McCall is persuaded to investigate Ruby's disappearance. But he is drawn into a dangerous conspiracy of spies, double agents and corrupt politicians whose intrigues will have him running for his life. The Convenience of Lies is both a love story and a taut, literary thriller. It is a follow up to the author's acclaimed debut novel, A Place of Strangers - a book which one American reviewer said put him "...in the line of successors to Le Carré." Praise for Geoffrey Seed 'Seed is a brilliant Writer.' - Valerie Byron. Geoffrey Seed is an ex-Daily Mail journalist who later specialised in producing major TV investigations for programmes such as BBC Panorama and Granada's World in Action.

    And why, at Christmas, she wrote lengthy letters to Santa (note: letters, plural) begging him not to bring any surprises. Change was the enemy. But, as it turns out, one Stefanie hasn't been able to avoid. And, in spite of herself, one she has sometimes invited into her life.Here, in her first book, Stefanie looks at the ways in which her life has changed. From birthdays, friendships and how she celebrates the festive season, to social media (no FOMO here), the importance of asking WWNSD? (What Would Nicole Scherzinger Do?) when faced with big decisions, and her career as a writer, Why Can't Everything Just Stay the Same? is the hilarious and honest account of one woman's journey to and through adulthood, coping (sort of) with the terror, inevitability and beauty of change. 'It's Stefanie's life, but her struggles are universal. Insecurity? Check. Anger? Check. Weight issues? Big fat check. Stefanie shines a light on human frailty and human strength, proving they are not opposites, but often walk hand-in-hand ... an inspiring, thoroughly enjoyable book.' Nell Scovell, creator of Sabrina the Teenage Witch and author of Just the Funny Parts

    It was the first of fifteen dismembered body parts belonging to retired hospital worker Patricia O'Connor.Kieran Greene, the father of three of Patricia's grandchildren, later handed himself in, confessing to beating her to death in the home they shared in what he said was an act of self-defense. He also confessed to dismembering her and disposing of her remains but later changed his story, implicating several members of Patricia's household, including her husband and daughter.In this nuanced and meticulous account of a deeply disturbing crime, journalist Frank Greaney, who covered every day of the shocking trial and conducted exclusive follow-up interviews with other members of Patricia's family, uncovers the story behind the gruesome murder of Patricia O'Connor, and looks at who Patricia really was.

    Now that her youngest has flown the nest, Ann finds herself at a loose end. Until, that is, she is put forward for the Kilsudgeon Tidy Towns Committee. Yet all is not neat and tidy in Kilsudgeon. There are strange sightings of people who aren't local driving 4x4s with a yellow reg, a man bun requesting kefir in the restaurant and a quad bike at a funeral.What does this have to do with rumours of a brand new television series to rival Game of Thrones? And what will it all mean for Kilsudgeon's newly proposed town park? A lot, as it happens.As the town begins to fill up with the film crew, extras and a Hollywood star who is fond of the drink, everyone welcomes the chance to make a few bob and to finally get enough broadband to send an attachment.Or nearly everyone. Harmony is threatened when the newcomers seem to be doing more damage than good and the last straw is when Ann’s pride and joy - a floral arrangement in a boat - is trashed. She’s about to discover what it means to go viral…'Warm-spirited, funny, dark when it needs to be, and – most importantly – underwritten by a scalpel-sharp ear for how Irish people really speak…O’Regan never gets it wrong' Sunday Business Post'Ann Devine brings a smile to the face of rural Ireland…O’Regan satirises small-town Ireland with both affection and deadpan wit' Sunday Times'This book captures something warm and wholesome … it feels indulgent and reminds the reader of home. Prepare to laugh and grimace at the antics of the Irish Mammy' Irish Times'Everybody knows an Ann Devine ... It's hard to write a book that's funny the whole way through, consistently funny with belly laughs ... but Colm has done that' Áine Toner, Ireland AM'Laugh-out-loud' Irish Daily Mail'O’Regan taps into the wild, weird and woolly' RTÉ Guide

    After all, it’s just a bit of harmless flirting, right?And when she calls to ask for my help one night, I can’t resist having a little fun with her. She thinks I’m a player, and I can’t deny it, but I want to show her there’s more to me than that.I never thought it would happen, but flirting soon turns to burning desire. The more time I spend with her, the more I take a long, hard look at myself, and the harder I’m falling under her captivating spell. Now, I need to convince her my feelings are real.And I can’t even begin to think how I’m going to tell my best friend about us—aka, her country music superstar brother. He warned me to stay away, and he’ll kill me, I’m sure.SiobhanI had it all planned out. It should have all been so simple.Go to LA, see my brother, then get back to my quiet life in Ireland. Love and romance were not in the picture at all, until he picks me up from the airport. I can’t deny I’m attracted to him, but it’s not happening. No way could we ever work.He’s a player.He’s older than me.We live an ocean apart.And, duh… for the love of Mary, he’s my brother’s best friend.But when I find myself stranded, he’s the only one I can call. He’s more than happy to help me out—and even more happy to remind me I owe him for coming to my rescue—but I tell myself not to fall for his charms.I’m only there for a week, so the last thing I expect is to wake up in his bed.Irish Love is the second book in The Claddagh Trilogy. A contemporary short story of love, friendship and family life that can be read as a standalone, though you may want to read Irish Affair first to familiarize yourself with the characters. This book ends on a mild cliffhanger / happy-for-now, and the conclusion to Ben and Siobhan’s steamy romance will be in the third book, Irish Heart, out March 2018.

    McCarthy examines how the work undermines traditional concepts of fiction and explores parallels and contrasts between Camus's work and that of Jean-Paul Sartre. Providing students with a useful companion to The Stranger, this second edition features a revised guide to further reading and a new chapter on Camus and the Algerian War. First Edition Hb (1988): 0-521-32958-2 First Edition Pb (1988): 0-521-33851-4

    In Evening Class, she applies her signature warmth, wit and understanding to something new--a wickedly funny book for anyone who's checked into the hospital, headed for an operation or convalesced at home. Maeve Binchy can always be counted on to spin an involving tale about ordinary people that brings out the extraordinary in everyone. Here, she zooms in on the working-class of Dublin. Schoolteacher Aidan Dunne organises an evening class in Italian with the help of Nora O'Donoghue, an Irishwoman returning home after 26 years in Sicily. When the somewhat squashed-by-life denizens of the surrounding neighbourhood take the unexpected step of enrolling in the class, they find their lives transformed. Binchy tells her story from the viewpoints of eight different characters and rewards both them and her readers with happy endings after the requisite rocky road. Reading a novel by Maeve Binchy is like catching up with old friends--you know everything will turn out fine in the end, but you're still interested in how things get that way.

    It has its origins in a mode of self-examination and even self-obsession - 'it is many years now that I have had only myself as object of my thoughts', writes Montaigne in his essay 'Of Practice' - but it is just as accurately defined by its vagrant and curious scope, its capacity to suborn any and every object to its elegant remit. It may not in fact be 'well made' at all, but a thing of fragments and unfinished apercus, or an omnium-gatherum like Robert Burton's capacious but recognizably essayistic Anatomy of Melancholy. The essay may not even be written, but instead a photo essay, film essay, radio essay or some hybrid of these and the literary archetype. It may belong to a self-conscious genre and have been written by an essayist who self-declares as such; or it might be conjured from a milieu where the labels 'essay' and 'essayist' would make no sense at all. The essay, in short, is a varied and various artefact. Its occasion might be scholarly - there are academic essays, though they tend to be essays to the extent that they wish to stop being academic - or it may be journalistic, institutional or 'creative'. The essay can be tethered to a specific (perhaps polemical) context or written with an ambition to timeless or universal import. Whatever its motivation or avowed theme, the essay possesses a style and a voice. Generic, structural and contextual definitions will vary, but the essay is at least recognizable by its having a certain texture - the essay alters or interferes to some degree with the language of non-fiction. Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together

    The cultural phenomena that generated comment and discussion—literary works, theatrical performances, films, conferences, book launches, etc.—have been viewed within a framework spelled out by the first two sections of the book: “Culture and Politics” and “Language and Culture.” Lumbera has always made culture and nationalism the advocacy of his teaching and writing, and in this book he elaborates on these intertwining themes.

    The map is worn at the folds--sometimes right through--and so place names are missing first letters or last or have a hole through the middle. We carry those maps with us always, and this map is mine--an island on the edge of the world and beyond it a place of dragons and sunken cities with bells that still ring a thousand years on... So begins Where Butterflies Dream, the fifth book in the award-winning Exit Unicorns series. The story opens in the winter of 1978 when Casey Riordan returns from three years in exile to find the world he left behind has changed. With little knowledge of his past, he fears the secrets which might well bring danger to his family, and the question he must answer for himself--whether a man can ever truly return home when he is no longer the man he once was. Pamela Riordan has grieved her lost husband for three long years but has forged a new life for herself in his absence. Still scarred from the violence which has so recently visited her, she wants only to keep her family safe and to find an oasis of peace in which to raise them. But in Northern Ireland peace always comes at a price. Jamie Kirkpatrick is forced to deal with the ghosts of his past in order to save his present, and the fragile happiness he has only just found. Casey's return forces all three to confront the ideas of what love means, what makes a family and how one copes with a history that weighs heavily upon the future. Even as they navigate the new territory of their personal lives, history keeps moving onward and all will be drawn into the the political maelstrom of the Irish Troubles. The storm will spread beyond the boundary of family to a new generation caught up in the tides of history, their fates rushing toward a merciless shore. Where Butterflies Dream is the story of a family, a people, a country and of that most mysterious territory of all--the geography of the human soul.

    

    Despite his family’s strong republican ties and his own attempt to join the IRA, Hartnett shocked family and friends when he changed allegiance and joined the British Armed Forces. In 2001 Hartnett returns to his native Ireland, but this time as a member of the British Army’s most secretive covert counter-terrorist unit in Northern Ireland, Joint Communications Unit Northern Ireland aka JCU-NI, the FRU, 14 Intelligence Company, or simply ‘The Det’. For the next three years Hartnett is directly involved in some of the highest profile events of that period, from the arrest of John Hannan for the bombing of the BBC in London, to the tragic murder of David Caldwell; the prevention of the murder of Johnny ‘Mad Dog’ Adair and some of the biggest blunders by British Intelligence in the history of the Troubles, including the true story behind the murders of Corporals Howes and Wood at an IRA funeral in 1988. ‘Charlie One’, the call sign for the most wanted targets of British Intelligence operations in NI, documents the journey of an Irish Republican serving in Britain’s most secretive counter-terrorism unit. Filled with roller coaster emotions and explosive revelations of British Intelligence covert capabilities and operations, Charlie One provides a truly unique, detailed and unbiased account of the secret war fought on the streets of Northern Ireland.

    Based on almost 100 brand-new interviews, and told with McKay’s trademark passion and conviction, this is essential reading.Containing interviews with politicians, former paramilitaries, victims and survivors, business people, religious leaders, community workers, young people, writers and others, it tackles controversial issues, such as Brexit, paramilitary violence, the border, the legacy of the Troubles, same-sex marriage and abortion, RHI, and the possibility of a United Ireland, and explores social justice issues and campaigns, particularly the struggle for LGBTQ+ rights.

     How did America prevail against such odds? With ships, guns and the fierce desire for freedom that lived in the hearts of American sailors. Many of these men were not even Americans yet. Some came from Ireland, including Jack Gallagher. “Gallagher's Prize” begins in southern Ireland when English law breaks up an Irish Catholic family's farmland and a young man longs for the sea. During his many adventures, Jack visits Portsmouth (England), Dublin, Tenerife, Recife, Boston and New Orleans. He learns about square sailing, naval gunnery and ship’s tactics, makes interesting new friends and acquaintances, repairs long-standing enmity with his brother, rescues his family from debt, defeats a powerful and dysfunctional adversary, and experiences sex and love.

    In describing a world whose central aesthetic paradigm of modernism had lost its vitality, with an "avant-garde" that reflected the culture of consumerism, her book struck a chord in an audience that had once responded to the heroic idealism of modernism. Reprinted many times, Has Modernism Failed? became one of the most popular and influential works of contemporary art criticism. Now Gablik has revised and expanded her work to encompass developments over the last two decades. A new prologue looks at changes in the cultural context of art, especially at the radical split between artists who still proclaim the self-sufficiency of art, "in defiance of the social good," and artists who want art to have some worthy agenda outside of itself. In a new chapter, "Globalization," she looks at the ruthless cultural homogenization of a universal consumer society and how a number of artists and curators are challenging it. And in a passionate new chapter called "Transdisciplinarity" she offers a way forward for individuals to break free of the limiting ideologies of modernism and consumerism and shows how some artists are reflecting both spiritual and social concerns in their art.