life from the ashes of destruction.

    Stocky, with a paunch and deep-set beady eyes, he resembles a pig himself. His brutality towards his new young wife, Lin Shi, knows no bounds. The more she screams, the more he likes it. She is further isolated by the vicious gossip of her neighbors who condemn her for screaming aloud. As they see it, women are supposed to be tolerant and put their husbands above everything else. According to an old Chinese belief, all butchers are destined for hell—an eternity of torment by the animals they have dispatched. Lin Shi, isolated, despairing, and finally driven to madness, fittingly kills him with his own instrument—a meat cleaver. A literary sensation in the Chinese language world with its suggestion that ritual and tradition are the functions of oppression, this novel also caused widespread outrage with its unsparing portrayal of sexual violence and emotional cruelty. This tale has made a profound impact on contemporary Chinese literature and today ranks as a landmark text in both women's studies and world literature.

    But observing someone for hours on end can be so inconvenient and tiresome. How will she stay awake? When can she take delivery of her favourite brand of tea? And, perhaps more importantly – how did she find herself in this situation in the first place?As she moves from job to job, writing bus adverts for shops that mysteriously disappear, and composing advice for rice cracker wrappers that generate thousands of devoted followers, it becomes increasingly apparent that she's not searching for the easiest job at all, but something altogether more meaningful...

    Set in the turbulent decades of the Cultural Revolution and the Tian'anmen Square incident, "A Private Life" exposes the complex and fantastical inner life of a young woman growing up during a time of intense social and political upheaval.At the age of twenty-six, Ni Niuniu has come to accept pain and loss. She has suffered the death of her mother and a close friend and neighbor, Mrs. Ho. She has long been estranged from her tyrannical father, while her boyfriend -- a brilliant and handsome poet named Yin Nan -- was forced to flee the country. She has survived a disturbing affair with a former teacher, a mental breakdown that left her in a mental institution for two years, and a stray bullet that tore through the flesh of her left leg. Now living in complete seclusion, Niuniu shuns a world that seems incapable of accepting her and instead spends her days wandering in vivid, dreamlike reveries where her fractured recollections and wild fantasies merge with her inescapable feelings of melancholy and loneliness. Yet this eccentric young woman -- caught between the disappearing traditions of the past and a modernizing Beijing, a flood of memories and an unknowable future, her chosen solitude and her irrepressible longing -- discovers strength and independence through writing, which transforms her flight from the hypocrisy of urban life into a journey of self-realization and rebirth.First published in 1996 to widespread critical acclaim, Ran Chen's controversial debut novel is a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity, alienation and belonging, nature and society. As Chen leads the reader deep into the psyche of Ni Niuniu -- into her innermost secrets and sexual desires -- the borders separating narrator and protagonist, writer and subject dissolve, exposing the shared aspects of human existence that transcend geographical and cultural differences.