(Heinlein’s novel The Puppet Masters had been serialized in the September through November 1951 issues of Galaxy but Gold had merely acquired serial rights to a contract novel which had been written for Scribner’s.) Heinlein never again appeared in Gold’s Galaxy. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein’s 1952 is clearly the apotheosis of those “Crazy Years” which he had noted in his famous chronological Future History, published a decade earlier in Astounding Science Fiction as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein’s juveniles and his famous later novels, The Year of the Jackpot may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.

    After wasting her money on a phoney psychic, she decides if she can't beat ‘em, join ‘em. She leaves New Orleans and heads West, selling her services as a spiritual medium who speaks to the dead. By the time she reaches Dodge City, business is booming. Except for a handsome but skeptical bounty hunter named Jack Calder, no one suspects Ophelia of running a con game--until an unfortunate "reading" of a girl who's still living exposes her to a townfull of angry customers. As punishment, the mob drags Ophelia to Boot Hill and buries her alive in a fresh grave overnight. That's when the dead start speaking. To her. For real. And for dead people, they've got lots to say. . .

    William has his running-away money ready to go, he's just been waiting until he's older than twelve to leave. When his big brothers flush his sister's pet guinea pig down the toilet, she insists they leave now. And take the two littlest Baggetts with them. So they head out in the middle of the night, ready to escape to their aunt Fiona's house. Unfortunately the trip doesn't go exactly as planned. It's not so easy traveling with two little kids, and some help from a lonely rich girl makes it even more complicated. Will they ever make it to Aunt Fiona's? And if they do, will she let them stay? This is the story of four children who learn that sometimes you have to run away before you can find your way home.