After their attempts to penetrate the Ghetto had failed, they decided to spare themselves casualties by destroying it from outside with cannon and aerial bombings. A few days later the Ghetto was totally destroyed. . . . The 'streets' were nothing but rows of smoldering ruins. It was hard to cross them without stepping on charred bodies."—Kazik When the Nazis decided to liquidate the Warsaw Ghetto in 1943, five hundred young Jewish fighters within the Ghetto rose up to defy them. With no weapons, no influence, and no experience in warfare, they managed to resist the Germans for almost a month. In the end, when the battle was lost, the surviving Jews were led out of the ruins through the sewers by a nineteen-year-old fighter known as Kazik. As head courier of the Jewish Fighting Organization (ZOB), which had planned and executed the uprising, Kazik spent the rest of the war helping to care for the several thousand Jews who still remained in Warsaw. This book—an extraordinary story of courage and perseverance—is Kazik's wartime memoir. In stark, spare detail, Kazik reports on the efforts to prepare for the defense of the Warsaw Ghetto, the calamitous battle with the Germans, and the rescue of the few Jews who were still alive after the Ghetto was destroyed. He describes how he assumed a false Aryan identity in order to pass through the city as he collected money and found hiding places for the survivors. Constantly on guard, fearful of informers, his life always in danger, he nevertheless plotted resourcefully to aid his fellow Jews. He tells how he joined the Poles during their ill-fated uprising against the Nazis in Warsaw in 1944, had further brushes with death assisting the Polish underground, and returned to Warsaw to watch its liberation by the Russian army. Suspenseful, moving, and remarkably heroic, Kazik's memoir is only the second source to be published on the Warsaw Ghetto Uprising. It will help demolish the image of Jews as submissive victims in the Holocaust.

    Karl, a former soldier and successful businessman, dutifully answers the call to defend his country, while contemplative academic Gerhard is coerced into informing for the Gestapo. Soon the brothers are serving in the SS, and as Hitler’s hateful agenda brings about unspeakable atrocities, they find themselves with innocent blood on their hands.Following Germany’s eventual defeat, Karl and Gerhard are haunted by their insurmountable guilt, and each seeks a way to escape from wounds that will never heal. They survived the war and its revelation of systematic horrors, but can they survive the unshakable knowledge of their own culpability?

    Corruption is rampant in the High Command: supplies are being siphoned off, and starving, exhausted soldiers must cross their won mine fields to steal potatoes from the neighboring French farms.Against all army rank and protocol, Wenk forms a friendship with Lieutenant Schelling, whose protests on behalf of his men have incurred the wrath of another officer. When the company is transferred to the fighting on the Russian front, fear, suspicion, and mistrust forces events to a shocking conclusion.Written in 1947 and lost in the chaos of Germany in the postwar years, A Soldier's Legacy now takes its place beside All Quiet on the Western Front as a depiction of the horrors of war.

    Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in American culture to a disturbing examination of recent Holocaust compensation agreements. It was not until the Arab-Israeli War of 1967, when Israel's evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it enjoys today. Leaders of America's Jewish community were delighted that Israel was now deemed a major strategic asset and, Finkelstein contends, exploited the Holocaust to enhance this newfound status. Their subsequent interpretations of the tragedy are often at variance with actual historical events and are employed to deflect any criticism of Israel and its supporters. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism's victims comes not from the distortions of Holocaust deniers but from prominent, self-proclaimed guardians of Holocaust memory. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries as well as legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket. Thoroughly researched and closely argued, The Holocaust Industry is all the more disturbing and powerful because the issues it deals with are so rarely discussed.In a devastating new postscript to this best-selling book, Norman G. Finkelstein documents the Holocaust industry's scandalous cover-up of the blackmail of Swiss banks, and in a new appendix demolishes an influential apologia for the Holocaust industry.

    In the Lodz Ghetto in Poland, Mendel Grossman refused to surrender to the suffering around him, secretly taking thousands of heartrending photographs documenting the hardship and the struggle for survival woven through the daily lives of the people imprisoned with him. Someday, he hoped, the world would learn the truth. My Secret Camera is his legacy. •An important historical record of life during the Holocaust •Features an introduction by Howard Jacobson, author of The Very Model of a Man and Roots Schmoots: Journeys Among Jews •Features 17 beautifully composed photographs

    It's just the opposite. Secrets are bright. They light you up. Like the bare lightbulb left on in a cell day and night, they give you no rest."            So thinks Joop, the narrator of this brief and bitter tale, whose secret is like no other. He has kept that secret for more than sixty years, but now his brother---whom he has not seen since the end of the war---has suddenly shown up at his door.            Having grown up in North America with only the vaguest memories of World War II, Joop's brother has returned to Amsterdam to find out what his childhood in Holland had been like. But what he discovers is much more than he bargained for---he is startled and dismayed to learn of his own role in the betrayal of Anne Frank.            Transporting readers through the agonizing Nazi takeover of World War II, Joop recounts his role as a boy desiring to feed his starving family. He figures out a way to provide for them, but in doing so, he sets in motion a chain of events that will horrify the entire world.            Just as he did in the internationally acclaimed The Autobiography of Joseph Stalin, here Richard Lourie takes us into not only a person's mind, a time, and a place, but into the treacherous currents of history that sweep lives away. This gripping fictionalized account of the man who betrayed Anne Frank will not soon be forgotten.

    Though Anneke's family is Jewish, her religion means little to her. Anneke's life changes in 1942 when the Nazis invade Holland, and she and her family are deported to Theresienstadt, a concentration camp in Czechoslovakia. Not only are conditions in the camp appalling, but the camp is the site of an elaborate hoax: the Nazis are determined to convince the world that Theresienstadt is an idyllic place and that European Jews are thriving under the Nazi regime. Because he is an artist, Anneke's father is compelled to help in the propaganda campaign, and Anneke finds herself torn between her loyalty to her family and her sense of what is right. What World is Left was inspired by the experiences of the author's mother, who was imprisoned in Theresienstadt during World War II.

    While there she was reunited with her sister Danka. Each day became a struggle to fulfill the promise Rena made to her mother when the family was forced to split apart--a promise to take care of her sister.One of the few Holocaust memoirs about the lives of women in the camps, Rena's Promise is a compelling story of the fleeting human connections that fostered determination and made survival a possibility. From the bonds between mothers, daughters, and sisters, to the links between prisoners, and even prisoners and guards, Rena's Promise reminds us of the humanity and hope that survives inordinate inhumanity.

    This volume constitutes the first collection of original Hasidic tales to be published in a century."An important work of scholarship and a sudden clear window onto the heretofore sealed world of the Hasidic reaction to the Holocaust. Its true stories and fanciful miracle tales are a profound and often poignant insight into the souls of those who suffered terribly at the hands of the Nazis and who managed somehow to use that very suffering as the raw material for their renewed lives." -- Chaim Potok"A beautiful collection." -- Saul Bellow"Yaffa Eliach provides us with stories that are wonderful and terrible -- true myths. We learn how people, when suffering dying, and surviving can call forth their humanity with starkness and clarity. She employs her scholarly gifts only to connect the tellers of the tales, who bear witness, to the reader who is stunned and enriched." -- Robert J. Lifton"In the extensive literature on the Holocaust, this is a unique book. Through it we can attain a glimpse of the victims' inner life and spiritual resources. Yaffa Eliach has done a superb job." -- Jehuda Reinharz

    This book reveals little-known information about regular people living under the bleak, macabre and bizarre reality of the Nazi dictatorship.

    Actual entries in a posiealbum (autograph book) serve as stepping stones in a crucial year in history, when people of Jewish ancestry in Germany and Austria were systematically stripped of their rights, subjected to violence, and arrested without cause. Jutta was one of the lucky ones who escaped to America before the rising tide of violence erupted into World War II and the tragedy of the Holocaust. Remembrances from Jutta's friends and relatives introduce chapters, written in verse form, that describe her experiences—many of them typical of any teenager anywhere—and report some of the history of the era. Debbie wrote these verses in consultation with her mother to reflect her voice, feelings, and thoughts as she was living through this memorable year. The book also includes excerpts from Jutta’s diary. Together the poesie writings, verses and diary entries reflect a year of change and chance, confusion and cruelty. Most of all, they describe a year of goodbyes.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    A crusty, often foulmouthed commander who wrotetender letters home to the love of his life.Gen. George S. Patton Jr. comes to life in these pages as oneof the most colorful, enigmatic, and unfairly maligned leaders in U.S. militaryhistory. Often caricatured—as in the big-screen biopic, Patton—the general wasa complex blend of battle-tested strengths and nearly fatal personal flaws.Without varnishing over his shortcomings, Patton: The Pursuit of Destiny shattersmyths and builds a compelling case for a deeper appreciation of the man whoinspired unsurpassed loyalty and admiration from the soldiers who served underhim.Destined for an outsized life, Patton parlayed his family’sdeep military roots, his World War I experiences, his Olympic exploits, and hispassion for freedom to become one of the linchpins of Allied victory in WorldWar II.

    In 1942 they made it onto the last boat to escape France before the Germans sealed its harbors. Then, barred from entering the United States, they lived in Cuba for almost two years before emigrating to New York. This sweeping account of one family’s escape from the turmoil of war-torn Europe hangs upon the intimate and deeply personal story of Maitland’s mother’s passionate romance with a Catholic Frenchman. Separated by war and her family’s disapproval, the young lovers—Janine and Roland—lose each other for fifty years. It is a testimony to both Maitland’s investigative skills and her devotion to her mother that she successfully traced the lost Roland and was able to reunite him with Janine. Unlike so many stories of love during wartime, theirs has a happy ending.

    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?