Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.

    Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    A detective on edge. A community that wants answers. One fateful night when off duty, DI Stewart Gardener intervenes in a street brawl and his wife is shot dead. Trying to come to terms with this, he gradually returns to normal duties policing the streets of Leeds. Finding his wife’s murderer is never far from his mind, but with no leads and a hazy recollection of events, it seems hopeless. Soon he is presented with a shocking case. A man is found dead in a grubby apartment, having been killed in the cruellest of ways. It is not long before another man meets the same fate. The deaths are caused by a rapid and violent disintegration of the victims’ flesh. Pathology cannot ascertain the cause. The only connection between the victims is they both worked seasonally as Santas, dressing up as Father Christmas and entertaining kids in grottos and such like. Who would want to kill such innocuous men as these? The detective is flummoxed. The local community is ruffled. The press is having a field day. The top brass wants answers. Can DI Gardener overcome his grief and solve the case? IMPURITY is the first in a series of six books featuring Leeds based Detective Inspector Stewart Gardener. They are all murder mysteries but as suspenseful as the best thrillers. FREE with Kindle Unlimited. Look out for the next in the series, IMPERFECTION, coming soon on Kindle. If you like crime fiction that has you glued to the page and reading late into the night, this is the book for you!

    This intense look at the dark side of American suburbia is a dark and provocative new play by award-winning playwright, screenwriter, and director LaBute.

    Jason, almost 13, is a shy, ineffectual child, who takes being bullied as a matter of course—but if he sees someone else being pushed around, he may strike back. When the seven-year-old girl who lives next door is murdered, Jason is horrified. He was the last one to see her alive. He wants to do everything he can to help find the killer, so when the police come calling, he tells them all he knows. What he doesn't know is that Trent, a detective adept at extracting confessions, has been called into the case—and Trent has Jason in his sights as the murderer. Cormier presents a cat-and-mouse game so tense that readers will feel they must escape the pages just as Jason wants to extricate himself from the stuffy, cell-like room where his interrogation is taking place.

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    Interwoven with his narrative are the tumultuous lives of the family who raised and then lost him: a famed hunting guide and his wife, who runs an animal orphanage (a conflict that in time upends their marriage); their son and daughter; and the young Kikuyu who finds the orphaned elephant and becomes part of the Hathaway family. This timeless story is alternately heartwarming and heartbreaking, spanning east Africa, Great Britain and New York from 1962 to 2015.

    Césaire’s rich and insightful adaptation of The Tempest draws on contemporary Caribbean society, the African-American experience and African mythology to raise questions about colonialism, racism and their lasting effects.

    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.

    Hope and humanity confront cold reality in three intricately connected stories: Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.Helen Edmundson’s stage adaptation of Andrea Levy's novel traces the tangled history of Jamaica and the UK throughout the Second World War until 1948 – the year HMT Empire Windrush docked at Tilbury.

    The Civil War is over and throughout the south, slaves are being freed, soldiers are returning home and in Jewish homes, the annual celebration of Passover is being celebrated. Into the chaos of war-torn Richmond comes Caleb DeLeon, a young Confederate officer who has been severely wounded. He finds his family's home in ruins and abandoned, save for two former slaves, Simon and John, who wait in the empty house for the family's return. As the three

    But as the days tick by with no arrest, Chris's suspicion of those around her grows.

    A star quarterback with a secret. A guy who's tired of being ignored. A clarinet player who's done trying to fit in. An orphaned rebel who wants to teach someone a lesson. A guy who wants people to see him, not his religion.They couldn't be more different, but before the morning's over, they'll all be trapped in a school that's been rocked by a bombing. When they hear that someone inside is the bomber, they'll also be looking to one another for answers.

    When Zach's wealthy mother goes missing, Rebecca – the truckie's daughter – is implicated in her disappearance. In the weeks that follow, Rebecca and Zach are drawn into a treacherous, adult world. Eager to please, Rebecca finds herself in danger of living up to the schoolyard taunts she so hates, while Zach channels his feelings through the sights of his gun.In the fading summer light, grudges are nursed and tempers fray, and as old lies unravel it seems nobody can be relied on. But beyond the fallout, the hard lessons in love and betrayal have not been wasted. Rebecca and Zach realise that judgements can be flawed – and that trust is better earnt than given.Original, unsettling and compelling, The Good Daughter is the much-anticipated second novel from Honey Brown.