. . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    But when illness brings them together, they discover they may be more like Austen’s famous sisters after all.Lizzy was only a teenager when her mother died of cancer. Shortly after, Lizzy fled from her home, her family, and her cherished nickname. After working tirelessly to hone her gift of creating magic in the kitchen, Elizabeth has climbed the culinary ladder to become the head chef of her own New York restaurant, Feast. But as her magic begins to elude her, Paul, Feast’s financial backer, brings in someone to share her responsibilities and her kitchen. So Elizabeth flees again.In a desperate attempt to reconnect with her gift, Elizabeth returns home. But her plans are derailed when she learns that her estranged sister, Jane, is battling cancer. Elizabeth surprises everyone—including herself—when she decides to stay in Seattle and work to prepare healthy, sustaining meals for Jane as she undergoes chemotherapy. She also meets Nick and his winsome son, Matt, who, like Elizabeth, are trying to heal from the wounds of the past.As she tends to Jane's needs, Elizabeth's powers begin to return to her, along with the family she left behind so long ago. Then Paul tries to entice her back to New York, and she is faced with a hard decision: stay and become Lizzy to her sister’s Jane, or return to New York and the life she worked so hard to create?

    Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of "Runway "magazine, Andrea finds herself in an office that shouts "Prada! Armani! Versace!" at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

    In essays drawn from her witty and sometimes brutally candid column in the New York Observer, Candace Bushnell introduces us to the young and beautiful who travel in packs from parties to bars to clubs. Meet "Carrie," the quintessential young writer looking for love in all the wrong places..."Mr. Big," the business tycoon who drifts from one relationship to another..."Samantha Jones," the fortyish, successful, "testosterone woman" who uses sex like a man...not to mention "Psycho Moms," "Bicycle Boys," "International Crazy Girls," and the rest of the New Yorkers who have inspired one of the most watched TV series of our time. You've seen them on HBO, now read the book that started it all...

    Eileen is newly single and about to turn eighty. She'd like a second chance at love, but her tiny Yorkshire village doesn't offer many eligible gentlemen.Once Leena learns of Eileen's romantic predicament, she proposes a solution: a two-month swap. Eileen can live in London and look for love. Meanwhile Leena will look after everything in rural Yorkshire. But with gossiping neighbours and difficult family dynamics to navigate up north, and trendy London flatmates and online dating to contend with in the city, stepping into one another's shoes proves more difficult than either of them expected.Leena learns that a long-distance relationship isn't as romantic as she hoped it would be, and then there is the annoyingly perfect - and distractingly handsome - school teacher, who keeps showing up to outdo her efforts to impress the local villagers. Back in London, Eileen is a huge hit with her new neighbours, but is her perfect match nearer home than she first thought?

    Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes—just as Blix told her it would.When her marriage ends after two miserable weeks, Marnie is understandably shocked. She’s even more astonished to find that she’s inherited Blix’s Brooklyn brownstone along with all of Blix’s unfinished “projects”: the heartbroken, oddball friends and neighbors running from happiness. Marnie doesn’t believe she’s anything special, but Blix somehow knew she was the perfect person to follow in her matchmaker footsteps.And Blix was also right about some things Marnie must learn the hard way: love is hard to recognize, and the ones who push love away often are the ones who need it most.

    Felicia has been quietly in love with her happily married boss for twenty years; now that he’s a lonely widower, she just needs the right situation to make him see her as more than the best executive assistant in Midtown Manhattan. Andrea is a private detective specializing in gathering evidence on cheating husbands—a skill she unfortunately learned from her own life—and can’t figure out why her intuition tells her the guy she’s tailing is one of the good ones when she hasn’t trusted a man in years. For these three women, as well as half a dozen others in sparkling supporting roles—a young model fresh from rural Georgia, a diva Hollywood star making her Broadway debut, an overachieving, unemployed Brown grad who starts faking a fabulous life on social media, to name just a few—everything is about to change, thanks to the dress of the season, the perfect little black number everyone wants to get their hands on…

    Her friends know it, her parents know it—even Laura acknowledges she lives either with her head in the clouds or buried in a romance novel. It’s proved harmless enough, even if it hasn’t delivered her a real-life dashing hero yet. But when her latest relationship ends in a disaster that costs her friendships, her job, and nearly her sanity, Laura swears off men and hopeless romantic fantasies for good. With her life in tatters around her, Laura agrees to go on vacation with her parents. After a few days of visiting craft shops and touring the stately homes of England, Laura is ready to tear her hair out. And then, while visiting grand Chartley Hall, she crosses paths with Nick, the sexy, rugged estate manager. She finds she shares more than a sense of humor with him—in fact, she starts to think she could fall for him. But is Nick all he seems? Or has Laura got it wrong again? Will she open her heart only to have it broken again?

    Jane Austen's classic novel is beloved by millions, but little is revealed in the book about the mysterious and handsome hero, Mr. Darcy. And so the question has long remained: Who is Fitzwilliam Darcy? In An Assembly Such as This, Pamela Aidan finally answers that long-standing question. In this first book of her Fitzwilliam Darcy, Gentleman trilogy, she reintroduces us to Darcy during his visit to Hertfordshire with his friend Charles Bingley and reveals Darcy's hidden perspective on the events of Pride and Prejudice. As Darcy spends more time at Netherfield supervising Bingley and fending off Miss Bingley's persistent advances, his unwilling attraction to Elizabeth grows—as does his concern about her relationship with his nemesis, George Wickham.Setting the story vividly against the colorful historical and political background of the Regency, Aidan writes in a style comfortably at home with Austen but with a wit and humor very much her own. Aidan adds her own cast of fascinating characters to those in Austen's original, weaving a rich tapestry from Darcy's past and present. Austen fans and newcomers alike will love this new chapter of the most famous romance of all time.

    An English professor in California, she’s determined to score a position on the coveted tenure track at her college. All she’s got to do is get a book deal, snag a promotion, and boom! She’s in. But then Adam Martinez—her first love and ex-fiancé—shows up as the college’s new president. Anne should be able to keep herself distracted. After all, she’s got a book to write, an aging father to take care of, and a new romance developing with the college’s insanely hot writer-in-residence. But no matter where she turns, there’s Adam, as smart and sexy as ever. As the school year advances and her long-buried feelings begin to resurface, Anne begins to wonder whether she just might get a second chance at love. Funny, smart, and full of heart, this modern ode to Jane Austen’s classic explores what happens when we run into the demons of our past...and when they turn out not to be so bad, after all.

    From nowhere comes a quiet 'tsk' of displeasure. The target: Sam Blaine, the cute bad boy who's teasing Ellie mercilessly, just as he has since kindergarten. Entirely unbidden, as Jane might say, the author's ghost has taken up residence in Ellie's mind, and seems determined to stay there. Jane's wise and witty advice guides Ellie through the hell of adolescence and beyond, serving as the voice she trusts, usually far more than her own. Years and boyfriends come and go - sometimes a little too quickly, sometimes not nearly fast enough. But Jane's counsel is constant, and on the subject of Sam, quite insistent. Stay away, Jane demands. He is your Mr. Wickham. Still, everyone has something to learn about love - perhaps even Jane herself. And lately, the voice in Ellie's head is being drowned out by another, urging her to look beyond everything she thought she knew and seek out her very own, very unexpected, happy ending.

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    She struggles to regain her momentum only to discover that Fielding has taken a visiting professorship at her college. The place that was once a refuge from the poverty of her past is now a battlefield of Civil War proportions. Ransom is still struggling with his role in his wife’s accidental death six years ago and was hoping a year at Shelby’s small college would be a respite from the reminders back home. He never bargained for falling in love with the one woman who would give anything to make him leave. Together Shelby and Ransom learn that home is never very far away, and when you least expect it, love arrives. With a cast of Civil War re-enactors, an evil wedding planner, antebellum mansions, and several mysterious diaries, 'Pride, Prejudice and Cheese Grits' will take you on a touching and hilarious ride through a modern South you haven't seen before.

    Until the day they suddenly weren't.Now, ten years later, Ruby is single, having spent the last decade focusing on her demanding career and hectic life in Manhattan. There's barely time for a trip to England for her little sister's wedding. And there's certainly not time to think about what it will be like to see Ethan again, who just so happens to be the best man.But as the family frantically prepare for the big day, Ruby can't help but wonder if she made the right choice all those years ago. Because there is nothing like a wedding for stirring up the past . . .

    Inside is an invitation – to a meeting with Life. Her life. It turns out she's been ignoring it and it needs to meet with her face to face.It sounds peculiar, but Lucy’s read about this in a magazine. Anyway, she can’t make the date: she’s much too busy despising her job, skipping out on her friends and avoiding her family.But Lucy’s life isn’t what it seems. Some of the choices she’s made – and stories she’s told – aren’t what they seem either. From the moment she meets the man who introduces himself as her life, her stubborn half-truths are going to be revealed in all their glory – unless Lucy learns to tell the truth about what really matters to her.