This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks ... If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. 'One of the most extraordinary and compelling novels written about World War II. Ever' Alan Furst 'Terrific ... a fast-moving, important and astutely deadpan thriller' Irish Times 'An unrivalled and vivid portrait of life in wartime Berlin' Philip Kerr 'To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"' The New York Times

    For readers of Amy Bloom and Anthony Doerr.In London, 1939, Ada Vaughan is a young woman with an unusual dressmaking skill, and dreams of a better life for herself. That life seems to arrive when Stanislaus, an Austrian aristocrat, sweeps Ada off her feet and brings her to Paris. When war breaks out, Stanislaus vanishes, and Ada is taken prisoner by the Germans, she must do everything she can to survive: by becoming dressmaker to the Nazi wives. Abandoned and alone as war rages, the choices Ada makes will come to back to haunt her years later, as the truth of her experience is twisted and distorted after the war. From glamorous London hotels and Parisian cafes to the desperation of wartime Germany, here is a mesmerizing, richly textured historical novel, a story of heartbreak, survival and ambition, of the nature of truth, and the untold story of what happens to women during war.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    Quick-witted, resilient, and eager to please, she adapts to this cloistered world, learning rigid conformity and subjection to authority. Passionate friendships are the only deviation from her total obedience. Convent life is perfectly captured by Antonia White.

    The hero is George Winterbourne. Leaving the Edwardian gloom of his embattled parents behind him, George escapes to Soho, which buzzes, on the eve of war, with talk of politics, pacifism and free love. He paints, he marries, he takes a mistress: the perfect hero of his time, whose destiny -- like all those of that lost generation -- is the bloody nightmare of the trenches.