While up in the mountains, he discovered a wilderness plagued by nature and haunted by superstition, but one that he thought he could tame with his experience and strong back. He didn't know he was going to have to kill to keep the home he planned for his family, but he didn't let that stop him. Sam had been looking for a home for his family for years. That search had been interrupted by the Civil War. Now Sam is putting down roots, and not even the Devil himself can stand in the way.

    In the winter of 1917, a big-boned young woman shows up at George Bliss's doorstep. She's looking for a job breaking horses, and he hires her on. Many of his regular hands are off fighting the war, and he glimpses, beneath her showy rodeo garb, a shy but strong-willed girl with a serious knowledge of horses. So begins the irresistible tale of nineteen-year-old Martha Lessen, a female horse whisperer trying to make a go of it in a man's world. It was thought that the only way to break a horse was to buck the wild out of it, and broken ribs and tough falls just went with the job. But over several long, hard winter months, many of the townsfolk in this remote county of eastern Oregon witness Martha's way of talking in low, sweet tones to horses believed beyond repair and getting miraculous, almost immediate results and she thereby earns a place of respect in the community. Along the way, Martha helps a family save their horses when their wagon slides into a ravine. She gentles a horse for a dying man a last gift to his young son. She clashes with a hired hand who is abusing horses in unspeakable ways. Soon, despite her best efforts to remain aloof and detached, she comes to feel enveloped by a sense of community and family that she's never had before. With the elegant sweetness of Plainsong and a pitch-perfect sense of western life reminiscent of Annie Dillard, The Hearts of Horses is a remarkable story about how people and animals make connections and touch each other's lives in the most unexpected and profound ways.

    Left to her own devices, Grady turns up the heat on the secret affair she's been having with a Brooklyn-born Jewish war veteran who works as a parking lot attendant. As the season passes, the romance turns more serious and morally ambiguous, and Grady must eventually make a series of decisions that will forever affect her life and the lives of everyone around her.

    But the group is a powerful mix of competing ambitions and its idealism finds little satisfaction in farmwork. Instead, of changing the world, the members of the Blithedale community individually pursue egotistical paths that ultimately lead to tragedy. Hawthorne's tale both mourns and satirizes a rural idyll not unlike that of nineteenth-century America at large.

    . . . Vivid characters. . . . Enthralling reading.”—The Miami Herald “Compelling. . . . That Vida brings so much fresh energy to the timeworn Western genre—complex characters, engaging stories, cutting-edge historical revisionism—is no small feat.”—Austin American-Statesman “An imaginative and thoroughly researched tale driven by intriguing characters.”—Denver Post “Should be placed on the same shelf with Lonesome Dove, Texas, and Pale Horse, Pale Rider.”—The Monitor (Texas) When cholera strikes San Antonio in 1843, Aurelia Ruiz discovers that she might have the power to heal—and also to curse. Meanwhile, Joseph Kimmel, a schoolteacher in Missouri and the son of a Polish Jew, learns of his brother’s death in San Antonio and sets off for Texas. On his way, a runaway slave steals his horse. After being rescued by Henry Castro, a man who is importing immigrants to populate his planned city, Castroville, Joseph agrees to marry a young Alsatian girl to save her from a Comanche chief who has demanded her. Then Joseph encounters Aurelia and becomes enamored with her. Comanches, Tonkaways, Mexican vaqueros, immigrant farmers, and runaway slaves all play a part in Joseph’s rebirth as a rancher, but when a renegade band of Texas Rangers descends upon the ranch, everything changes. Nina Vida is the author of six previous novels: Scam, Return from Darkness, Maximillian’s Garden, Goodbye Saigon, Between Sisters, and The End of Marriage. She lives with her husband in Huntington Beach, California.From the Trade Paperback edition.

    Missions are pillaged, native peasants are abused, and innocent men and women are persecuted by the corrupt governor and his army.But a champion of freedom rides the highways. His identity hidden behind a mask, the laughing outlaw Zorro defies the tyrant's might. A deadly marksman and a demon swordsman, his flashing blade leaves behind . . .First published in 1919, The Mark of Zorro has inspired countless films and television adventures. Now read how the legend began.

    Nixon.In the character of Trick E. Dixon, Roth shows us a man who outdoes the severest cynic, a peace-loving Quaker and believer in the sanctity of human life who doesn’t have a problem with killing unarmed women and children in self-defense. A master politician with an honest sneer, he finds himself battling the Boy Scouts, declaring war on Pro-Pornography Denmark, all the time trusting in the basic indifference of the voting public.

    Charlotte's letters have been uncharacteristically melancholy, and her claims that nothing is wrong ring false, so Abigail heads west to Fort Laramie, Wyoming. When her stagecoach is attacked, Wyoming promises to be anything but boring. Luckily, the heroics of another passenger, Lieutenant Ethan Bowles, save the day.Abigail plans to marry when she returns to Vermont, just as soon as she attends to her sister. As the summer passes, she finds herself drawn to this rugged land and to a certain soldier determined to persuade her to stay. When summer ends, will she go back East, or will she find her heart's true home?

    Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena’s heart and remove her from the limelight? “The Bostonians has a vigor and blithe wit found nowhere else in James,” writes A. S. Byatt in her Introduction. “It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals . . . [written] with a ferocious, precise, detailed—and wildly comic—realism.”