Watching the man she’s always loved marry someone else is the last straw – she decides to get out of Hope. But her resolve is tested when the hot new locum doctor arrives in town.Doctor Tom Lewis also has skeletons in his closet – including a painful breakup and devastating family news. He’s hit the road with his vintage ute and surfboard, to travel the outback and live in the moment.When Tom and Lauren meet the attraction is instant, but for Lauren Tom threatens to be just another fling and Tom has his own reasons for hesitating. Everyone else – their friends and patients – can see how perfect they are together, but just what will it take for them to admit this to themselves?A brand new Hope Junction story of fresh starts and second chances.

    Tiff and Kayla are free, which is what they've always wanted, but now summer is nearly at an end and that means life decisions. Tiff is hoping her job at the local paper will lead to something more, but "The Shark" soon puts her straight on what it takes to become a hard-nosed reporter like him. At home, Reggie—the only grandad she's ever known—has quit smoking and diagnosed himself as a cactus, and then Kayla hits her with some big news. And into all this stumbles Davey, who plays rugby but quotes Truman Capote, and is the first boy who has ever really wanted to know her. Tiff is smart with words and rarely does tears, but in one short week she discovers that words don't always get you there; they don't let you say all the stuff from deep in your heart.

    And I was eighteen when I left.One tanked career, one badly timed glamour shoot and one dead boyfriend later, thirty-year-old Lottie Bentz is finally going home.Back in the orchard town of Bonnievale, Lottie embarks on a radical declutter of her life, Marie Kondo-style. She casts out everything that got her into trouble: her phone, socials, make-up and a tendency to tell little white lies – to herself and others. But home has its own issues, not least Lottie’s staunchly feminist mother, who is furious with her.When Lottie lands herself a place to stay in exchange for helping kindly Mrs Brooker try out the Kondo method, it seems like the perfect farm escape. That’s until Angus, Lottie’s former Peach King and heir to the Brooker orchards, makes it clear she’s not welcome – especially when Lottie’s declutter begins to stir up long buried memories and half-truths.As Lottie finds her way back to herself, can she use her talents to coax Bonnievale and the Brookers out of the past? After all, everyone deserves to feel love, hope and the occasional spark of joy.A deeply moving story about forgiving, finding joy and falling in love with life again.

    And what appears to be an ordinary night out is--through the prism of her singular perspective--extraordinary. As the evening unfolds, each encounter she has reveals the vast discrepancies between what she is thinking and feeling, and what she is able to say. And there's so much she'd like to say. So when she meets a man and a genuine connection occurs, it's nothing short of a miracle. However, it isn't until she invites him home that we come to appreciate the humanity beneath the labels we cling to, and we can grasp the pleasure of what it means to be alive.The debut novel from the inimitable Madeleine Ryan, A Room Called Earth is a humorous and heartwarming adventure inside the mind of a bright and dynamic woman. This hyper-saturated celebration of love and acceptance, from a neurodiverse writer, is a testament to moving through life without fear, and to opening ourselves up to a new way of relating to one another.

    But when Jax dies, Norman decides the only fitting tribute is to perform at the festival himself. The problem is, Norman’s not the funny one. Jax was.There’s also another, far more colossal objective on Norman’s new plan that his single mom, Sadie, wasn’t ready for: he wants to find the father he’s never known. Determined to put a smile back on her boy’s face, Sadie resolves to face up to her own messy past, get Norman to the Fringe and help track down a man whose identity is a mystery, even to her. Julietta Henderson’s delightfully charming, tender and uplifting debut takes us on a road trip with a mother and son who will live in the reader’s heart for a long time to come, and teaches us that—no matter the odds—we must always reach for the stars.

    After being given a long-lost painting found in the basement of a condemned hotel, Annie becomes intrigued by the two girls who stare out at her from the ruined canvas. All she has are two names: Alice and Rosey...and a landscape from a century before.1867: Named by the wife of the paddle steamer captain who finds her half drowned in the Murray River, Alice has a gift — she can see an aura of colours around the people she meets, but sometimes the colours tell her of impending doom. Learning to survive in a world which misunderstands her, Alice eventually runs away to the goldfields with her friend Rosey and joins a troupe of entertainers. While her fame and fortunes increase as people pay to hear her predictions, Alice can never escape her past...along with the frightening man in the dark coat who follows her wherever she goes.Who were Alice and Rosey? And why does Annie find their lives so important? As Annie becomes caught up with seeking answers from the past, she finds herself seeing the same man in the dark coat who follows her wherever she goes. What is his connection to the painting?

    Hirsch isn’t just a disgraced cop; the internal investigations bureau is still trying to convict him of something, even if it means planting evidence. When someone leaves a pistol cartridge in his mailbox, Hirsch suspects that his career isn't the only thing on the line.  But the tiny town of Tiverton has more crime than one lone cop should have to handle. The stagnant economy, rural isolation, and entrenched racism and misogyny mean every case Hirsch investigates is a new basket of snakes. When the body of a 16-year-old local girl is found on the side of the highway, the situation in Tiverton gets even more sinister, and whether or not he finds her killer, there’s going to be hell to pay.Paperback edition found under the title Bitter Wash Road.

    It was in the past, and Layla didn’t dwell on the past.’Layla was just like any other teenager in the small town of Glasswater Bay: she studied hard, went out with her friends and worked at the local cafe after school. But when her attractive, married boss turned his attention on her, everything changed.Twenty years later, Layla's living a quiet life in the suburbs with a loving husband and two children. She's finally left the truth of what happened behind. Until she receives a text message: I know what you did.For years, she’s outrun her past, turning away from her friends and her home town. Now her past is about to catch up.

    The last thing sixteen-year-old Maisie Martin thought she'd be doing this summer is entering a beauty pageant.Not when she's spent most of her life hiding her body from everyone.Not when her Dad is AWOL for Christmas and her gorgeous older sister has returned to rock Maisie's shaky confidence. And her best friend starts going out with the boy she's always loved.But Maisie's got something to prove.As she writes down all the ways this summer is going from bad to worse in her school-assignment journal, what starts as a homework torture-device might just end up being an account of how Maisie didn't let anything, or anyone, hold her back...

    She has a handsome boyfriend and a family who give her only the best. But she craves her own space, and her own classroom, before settling down into the life she is expected to lead. When Nat takes up a posting at a tiny school in remote Western Australia, it proves quite the culture shock, but she is soon welcomed by the swarm of inquisitive locals, particularly young student Billy and his intriguing single father, Drew.  As Nat's school comes under threat of closure, and Billy's estranged mother turns up out of the blue, Nat finds herself fighting for the township and battling with her heart. Torn between her life in Perth and the new community that needs her, Nat must risk losing it all to find out what she's really made of – and where she truly belongs.  PRAISE FOR FIONA PALMER 'Fiona Palmer just keeps getting better.' Rachael Johns 'Palmer's passion for the land bleeds into the story, and her scenes are vivid and genuine, just as her characters are.' Book'd Out'Fiona Palmer has well and truly earned her place as a leading writer of one of Australia's much-loved genres.' Countryman

    Three marriages left behind. Life begins in earnest.It's 1977, and warm, bohemian Libby - stay-at-home mother, genius entertainer and gifted cook - is lonely. When she meets Carol, who has recently emigrated from London with her controlling husband and is feeling adrift, and Anna, who loves her career but not her marriage, the women form an unexpected bond.Their husbands aren't happy about it, and neither are their daughters. Set against a backdrop of inner-city grunge and 70s glamour, far-out parties and ABBA songs, The Women and The Girls is a funny, questioning and moving novel about love, friendship, work, family, and freedom.A kind of Monkey Grip meets 'Nine to Five', The Women and The Girls explores the price - and the rewards - of family and friendship in the Age of Aquarius - and at the dawning of the Age of Divorce.'Laura Bloom has such a unique talent for modern historical fiction and this time it was a joy to be catapulted back to the 1970s. When I turned the last page I was so sad to say goodbye to her beautifully observed characters. A delight from start to finish!' Liane Moriarty

    After a tough decade for retail, Book Fiend is the last bookshop in the CBD, and the last independent retailer on a street given over to high-end labels. Profits are small, but clients are loyal. When James breezes into Book Fiend, Cait realises life might hold more than her shop and her cat, but while the new romance distracts her, luxury chain stores are circling Book Fiend’s prime location, and a more personal tragedy is looming.

    Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go—it’s a survival risk.Sixteen-year-old Nate McKee is doing his best to be invisible. He’s worried about a lot of things—how his dad treats Nance and his twin half-brothers; the hydro crop in his bedroom; his reckless friend, Merrick.Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies. He might be able to make a difference, change his life, and claim his future. Or can he?This Is How We Change the Ending is raw and real, funny and heartbreaking—a story about what it takes to fight back when you’re not a hero.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    She's a reluctant member of a musical family with a legendary father, an impossible mother, a sister who can't keep still and a brother who walks to his own beat.Albert Flowers is a people person, life rushing at him from all corners, carrying him to weddings and parties and late nights in rooftop bars.Florence and Albert work together, they plant dreams in the forest together. They think they know each other.But, somewhere between who they are, and who people think they are, lies The Best Kind of Beautiful.