She had felt that Hercule Poirot should not have been included in the plot, and for the stage she removed him entirely

    Lord Vye's daughter might be thought to want for nothing, but life isn't easy on fifty guineas a year, with a jealous stepmother watching one's every move. Eugenie's passionate nature and unerring ability to get hold of the wrong end of the stick land her in trouble as she follows her heart: from elegant Swallowcliffe to the streets of fashionable London, by way of rural Ireland, glamorous belle époque Paris and an idyllic artists' retreat at Giverny. She hurtles from one near-disaster to another, rescued only by a sense of humour, unquenchable optimism and her dear American friend Julia - until finally discovering love was right under her nose all along.

    No sooner had she become the Princess of Wales and moved into Kensington Palace than her fears were confirmed: the House of Windsor constituted a flawed dynasty. She found herself trapped in a world of scandal, deceit and treachery. Diana's Nightmare reveals the previously untold secrets Diana discovered about her royal relatives. This book exposes how intensely Charles and Camilla Parker Bowles contrived to exclude her, it reveals the Queen was angry and bitter at her family's indiscretions, how the Queen Mother's indifference was matched only by Prince Philip's blind range over Diana's determination to find her own path, what really went on between the Duke and Duchess of York and how Prince Edward witnessed Diana's tantrums at Balmoral . . . Diana's own secret life.""Filled with new insights into the troubled life of the beautiful Princess. I remained riveted to the end."" - DOMINICK DUNNE

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    He or she must have a working knowledge of how the various technical aspects of the theater work (scenery, props, costumes, lights and sound), be part director, part playwright, part designer and part producer, and be prepared to act as confidant, counselor and confessor to everyone else in the company.This book addresses all of these considerations in detail and offers the reader-professional or amateur, veteran or beginner-helpful guidance and practical advice, supported by many forms and examples to illustrate the points covered in the text.The three phrases of mounting and performing a show are covered. Part I takes the reader through the pre-production phase-research, the script, planning and organization, and auditions. Part II covers the rehearsal process-rehearsal rules, blocking, cues, prompting, information distribution, technical and dress rehearsals. Part III discusses the performance phase-calling the show, maintaining the director's work, working with understudies and replacements, and more.Part IV provides insights into the organizational structure or some theaters and aspects of human behavior in those organizations. Many stage managers of long-running commercial productions believe that-once the show is up and running-only ten percent of their work is related to everything covered in Parts I, II and III. The other ninety percent is associated with issues in Part IV; i.e. managing human behavior and maintaining working relationships.

    Drugged. Abandoned.A rural area in the north of England is put on edge as teenage girls start to go missing. The local authorities are stumped in their search for the one responsible.Charles Lee lives a very normal life, in stark contrast to his troubled past. Putting years of abuse, neglect and loss behind him, he has built a new life in the countryside with his beloved family and border collie. However, his past soon starts to haunt him as burned bridges are resurrected, old grievances resurface and a lust for revenge takes over.Will Detective Taylor and psychological profiler Georgina Riley suss out the clues and piece together the jigsaw in time to stop the disappearances?

    Her larger-than-life personality makes people cry with laughter as she haphazardly navigates through one romantic crisis after another.Gemma tries hard when it comes to finding 'Mr Right' - baking love pies and sexy texting - yet it never seems to work out. But does she care? Of course she doesn't. She always has the upper hand, leaving men quaking in their boots and women looking on in admiration. But finding her confidence has been a long and heartbreaking journey for Gemma.Inside, she opens up about the life events she endured before finding fame and feeling comfortable in her own skin. From breaking up with the love of her life and miscarrying a baby, to a drastic weight gain and depression; life for a real Essex girl is far from just an endless cycle of spray tans and vajazzles. Basically... is the touching yet riotously funny story of how a young girl with a big heart finally found what she'd been looking for. Herself.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    Their forbidden love soon draws everyone, including Queen Elizabeth, into the drama, and inspires Will to write the greatest love story of all time: Romeo and Juliet. Based on the Oscar-winning screenplay by Marc Norman and Tom Stoppard, Shakespeare in Love has been deftly adapted for the stage by Lee Hall and has been playing to rave reviews and a sold-out theatre at the Noël Coward in London. The London production is directed by Declan Donnellan and designed by Nick Ormerod, the driving force behind the world-renowned theatre company, Cheek by Jowl. A Broadway transfer is planned for Spring 2015.

    Industry, toil and grime. Its manufacturing roots mean we still see the North of England as a hardworking place. But, more than possibly anywhere else, the North has always known how to get dressed up, take itself out on the town and have a good time. After all, working and playing hard is its specialty, and Stuart Maconie is in search of what, exactly, this entails what it tells us about the North today.Following tip offs and rumour, Stuart takes trip to forgotten corners and locals’ haunts. From the tapas bars of Halifax to the caravan parks of Berwick Upon Tweed, from a Westhoughton bowling green to Manchester’s curry mile, via dog tracks and art galleries, dance floors and high fells, Stuart compares the new and old North, with some surprising results.The Pie at Night could be seen as a companion to the bestselling Pies and Prejudice, but it is not a sequel. After all, this is a new decade and the North is changing faster than ever. This is a revealing and digressive journey and a State of the North address, delivered from barstool, terrace, dress circle and hillside.

    England. Jean, a young and somewhat ignorant woman, is engaged to the politician Stonor, who is up for election for Cabinet Minister. At her aunt Lady John's house, she meets the beautiful and mysterious Miss Levering, an independent lady who has lived through a great deal in her past and is now fighting for women's rights. When Jean hears Miss Levering talk about the horrible situation of young, poor and homeless women in England, she is shocked. Slowly she gets interested in the suffragette's movement, something her fiancé did not expect to be so strong. But then Jean learns that Stonor's annoyance about her involvment in the matter and her interest in Miss Levering has other reasons that dive into his past.

    The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

    One solution was to erect prefabs on fields and open spaces to give temporary accommodation to those who had been bombed out. It was in one of these ‘modern’ boxes that young Norman Jacobs grew up through the 1950s and 1960s. In a lively, detailed and humorous picture of a postwar Hackney childhood, Norman takes us back to an age of rationing, bomb sites, street markets, colourful characters and camaraderie. And in reminiscing about stodgy school food, jumpers for goalposts, Listen with Mother, greyhound racing, pie ’n’ mash, holiday camps, and the advent of American-style burger bars, he provides a glimpse into a way of life that has vanished for ever. Set against a backdrop of Rock ’n’ Roll, the Cuban Missile Crisis and the assassination of President Kennedy, funny, poignant and sometimes sad, Norman’s is a story full of innocence and happiness that will take you back to the best of times – the days we thought would never end.