However, an unwelcome guest arrives claiming to have evidence that Janey was murdered. When she is found floating in the pool, it becomes clear one of them is a killer. Only one thing is for certain, surviving this holiday is going to be murder…A compelling and psychological thriller - with a dash of romance.

    Everyone thinks Mia and Brynn killed their best friend. That driven by their obsession with a novel called The Way into Lovelorn the three girls had imagined themselves into the magical world where their fantasies became twisted, even deadly.The only thing is: they didn’t do it. On the anniversary of Summer’s death, a seemingly insignificant discovery resurrects the mystery and pulls Mia and Brynn back together once again. But as the lines begin to blur between past and present and fiction and reality, the girls must confront what really happened in the woods all those years ago—no matter how monstrous.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    Angie has no memory of the past three years, years in which she was lost to the authorities, lost to her family and friends, lost even to herself. Where has she been, who has been living her life, and what is hiding behind the terrible blankness? There are secrets you can’t even tell yourself.With a tremendous amount of courage and support from unexpected friends, Angie embarks on a journey into the darkest corners of her mind. As she unearths more and more about her past, she discovers a terrifying secret and must decide: when you remember things you wish you could forget, do you destroy the people responsible, or is there another way to feel whole again?Liz Coley’s alarming and fascinating psychological mystery is a disturbing—and ultimately empowering—page turner about accepting our whole selves, and the healing power of courage, hope, and love.

    The residents worship her. Nurses step out of her way. Her colleagues respect and sometimes even fear her. But surgeon Tori Taylor never expected to end up on this side of the operating table. Now she has a new heart. This life that was formerly controlled and predictable is now chaotic. Dr. Taylor had famously protected herself from love or commitment, but her walls are beginning to crumble. And strangest of all, memories surface that will take her on a journey out of the operating room and into a murder investigation. Where there once was a heart of stone, there is a heart of flesh. And there is no going back.

    This is a story of just one woman. As the story unfolds Linda gradually learns that some people do deserve to die, but that she is not one of those people. Linda Darby is a seven-year divorcee, living quietly in a small let-the-world-go-by beach town on the coast of Oregon, who day trades for a living. Her only close friend is a widowed elderly woman who manages a small consulting company, which, as is later discovered, never has visitors, sends and receives its business correspondence only by courier, and is not listed in any phone directory. No one in town knows what kind of consulting the company does, but the rumor is that whatever they do is done for the government. Linda doesn’t date local men. When her celibacy grows intolerable, she visits nearby towns to frequent the watering holes of successful men. Her motto: No relationships. No second dates. No use of her real name during one-night stands. Then one evening, Linda goes for a walk and nothing for her is ever the same. She is dragged into an alley by two men, but saved by a third, a stranger who disappears as suddenly as he appeared. The next day she finds out the two men in the alley had been killed, the town’s first murders ever. The following day she learns that hours before she had been dragged into the alley, her close friend was tortured and killed.

    Frantic attempts to re-establish communications with the astronauts are unsuccessful. Three days later, however, as NASA is scrambling to put together a rescue mission, astronomers detect a burn of the service propulsion system, and, on schedule, but still in eerie silence, the command module begins its return transit, culminating in the welcome sight of the capsule descending majestically beneath a trio of parachutes into the South Pacific.But when the hatch is opened, the navy divers tasked with assisting the astronauts into the recovery helicopter make a gruesome discovery. The bodies of the three men inside have been burned beyond recognition, victims of a failed heat shield. And with them has died the answer to a great mystery: What was the meaning of Cartwright’s enigmatic last statement, and what happened during those three blacked out days in the Mare Crisium, or Sea of Crises?Unfortunately, unless and until man returns to the moon, it’s a mystery that will remain forever unsolved.Or will it?Thirty-six years later, Cartwright’s sons make a shocking discovery: The capsule that came down in the Pacific Ocean with three charred remains was not their father’s capsule. And the body they buried all those years before was not their father. What they’ve uncovered puts the three brothers on the run, chased by a ruthless group who will stop at nothing to preserve the secret behind the fate of the Apollo 18 astronauts. The brothers will need to set aside past differences and pool their talents if they are to stay alive and unravel the mystery behind what really happened in the Sea of Crises.

    Everyone is convinced Jeremy did it, and since he hasn't spoken a word in 9 years, he's unable to defend himself. Their lawyer instructs Hope to convince the jury that Jeremy is insane, but all her life Hope has known that Jeremy's just different than other people—better, even. As she works to prove his innocence—joined by her best friend T.J. and the sheriff's son, Chase—Hope uncovers secrets about the murder, the townspeople, her family, and herself. She knows her brother isn't the murderer. But as she comes closer to the truth, she's terrified to find out who is.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Living in a trailer park outside Washington, DC, with a mom who works as an exotic dancer, she knows better than to share anything that would make her a target with her classmates. Only her best friends know about her obsession with the personal ads, and Nearly hasn't told anyone about the emotions she can taste when she brushes against someone's skin.Then a serial killer goes on a murder spree and starts attacking students, leaving cryptic ads in the newspaper. Nearly might be the one person who can put all the clues together, and if she doesn't figure it out soon - she'll be next.Big, dark, scary, and brilliantly plotted, Nearly Gone will leave you guessing until the very end.

    That’s the mantra behind HR, Inc., an elite "placement agency" that doubles as a network of assassins-for-hire, taking down high-profile executives who wouldn't be able to remember an intern’s name if their lives depended on it.At the ripe old age of twenty-five, John Lago is already New York City’s most successful hit man. He’s also an intern at a prestigious Manhattan law firm, clocking eighty hours a week getting coffee, answering phones, and doing all the grunt work no one else wants to do. But he isn't trying to claw his way to the top of the corporate food chain. He was hired to assassinate one of the firm’s heavily guarded partners. His internship is the perfect cover, enabling him to gather intel and gain access in order to pull off a clean, untraceable hit.The Intern’s Handbook is John Lago's unofficial survival guide for new recruits at HR, Inc. (Rule #4: "Learn how to make the perfect cup of coffee: you make an exec the best coffee he’s ever had, and he will make sure you’re at his desk every morning for a repeat performance. That’s repetitive exposure, which begets access and trust. 44% of my kills came from my superior coffee-making abilities.")Part confessional, part how-to, the handbook chronicles John’s final assignment, a twisted thrill ride in which he is pitted against the toughest—and sexiest—adversary he’s ever faced: Alice, an FBI agent assigned to take down the same law partner he’s been assigned to kill.

    So she stayed, taking a job at the local paper, to try to both convince the sheriff that she was right-and maybe convince herself she was wrong. After all, her father had been the town doctor, loved (she always thought) by all. To think he was killed was to think that one of her friends or neighbors has harbored some deep resentment toward him. Then she finds the dead body of the women who had been her father's nurse for many years. Obviously murdered. Now Catherine knows that she was not wrong about her parent's death. Someone in Lowfield has a terrible secret, a secret worth killing for. Not once, not twice, but -- when another body is found -- three times. And the killer won't hesitate to add more victims to the list, as Catherine gets closer and closer to the truth.

    The diary that ends up with Wick Tate. But Tessa’s just been found . . . dead.Wick has the right computer-hacking skills for the job but little interest in this perverse game of hide-and-seek. Until her sister Lily is the next target.Then Griff, trailer-park boy next door and fellow hacker, shows up, intent on helping Wick. Is a happy ending possible with the threat of Wick’s deadbeat dad returning, the detective hunting him sniffing around Wick instead, and a killer taunting her at every step?Foster child. Daughter of a felon. Loner hacker girl. Wick has a bad attitude and sarcasm to spare.But she’s going to find this killer no matter what.Because it just got personal.

    A prostitute. A serial killer.Anywhere else, they’d be vermin. At the Mandel Academy, they’re called prodigies. The most exclusive school in New York City has been training young criminals for over a century. Only the most ruthless students are allowed to graduate. The rest disappear.Flick, a teenage pickpocket, has risen to the top of his class. But then Mandel recruits a fierce new competitor who also happens to be Flick’s old flame. They’ve been told only one of them will make it out of the Mandel Academy. Will they find a way to save each other—or will the school destroy them both?