Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    And then the killer showed up. During the summer of 1987, from their tree house fort in the woods, neighborhood boys Tim, Scott, and Luke spot a man holding a gun to missing sixteen-year-old Molly Peterson's back. The problem is, nobody believes their story, not even the police. As search efforts to find Molly dwindle, the boys know that she, and the man with the gun, are nearby -- and that they must now find and save Molly themselves. A growing sense of honor and urgency forces the boys to take action -- to find Molly, to protect themselves, and to stand guard for the last long days of summer.

    He is going to eat himself to death-live on the Internet-and everyone is invited to watch. When he first makes the announcement online to his classmates, Butter expects pity, insults, and possibly sheer indifference. What he gets are morbid cheerleaders rallying around his deadly plan. Yet as their dark encouragement grows, it begins to feel a lot like popularity. And that feels good. But what happens when Butter reaches his suicide deadline? Can he live with the fallout if he doesn't go through with his plans?With a deft hand, E.J. Lange allows readers to identify with both the bullies and the bullied in this all-consuming look at one teen's battle with himself.

    Because when he cares about you, things start to happen. Impossible things that can’t be explained. I know, because they're happening to me."When Brontë starts dating Brewster “Bruiser” Rawlins – the guy voted “Most Likely to Get the Death Penalty” her twin brother, Tennyson, isn’t surprised. But then strange things begin to occur. Tennyson and Brontë’s scrapes heal unnaturally fast, and cuts disappear before their eyes. What at first seems like their good fortune turns out to be more than they bargained for…much more.

    Forcing someone vulnerable and naive into a sexual relationship to satisfy a twisted desire is perverted, even evil. But when the perpetrator is a sixteen-year-old schoolgirl, is she culpable? And if the victim is her thirty-four-year-old teacher, shouldn't he have known better? When the nameless young narrator of Innocents decides to seduce her teacher, she immediately realizes that the power of her sexuality is greater than she ever imagined. She leaves the aunt and uncle who are her guardians and moves in with her teacher; together, they quickly embark on a journey into their darkest desires. Unforgettable, disturbing, and morally complex, Innocents permanently unsettles our notions of innocence, experience, and power, and suggests that we all are culpable.

    

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    Mercedes lets the boys get their awkward, fumbling first times over with, and all she asks in return is that they give their girlfriends the perfect first time- the kind Mercedes never had herself.Keeping what goes on in her bedroom a secret has been easy- so far. Her absentee mother isn’t home nearly enough to know about Mercedes’ extracurricular activities, and her uber-religious best friend, Angela, won’t even say the word “sex” until she gets married. But Mercedes doesn’t bank on Angela’s boyfriend finding out about her services and wanting a turn- or on Zach, who likes her for who she is instead of what she can do in bed.When Mercedes’ perfect system falls apart, she has to find a way to salvage her reputation and figure out where her heart really belongs in the process. Funny, smart, and true-to-life, FIRSTS is a one-of-a-kind young adult novel about growing up.

    This arresting collection introduces a new master of the short story.Following her American debut in The New Yorker, Australian Cate Kennedy delivers a mesmerizing collection of award-winning stories that daringly travel to the deepest depths of the human psyche. In this sublimely sophisticated and compulsively readable collection, Kennedy opens up worlds of finely observed detail to explore the collision between simmering inner lives, the cold outside world, and the hidden motivations that propel us all to act. In just a few pages, Kennedy captures entire lives, expertly documenting the risks and compromises made in both forging and escaping relationships. Her stories are populated by people on the brink: whether it’s a woman floundering with her own loss and emotional immobility as her lover lies in a coma; a neglected wife who cannot convince her husband of the truth about his two brutish, shamelessly libidinous friends; or a married woman who comes to realize that her too-tight wedding ring isn’t the only thing that’s stuck in her relationship. Each character must make a choice and none is without consequence—even the smallest decisions have the power to destroy or renew, to recover and relinquish.

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone.Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.