Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields. The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed. But none of these variously bright and dull young things has counted on the intrusion of "dead babies" — dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.

    Written as a diary, Myra Breckinridge, someone determined not to be possessed by any man, recounts her day as she lives it out in the Hollywood of the '60s. Feminism, transsexuality, and a host of cinematic jokes abound.

    In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure.

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

    James Ballard, his friend and fellow obsessive, tells the story of this twisted visionary as he careens rapidly toward his own demise in an intentionally orchestrated car crash with Elizabeth Taylor. A classic work of cutting edge fiction, Crash explores the disturbing potentialities of contemporary society's increasing dependence on technology as intermediary in human relations.

    Alice Walker's iconic modern classic is now a Penguin Book.A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker's epic carries readers on a spirit-affirming journey towards redemption and love.

    Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

    Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal—and revel in—their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

    The story is a drama about ambition, racism, social class, politics, and greed in 1980s New York City, and centers on three main characters: WASP bond trader Sherman McCoy, Jewish assistant district attorney Larry Kramer, and British expatriate journalist Peter Fallow.The novel was originally conceived as a serial in the style of Charles Dickens' writings: It ran in 27 installments in Rolling Stone starting in 1984. Wolfe heavily revised it before it was published in book form. The novel was a bestseller and a phenomenal success, even in comparison with Wolfe's other books. It has often been called the quintessential novel of the 1980s.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

    I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself . . . 'New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn. But this young Englishman's fate lies in the arid desert, where a many-breasted fertility goddess will wield her scalpel to transform him into the new Eve.