Written during this time, this is the account of prison life and the people he encountered.There is the guard who delivers blows with no visible traces. The fraudster stitched up by the police for murder. The man who refuses to lie for a packet of cigarettes. The abandoned teenager, the down-and-out, the grass... He describes a hidden world of brutality and corruption, yet one where moments of humanity still manage to shine through.One in ten Russian men pass through prison at some point in their lives. This book is a denunciation of an entire system of bureaucratic criminality, and a passionate call to recognise a human tragedy.

    . . a marvelous source for the social history of Russian peasant society in the years before the revolution. . . . The translation is superb." —Steven Hoch" . . . one of the best ethnographic portraits that we have of the Russian village. . . . a highly readable text that is an excellent introduction to the world of the Russian peasantry." —Samuel C. RamerVillage Life in Late Tsarist Russia provides a unique firsthand portrait of peasant family life as recorded by Olga Semyonova Tian-Shanskaia, an ethnographer and painter who spent four years at the turn of the twentieth century observing the life and customs of villagers in a central Russian province. Unusual in its awareness of the rapid changes in the Russian village in the late nineteenth century and in its concentration on the treatment of women and children, Semyonova's ethnography vividly describes courting rituals, marriage and sexual practices, childbirth, infanticide, child-rearing practices, the lives of women, food and drink, work habits, and the household economy. In contrast to a tradition of rosy, romanticized descriptions of peasant communities by Russian upper-class observers, Semyonova gives an unvarnished account of the harsh living conditions and often brutal relationships within peasant families.

    But for Yakov, who questions his faith from an early age, becoming a rabbi is more an obligation than a calling. One summer, he discovers love in Rebecca, a young woman who challenges both his beliefs and his doubts. All too quickly, a family secret tears them apart and their lives diverge. Confused and curious, Yakov pursues a secular education alongside his rabbinical training. A chance encounter reunites him with Rebecca, who he learns is also studying to become a rabbi. His relationship with her blooms as he and his father continue to drift. But what will become of his relationship with God? This 20th anniversary re-release of Rabbi, Rabbi, Kane’s debut novel, is a masterfully written, deeply engrossing portrait of modern American Judaism. Now more than ever, Kane’s intimate prose will move any reader who has ever struggled with the complexities of faith, family, love, and personal identity.

    The foremost Jewish family of Russia, the single voice of their people to the Tsar, the Gunzburgs stand on the threshold of cataclysmic change as their proud by fragile world is threatened, then crushed by the surging forces of the Great War and the Revolution.

    These wealthy men had founded the first banks in the United States and built its first railroads, factories, and steamships. Now, they were to cap their achievements by making their young country equally superior in size, and in the process, producing the greatest, swiftest, and most beautiful craft the world had ever seen - the clipper ship. This book not only traces the origins and achievements of the clipper but enlivens the dry bones of historic fact with the flesh and blood of clipper captains and crews. A great era comes to life with their courageous, tenacious stories.

    All she knows is that they marked the end of life as she knew it - and a new beginning in the Russian Caucasus.Meanwhile on Deeside, young David Thomas's carefree existence is torn apart by a shipping tragedy which will colour his whole life.A decade later David, now an engineer and working in Russia, meets the young Pavel, just as she is emerging into womanhood. But Russia in the 1930s is no place for young lovers and the story of their struggle to be together is a powerful tale of emotion, adventure, unbelievable hardship and ultimate triumph.

    But it is Stella’s voice, the amazing way that she tells her story, that makes this Holocaust story so unique, powerful and endearing. The reader listens to Stella’s stunning simplicity of expression, her use of Polish and Yiddish phrases, her humor, her all-so-frequent grammatical errors – and is charmed. It is a story that only Stella Yollin can tell, and it can only be told in Stella’s sweet and incomparable way.

    He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post

    The panorama that Lincoln presents is broad but static. Chapters are devoted to descriptions of the miseries of the peasantry who endured famine in 1891 & deprivation thereafter--until Stolypin threw them some crumbs to ensure their support in suppressing the '05 revolutionary movement; to the archaic Russian nobility; to the misery & degradation of the urban masses; to the Romanovs; to the ill-fated war with Japan in '05 etc. The thing that seems to tie these topics together, in Lincoln's telling, is syphilis--which, we're told pointedly, infected a broader strata of the population in Russia than elsewhere. Prostitution statistics also get considerable play. Similarly, a chapter on the sexually liberated artistic fringe--which included Diaghilev, Blok & Belyi--makes much of the poet mystic Soloviev as a prophet of sexual pleasure & also ludicrously pronounces him "the 1st--& only--philosopher that 19th-century Russia produced." Little historical explanation is attempted, but he tends toward the view that what was lacking in prerevolutionary Russia was strong leadership: the assassination of Stolypin, the one strong leader produced by the old order, should have advised him otherwise. (Russian institutions collapsed as much from their dead weight as from anything else.) Altogether, he's provided many undigested facts & much garish color--but little else. For the serious general reader, this bears no comparison with Harrison Salisbury's Black Night, White Snow ('78).--Kirkus (edited)

    With cinematic power and beauty, bestselling author David Laskin limns his own genealogy to tell the spellbinding tale of the three drastically different paths that his family members took across the span of 150 years. In the latter half of the nineteenth century Laskin’s great-great-grandfather, a Torah scribe named Shimon Dov HaKohen, raised six children with his wife, Beyle, in a yeshiva town at the western fringe of the Russian empire. The pious couple expected their sons and daughters to carry the family tradition into future generations. But the social and political upheavals of the twentieth century decreed otherwise. The HaKohen family split off into three branches. One branch emigrated to America and founded the fabulously successful Maidenform Bra Company; one branch went to Palestine as pioneers and participated in the contentious birth of the state of Israel; and the third branch remained in Europe and suffered the Holocaust. In tracing the roots of his own family, Laskin captures the epic sweep of twentieth-century history. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is an eloquent masterwork of true grandeur—a deeply personal, dramatic, and universal account of a people caught in a cataclysmic time in world history.

    They lived a paradox--unwanted by a repressive Stalinist state, yet forbidden to leave. "When They Come for Us, We'll Be Gone" is the astonishing and inspiring story of their rescue.Journalist Gal Beckerman draws on newly released Soviet government documents as well as hundreds of oral interviews with refuseniks, activists, Zionist "hooligans," and Congressional staffers. He shows not only how the movement led to a mass exodus in 1989, but also how it shaped the American Jewish community, giving it a renewed sense of spiritual purpose and teaching it to flex its political muscle. He also makes a convincing case that the movement put human rights at the center of American foreign policy for the very first time, helping to end the Cold War.In cinematic detail, the book introduces us to all the major players, from the flamboyant Meir Kahane, head of the paramilitary Jewish Defense League, to Soviet refusenik Natan Sharansky, who labored in a Siberian prison camp for over a decade, to Lynn Singer, the small, fiery Long Island housewife who went from organizing local rallies to strong-arming Soviet diplomats. This multi-generational saga, filled with suspense and packed with revelations, provides an essential missing piece of Cold War and Jewish history.

    In The Revolution of Peter the Great, James Cracraft offers a brilliant new interpretation of this pivotal era.Linking together and transcending Peter's many reforms of state and society, Cracraft argues, was nothing less than a cultural revolution. New ways of dress, elite social behavior, navigation, architecture, and image-making emerged along with expansive vocabularies for labeling new objects and activities. Russians learned how to build and sail warships; train, supply, and command a modern army; operate a new-style bureaucracy; conduct diplomacy on a par with the other European states; apply modern science; and conceptualize the new governing system. Throughout, Peter remains the central figure, and Cracraft discusses the shaping events of the tsar's youth, his inner circle, the resistance his reforms engendered, and the founding of the city that would embody his vision--St. Petersburg, which celebrated its tercentenary in 2003.By century's end, Russia was poised to play a critical role in the Napoleonic wars and boasted an elite culture about to burst into its golden age. In this eloquent book, Cracraft illuminates an astonishing transformation that had enormous consequences for both Russia and Europe, indeed the world.

    He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed.Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion.As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    The new capital of the legitimate government of Russia, once a trading post in the far east, is now a fast-growing boom town. Into this maelstrom come peddlers and exotic dancers, criminals and craftsmen, nobles and assassins. Crime is running rampant and the city guards that passes for policemen don't have a clue how to handle it—and wouldn’t know a clue if they stumbled right over it. They can manage to walk a beat, at least in broad daylight. But solve a crime?         Not a chance. And Czar Michael Romanov and his officials aren’t any help, since they’re pre-occupied with building a nation out of spit and bailing wire.          But the bargirl who was murdered had friends who cared. And thosefriends call in Vasilii Lyapuno, an engineer working at the newly-founded Dacha in Ufa and loves up-timer murder mysteries.          Can Vasilii track down the killer? Luckily for him, he has the assistance of another bargirl named Miroslava, who has a unique way of seeing the world. Together they might figure out who did what to whom and who was responsible for the crime.         Crimes, rather. Murder starts adding up.