For treachery, blackmail and murder.He might be saving the world in his imagination as an MI5 agent, but Jerry's real life boss, wife and ex are all sick of his shenanigans and figure they’d be better off without him.More use dead than alive, he winds up on the news, reported missing and presumed murdered, his fate a mystery to all but one person. Lies used to make life easier, but now one thing’s for sure: being Jerry is murder.

    Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present. Her daughters, Agnes and Julie, meddle in the affairs of their three nieces, with comical tenacity. Deeply theatrical and profoundly intense, THE MAI is an epic tale of love and loss, of elusive dreams shattered by vulgar but inescapable reality.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

     McCall is persuaded to investigate Ruby's disappearance. But he is drawn into a dangerous conspiracy of spies, double agents and corrupt politicians whose intrigues will have him running for his life. The Convenience of Lies is both a love story and a taut, literary thriller. It is a follow up to the author's acclaimed debut novel, A Place of Strangers - a book which one American reviewer said put him "...in the line of successors to Le Carré." Praise for Geoffrey Seed 'Seed is a brilliant Writer.' - Valerie Byron. Geoffrey Seed is an ex-Daily Mail journalist who later specialised in producing major TV investigations for programmes such as BBC Panorama and Granada's World in Action.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

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    One day, they'll sell their cramped city-centre antiques shop and the overflowing upstairs flat and relocate to the beautiful Yorkshire Dales. When a smallholding in a remote Dales village comes on the market, it seems like the answer to their prayers.

    

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    1537. Henry VIII’s beloved third wife, Jane Seymour, has just died in childbirth. The king needs a new wife. Shown a flattering portrait of Anne of Cleves, Henry commits himself to marrying her. As soon as she arrives in England the lovesick and impatient king rides through the night to meet his future wife. This rushed and unplanned rendezvous has shocking results. He thinks that she looks nothing like the sweet and innocent Anne he saw in the portrait; she is shocked at his coarse and impulsive behaviour. Now Henry wants to renege on his promise - but the king must also do right by his kingdom. Thomas Cromwell, his wily adviser, is asked by Henry to provide a solution to his problem. The fate of Anne hangs in the balance. Will the blameless and wronged wife have her hopes fulfilled, or will she be sent to the Tower and share Anne Boleyn end? Recommended for fans Alison Weir, Philippa Gregory and The Tudors. Praise for 'Anne of Cleves: Unbeloved'. …very easy and enjoyable read, filling in my ignorance of one of Henry’s lesser-known wives. Iain K. Burns. Past Chief Executive of Macmillan Group (Worldwide) D.Lawrence-Young is the author of numerous historical novels, including 'Six Million Accusers', 'Catherine Howard' and 'Arrows over Agincourt'. Praise for Anne of Cleves: Unbeloved. …very easy and enjoyable read, filling in my ignorance of one of Henry’s lesser-known wives. Iain K. Burns. Past Chief Executive of Macmillan Group (Worldwide)

    

    Meet Maud, the formidable Irish-American suffragette; sulky Patricia, whose unhappy childhood leads her to a dangerous love affair; vivacious, flame-haired Colleen; Mary, who struggles to bring up children beside her wayward husband - and Arfer, whose quick mind lifts him out from the world of poverty in London's East End.

    In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously. Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage.Claudio’s sister Isabella, who is entering a convent, pleads for her brother’s life. Angelo attempts to extort sex from her, but Isabella preserves her chastity. The duke, in disguise, eavesdrops as she tells her brother about Angelo’s behavior, then offers to ally himself with her against Angelo.

    The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater.

    But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage written by her husband Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing?The Real Thing was first performed at the Strand Theatre, London, on 16 November 1982.