Everyday objects surround us, the unconditional keepers of confessions and secrets.They are with us in those private moments when we think we are alone, perhapsin an abandoned stairwell or an empty lift, as we adjust our clothes, checkourselves in the mirror, scratch an itch or allow ourselves a sigh or a sob.What if those inanimate witnesses to silent thought and hidden emotion hadstories to tell—Of love, betrayal and hope?

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    She was brokenSo she moved awayUntil one day she returned Having to face the person who hurt herMaking her past rise from the ground once moreMaking Tyler's feelings return once againMaking her trapped in his presence And making her his Gem

    In The Ascetic of Desire, called a literary achievement of the highest order, by The Times (India), acclaimed author Sudhir Kakar tells the story of the man who is believed to be the author of the Kama Sutra, Vatsyayana, and the time in which he lived-the fourth century A.D., considered the golden age of Indian history. In The Ascetic of Desire, the elusive sage Vatsyayana recounts his youth to a young pupil. The young man, planning to write Vatsyayana's biography, listens dutifully as Vatsyayana shares stories of a childhood spent largely in the brothel where his favorite aunt worked. As Vatsyayana's story unfolds, the pupil finds, to his consternation, that his own life has begun to reflect and parallel the ascetic's narrative. At the point where their stories intersect, the unexpected happens. Like Arthur Golden's Memoirs of a Geisha, Sudhir Kakar's novel is a startling combination of psychological insight and historical detail. With rights sold in eleven countries, this is a story of universal appeal imbued with a distant world's charm and exotic allure. The best novel on sex and sensuality I have ever read. (Khushwant Singh, author of Train to Pakistan)

    Accomplished, ambitious and full of surprises, this is a masterful collection - and it confirms Anjum Hasan’s reputation as one of India’s most gifted young writers

    Though it is written as detective story, like other books it has not overlooked the natural beauty. And here is the exceptions of Bibhutibhusan proven.

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    The powerful district committee of Mityala routinely dismisses the suicide and refuses compensation to his widow. Gangiri, his brother, makes it his life’s mission to bring justice to the dead by influencing the committee to validate similar farmer suicides.Keyur Kashinath of the Democratic Party - first-time member of Parliament from Mityala, and son of Vaishnav Kashinath, the party’s general secretary - is the heir to his father’s power in Delhi politics. He faces his first crisis every suicide in his constituency certified by the committee as debt-related is a blot on the party’s image, and his competence.The brilliant farmer battles his inheritance of despair, the arrogant politician fights for the power he has received as legacy. Their two worlds collide in a conflict that pushes both to the limits of morality from where there is no turning back. At stake is the truth about ‘inherited’ democratic power. And at the end, there can only be one winner. Passionate and startlingly insightful, Shoes of the Dead is a chilling parable of modern-day India.A book that will make you stroll through India’s corridors of power and politics with a perfect portrayal of how its consequences creep into the lives of the farmers forcing them to commit suicide. Get ready to read a gripping tale by Kota Neelima.

    In a ramshackle house, streets away from the grand colonial mansions of the British, live Maisy, her Mam and their ayah, Pushpa.Whiskey-fuelled and poverty-stricken, Mam entertains officers in the night - a disgrace to British India. All hopes are on beautiful Maisy to restore their good fortune.But Maisy's more at home in the city's forbidden alleyways, eating bazaar food and speaking Bengali with Pushpa, than dancing in glittering ballrooms with potential husbands.Then one day Maisy's tutor falls ill. His son stands in. Poetic, handsome and ambitious for an independent India, Sunil Banerjee promises Maisy the world.So begins a love affair that will cast her future, for better and for worse. Just as the Second World War strikes and the empire begins to crumble...This is the other side of British India. A dizzying, scandalous, dangerous world, where race, class and gender divide and rule.

    It’s about falling into the darkness and still chasing the light. It’s about letting love find you, trusting the universe and believing in the magic we carry within ourselves.Love, Hope and Magic is not written to inspire you but to fix you.Becauselove comes, leaves and pains,but magic happens and stays,and all we need isa little hope in between.

    The Fonseca family gathers in the Carvalho mansion for the birthday of Savio Fonseca. for his 75th birthday, Savio Fonseca's two daughters Joanna and Carol, who are settled abroad, come down to celebrate his birthday with Savio's son-in-law Sam. On this occasion, Eduardo, who is Savio's cousin drops in with his wife.On the night before Savio's birthday, when the family is spending time together, the electricity fails, because of which the entire place is in darkness. In this dark setting, the occasion seems right for sharing ghost stories. Soon the entire family starts to swap ghost stories, which revolve around the history of the Fonseca family. These stories range from mysterious sightings to lonely buildings and magic spells.The stories are split up into two sections and every character has a story to narrate. These stories have their roots in the Fonseca family and give readers a look into the happenings of the family members in the past. The hopes, dreams, personalities and traits of all the members of this family are revealed through the course of this book. Even the family name is a topic of speculation, with Savio's wife Lillian being keener on safeguarding its honor than Savio himself. This interest raises a number of doubts. The secret that Savio and his wife have been guarding from their daughters is soon to be unravelled.

    India’s top Bollywood biographer tells the uncensored story of Sanjay’s roller-coaster life – from the tragic deaths of both his mother and his first wife to the time he smuggled heroin into the US and from the painful rehab he had to go through to his curious phone calls to gangster Chhota Shakeel.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    The eyes of all the other patrons and staff were on us. I knew that no one was going to take my side in this scenario.“You’re FIRED!”I am just…I need to keep my head above the water. I need to take care of my wheelchair-bound mother. This new job has to stick. I can already feel the vertigo starting to make my head spin.Carter Derrickson. My new boss. He has quite a…reputation. At six-foot-three with a neat crop of dark hair, smart, successful, he has a trail of women across the city behind him.He is too busy with keeping the family business healthy. Between his projects and meeting the stringent demands of his family, he has no intentions of settling down. But as soon as his eyes landed on me, a smile that seemed plastered on dropped away and his eyes are sweeping up and down my body. He is savoring me with gaze. All the floors below us are swiftly emptying of people. The thought of just the two of us up here - alone - it feels like something…Come on, Hazel. Keep this together. It’s just nerves.He needs me. He needs me to keep up with whatever he needs from me - could be filing papers, braining storming on new ideas…But oh, there is one thing I haven’t told him. This could get really complicated…Is there a way to make this work?*This is a full-length, standalone steamy office romance. No cheating or cliffhangers, and a Happily Ever After is guaranteed! It includes bonus content that starts at 50% of the book.It also includes a Free Extended Epilogue! Enjoy!*

    This is the second time that Mr. Bhyrappa is tackling an epic. Forty years ago, he wrote ‘Parva’, a retelling of the Mahabharata. Parva is in the form of personal reflections of some of the principal characters of the epic.