The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she's a suspect, squirming under fluorescent lights and the penetrating gaze of the alleged accomplice who's sitting across from her, watching: a man who's also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. This is a tale of sexual intrigue, ruthless urges, and danger, which has blindsided her from a seemingly innocuous angle. Here in the courtroom, everything hinges on one night in a dark alley called Apple Tree Yard.

    His daughter is found and brought up by a shepherd on the Bohemian coast, but through a series of extraordinary events, father and daughter, and eventually mother too, are reunited.In The Gap of Time, Jeanette Winterson’s cover version of The Winter’s Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand, and redemption and the enduring love of a lost child on the other.

    She leaves behind an extraordinary and acclaimed body of work - but she also leaves a legacy of secrets and emotional damage that will take months to unravel.

    Its owner is Aramon Lunel, an alcoholic haunted by his violent past. His sister, Audrun, alone in her bungalow within sight of the Mas Lunel, dreams of exacting retribution for the unspoken betrayals that have blighted her life. Into this closed world comes Anthony Verey, a wealthy but disillusioned antiques dealer from London seeking to remake his life in France. But from the moment he arrives at the Mas Lunel, a frightening and unstoppable series of consequences is set in motion.

    In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.

    His missionary ancestors who came to the islands were financially and culturally progressive—one even married a Hawaiian princess, making Matt a royal descendant and one of the state's largest landowners. But now his luck has changed. His two daughters are out of control—10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex, a former model, is a recovering drug addict. His thrill-seeking and high-maintenance wife, Joanie, lies in a coma after a boat racing accident, and will soon be taken off life support. The King family can hardly picture life without their charismatic mother, but as they come to terms with this tragedy, their sadness is mixed with a sense of freedom that shames them—and spurs them into surprising actions.

      As the Chief of Rheumatology at Columbia Presbyterian, Dr. Paul Allen's specialty is diagnosing patients with conflicting symptoms, patients other doctors have given up on. He lives a contented life in Westport with his second wife and their twin sons—hard won after a failed marriage earlier in his career that produced a son named Daniel. In the harrowing opening scene of this provocative and affecting novel, Dr. Allen is home with his family when a televised news report announces that the Democratic candidate for president has been shot at a rally, and Daniel is caught on video as the assassin.       Daniel Allen has always been a good kid—a decent student, popular—but, as a child of divorce, used to shuttling back and forth between parents, he is also something of a drifter. Which may be why, at the age of nineteen, he quietly drops out of Vassar and begins an aimless journey across the United States, during which he sheds his former skin and eventually even changes his name to Carter Allen Cash.      Told alternately from the point of view of the guilt-ridden, determined father and his meandering, ruminative son, The Good Father is a powerfully emotional page-turner that keeps one guessing until the very end. This is an absorbing and honest novel about the responsibilities—and limitations—of being a parent and our capacity to provide our children with unconditional love in the face of an unthinkable situation.

    He does not know that a query from a Mrs Tina Hopgood about a world-famous antiquity in his museum is about to alter the course of his life.Oceans apart, an unexpected correspondence flourishes as they discover shared passions: for history and nature; for useless objects left behind by loved ones; for the ancient and modern world, what is lost in time, what is gained and what has stayed the same. Through intimate stories of joy, anguish, and discovery, each one bares their soul to the other. But when Tina's letters suddenly cease, Anders is thrown into despair. Can this unlikely friendship survive?

    I was wowed by Keane’s writing and narrative skill—and by what she knows about trouble.” —Stephen King How much can a family forgive? Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.In Mary Beth Keane's extraordinary novel, a lifelong friendship and love blossoms between Kate Gleeson and Peter Stanhope, born six months apart. One shocking night their loyalties are divided, and their bond will be tested again and again over the next thirty years. Heartbreaking and redemptive, Ask Again, Yes is a gorgeous and generous portrait of the daily intimacies of marriage and the power of forgiveness.

    As a child Julia Forrester spent many idyllic hours in the hothouse of Wharton Park, the great house where her grandfather tended exotic orchids. Years later, while struggling with overwhelming grief over the death of her husband and young child, she returns to the tranquility of the estate. There she reunites with Kit Crawford, heir to the estate and her possible salvation. When they discover an old diary, Julia seeks out her grandmother to learn the truth behind a love affair that almost destroyed Wharton Park. Their search takes them back to the 1930s when a former heir to Wharton Park married his young society bride on the eve of World War II. When the two lovers are cruelly separated, the impact will be felt on generations to come.Lucinda Riley skillfully sweeps her readers between the magical world of Wharton Park and Thailand during World War II with irresistible and atmospheric storytelling. Filled with twists and turns, passions and lies, and ultimately redemption, The Orchid House is a romantic, poignant novel that became an instant bestseller in the UK and Germany.

    Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.

    Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman.Thirty-five years later, Suzanna Peacock is struggling with her notorious mother's legacy. The only place Suzanna finds comfort is in The Peacock Emporium, the beautiful coffee bar and shop she opens that soon enchants her little town. There she makes perhaps the first real friends of her life, including Alejandro, a male midwife, escaping his own ghosts in Argentina.The specter of her mother still haunts Suzanna. But only by confronting both her family and her innermost self will she finally reckon with the past--and discover that the key to her history, and her happiness, may have been in front of her all along.

    Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff’s personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family’s quirky newspaper. As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper’s rich history is revealed, including the surprising truth about its founder’s intentions. Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.

    And June is the only survivor. Alone and directionless, June drives across the country, away from her small Connecticut town. In her wake, a community emerges, weaving a beautiful and surprising web of connections through shared heartbreak. From the couple running a motel on the Pacific Ocean where June eventually settles into a quiet half-life, to the wedding's caterer whose bill has been forgotten, to Luke's mother, the shattered outcast of the town - everyone touched by the tragedy is changed as truths about their near and far histories finally come to light. Elegant and heartrending, and one of the most accomplished fiction debuts of the year, Did You Ever Have a Family is an absorbing, unforgettable tale that reveals humanity at its best through forgiveness and hope. At its core is a celebration of family - the ones we are born with and the ones we create.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.