A look at the absurdities of modern life.

    His friends look on, but they're dead, too, their bodies found in squats and sheds and alleyways across the city. Victims of heroin, they're ghosts in the shadows, a chorus keeping vigil as the hours pass, paying their own particular homage as their friend's body is taken away, examined, investigated, and cremated.All their stories are laid out piece by broken piece through a series of fractured narratives. We meet Robert, the deceased, the only alcoholic in a sprawling group of junkies; Danny, just back from uncomfortable holidays with family, who discovers the body; Laura, Robert's daughter, who stumbles into the drug addict's life when she moves in with her father after years apart; Heather, who has her own home for the first time since she was a teenager; Mike, the Falklands War vet; and all the others. Theirs are stories of lives fallen through the cracks, hopes flaring and dying, love overwhelmed by more immediate needs. These invisible people live in a parallel reality to most of us, out of reach of food and shelter. And in their sudden deaths, it becomes clear, they are treated with more respect than they ever were in their short lives.Intense, exhilarating, and shot through with hope and fury, Even the Dogs is an intimate exploration of life at the edges of society—a deeply humane book littered with love, loss, despair, and a half glimpse of redemption—now reissued with a new introduction by Yiyun Li.

    Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

    He is also known to be paranoid, spendthrift, and wayward. In sixteenth-century Prague, seat of Christendom, he rules without the ongoing assistance of the Jewish financier Mordechai Meisl.In the ghetto, the Great Rabbi and mystic seer guides his people in the uneasy cohabitation of Jew and Christian. Meanwhile, under Rudolph’s imprimatur, Meisl becomes fabulously wealthy with a hand in transactions across Europe. But his beautiful wife, Esther, also forms a unique bond with Rudolf II . . .By night under the stone bridge, she and the emperor entwine in their dreams under the guise of a white rosemary bush and a red rose. Only by severing the two plants can the Great Rabbi break the spell of forbidden love and deliver the city from the wrath of God.In this “tantalizing blend of the occult and the laughable, of chaos and divine order,” Perutz brings Old Prague to life with a cast of characters ranging from alchemists to the angel Asael, and including the likes of Johannes Kepler and the outlaw prince Wallenstein (The New York Times Book Review).

    Each entry provides a full commentary which examines problems of interpretation in both historical and anthropological terms, and in light of contemporary research.

    These simplified editions keep within a 2000 word vocabulary, contain exercise material and an introduction to the text.

    Instead he depicts Margaret Mackenzie, overwhelmed with money troubles, as she tries to assess the worth and motives of four very different suitors. Although her creator calls her "unattractive," most readers will warm to Miss Mackenzie and admire her modesty, dignity, and shrewdness.

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    Nabokov's protagonist, Smurov, is a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, who takes his own life after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife.

    At 7, she discovers that love isn't necessarily forever.At 21, she finds love but it escapes her.At 35, she learns that love can be dangerous.By 49, she realises that the greatest love of all comes from the heart.As her life's milestones come and go, you will recognise yourself in her: her loves, her mistakes, and her belief that she doesn't deserve more.Australian author Tasma Walton's debut novel is a moving and confronting fable about the power of the human heart, the worthiness of its desires and the often dire consequences of ignoring them.

    Whether it's disappointing a skydiving instructor mid-flight, hiding from thugs in a bush wearing a bright red dress, or annoying the Kettering Board Games club, a didgeridoo-playing conspiracy theorist and some bemused Christians, James is always finding new ways to embarrass himself.Appearing on Josh Widdicombe's radio show to recount these stories, the feature was christened 'James Acaster's classic scrapes'. Here, in his first book, James recounts these tales (including never-before-heard stories) along with self-penned drawings, in all their glorious stupidity.

    This 80-page adaptation has been painstakingly edited to retain the integrity of the original work, and to convey a sense of the author's style and the novel's theme. A low reading level assures success and stimulates a desire for further exploration of this classic tale.Each novel, complete in just 80-pages, has been painstakingly adapted to retain the integrity of the original work. Each provides the reader a sense of the author's style and an understanding of the novel's theme.

    Before you try to judge or condemn me like you walked in my shoes or experienced half the pain I had to endure, First read my story! My life was far from a fairy tale. I've been victimized, falsely imprisoned, and crossed by everyone I knew. My journey to finding love and having everything go wrong in the process has changed me. I had no choice but to fight... Fight for a love I so desperately wanted but was never worthy enough to find. A love that ultimately altered my mental for the worst!My prayers went unanswered!My cries weren't noticed!My plea for salvation was denied!After the numerous trial and tribulations I had to endure... And being the product of such an horrific environment... There's only one question I want to know. "Am I wrong for turning into the person I've become?"

    They seem as giddy as an acting troupe at closing night. But their laughter is callous, cruel; you might say, evil. One of them, a young woman described as piquant rather than beautiful with eyes of a shining hazel, carries a neatly wrapped parcel. She says it is for the doctor's museum. It is dripping. Do you want to know why? Then, listen! There's more than one tale told, but what is the truth? My dears, are you sure you want to know?

    In 1972 he became the youngest winner of the World Championship, repeating his victory in emotional style in 1982.Higgins's story is so much more than just snooker. Head-butting tournament officials, threatening to shoot team-mates, getting involved with gangsters, abusing referees, affairs with glamorous women, frequent fines and lengthy bans, all contributed to Higgins slipping down the rankings as he succumbed to drink and lost his fortune. After suffering throat cancer, Alex Higgins now reflects on his turbulent life and career in his first full autobiography. The Hurricane is back - prepare to be caught up in the carnage.