The Lonesome Place by August Derleth c. 1947 by All-Fiction Field, Inc. and c. 1962 by August Derleth. Reprinted by permission of Arkham House.2. In The Vault by H. P. Lovecraft c. 1932 by Popular Fiction Publishing Company, c. 1939, 1945 by August Derleth and Donald Wondrei; c. 1963 by August Derleth. Reprinted by permission of Arkham House.3. The Man Who Collected Poe by Robert Bloch, c. 1951 by Popular Publications, Inc. Reprinted by permission of the author's agent, Harry Altshuler.4. Where Angels Fear by Manly Wade Wellman, from "Unknown". Copyright 1939 by Street & Smith Publications, Inc.; c. renewed 1967 by The Conde Nast Publications, Inc. Reprinted by permission of The Conde Nast Publications, Inc.5. Lot No. 249 by Sir Arthur Conan Doyle from "The Conan Doyle Stories". Reprinted by permission of the Trustees of the Estate of Sir Arthur Conan Doyle and John Murray, Ltd.6. The Haunted Doll's House by M. R. James from "The Collected Ghost Stories of M. R. James" by Montagne Rhodes James. Reprinted by permission of Edward Arnold (Publishers) Ltd.7. The Open Door by Mrs. Oliphant8. Thus I Refute Beelzy by John Collier from "Fancies and Goodnights". Copyright 1940 by John Collier. Reprinted by permission of the Harold Matson Company.9. Levitation from "Nine Horrors and a Dream" by Joseph Payne Brennen. Copyright 1958 by Joseph Payne Brennen. Reprinted by permission of Arkham House.10. The Ghostly Rental by Henry James11. The Face by E. F. Benson from "Spook Stories". Reprinted by permission of Reverend K. S. P. McDowall.12. The Whistling Room by William Hope Hodgson. Copyright 1947 by August Derleth. Reprinted by permission of Arkham House.13. The Grey Ones by J. B. Priestley. Reprinted by permission of A. D. Peters & Co.14. The Stolen Body by H. G. Wells. Reprinted by permission of Collins-Knowlton-Wing, Inc.15. The Red Lodge from "They Return at Evening" by H. Russell Wakefield. Copyright 1928 by D. Appleton and Company. Reprinted by permission of Appleton-Century, affiliate of Meredith Press.16. The Visiting Star from "Powers of Darkness" by Robert Aickman. Copyright 1966 by Robert Aickman. Reprinted by permission of William Collins & Sons, Ltd.17. Midnight Express by Alfred Noyes. Reprinted by permission of Hugh Noyes.

    Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.ContentsSummation 1999: Fantasy, Terri WindlingSummation 1999: Horror, Ellen DatlowHorror and Fantasy in the Media: 1999, Edward BryantComics: 1999, Seth JohnsonObituaries: 1999, James FrenkelDarkrose and Diamond, Ursula K. Le GuinThe Chop Girl, Ian R. MacLeodThe Girl Detective, Kelly LinkThe Transformation, N. Scott MomadayCarabosse, Delia ShermanHarlequin Valentine, Neil GaimanToad, Patricia A. McKillipThe Dinner Party, Robert GirardiHeat, Steve Rasnic TemThe Wedding at Esperanza, Linnet TaylorRedescending, Ursula K. Le GuinYou Don't Have to be Mad . . .Kim NewmanThe Paper-Thin Garden, Thomas WhartonThe Anatomy of a Mermaid, Mary SharrattThe Grammarian's Five Daughters, Eleanor ArnasonThe Tree Is My Hat, Gene WolfeWelcome, Michael Marshall SmithThe Pathos of Genre, Douglas E. WinterShatsi, Peter CrowtherKeepsakes and Treasures: A Love Story, Neil GaimanWhat You Make It, Michael Marshall SmithThe Parwat Ruby, Delia ShermanOdysseus Old, Geoffrey BrockThe Smell of the Deer, Kent MeyersChorion and the Pleiades, Sarah Van ArsdaleCrosley, Elizabeth Engstromn0 Naming the Dead, Paul J. McAuleyThe Stork-Men, Juan GoytisoloThe Disappearance of Elaine Coleman, Steven MillhauserWhite, Tim LebbonDear Floods of Her Hair, James SallisMrs. Santa Decides to Move to Florida, April SelleyTanuki, Jan HodgmanAt Reparata, Jeffrey FordSkin So Green and Fine, Wendy WheelerOld Merlin Dancing on the Sands of Time, Jane YolenSailing the Painted Ocean, Denise LeeGrandmother, Laurence SnydalSmall Song, Gary A. BraunbeckThe Emperor's Old Bones, Gemma FilesThe Duke of Wellington Misplaces His Horse, Susanna ClarkeHalloween Street, Steve Rasnic TemThe Kiss, Tia V. TravisThe Beast/The Hedge, Bill LewisPixel Pixies, Charles de LintFalling Away, Elizabeth BirminghamHonorable Mentions: 1999

    Prime Evil: New Stories by the Masters of Modern Horror

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    It was something seventeen-year-old Elizabeth Hayes thought she’d outgrown. She didn’t want them anymore; detailed premonitions of how people would die. One night, Lizzy’s worst nightmare occurs. She dreams of her boyfriend, Michael Young, and soon discovers his car was found in a river, along with his lifeless body. Confusion settles deep within when Michael appears alive in her dreams. He warns her, attempting to keep her safe from the very person who murdered him. Awake, Lizzy must pull on her inner strength, not only to save herself, but also her friends whose lives are in danger. In My Dreams is a story of trust, friendship, courage, and true love that lives beyond the grave.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    As Olivia grew into a young woman, her mother’s erratic behavior turned to madness, with fits of rage and despair over her childhood home, the grand plantation Devereaux House, which Olivia never knew. During her mother’s dark rages, Olivia dreamed of going to her family home and reclaiming her legacy.After her mother’s death, Olivia yearns to find her roots and meet the grandmother she never knew. Keeping her identity a secret, she travels to Devereaux House, where she is hired as a member of the household staff. At last, the doors to Devereaux House are opened. But Olivia can sense that something is not right, and soon she is drawn into a world of dark secrets, and a poisoned legacy of lust and desecration.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Only one person knows the truth: Adrienne Beauvier, granddaughter of the Comte de Challembelles and cousin to the man who built the castle.Clairvoyant from the time she could talk, Adrienne’s visions show her the secrets of those around her. When her visions begin to reveal dark mysteries of her own aristocratic French family, Adrienne is confronted by her formidable Aunt Marie, who is determined to keep the young woman silent at any cost. Marie wrenches Adrienne from her home in France and takes her to America, to Miramont Castle, where she keeps the girl isolated and imprisoned. Surrounded by eerie premonitions, Adrienne is locked in a life-or-death struggle to learn the truth and escape her torment.Reminiscent of Daphne du Maurier’s Rebecca, this hauntingly atmospheric tale is inspired by historical research into the real-life Miramont Castle in Manitou Springs, Colorado.

    His childhood is his darkest secret, but after a near fatal accident along a deserted road, the darkness he was sure he’d escaped rears its ugly head… and smiles.But this time, he isn’t the only one who sees the soulless eyes of his past. This time, his six-year-old daughter Charlie leans into his ear and whispers: Daddy, I saw it too.And then she begins to change.Faced with reliving the nightmares of his childhood, Jack watches his daughter spiral into the shadows that had nearly consumed him twenty years before. But Charlie isn’t the only one who’s changing. Jack never outran the darkness. It’s been with him all along. And it’s hungrier than ever. A new breed of dark fiction: the subtlety of Seed will haunt you, and the end will wickedly satisfy.

    

    Vicki was the only one to stand up for him but even she had to admit he'd gone too far when he dug up a body and attempted to bring it back to life with the aid of a car battery. — Years later Vicki still has nightmares about Melvin's "joke" and now that she's back in Ellsworth, she knows she'll have to see him again. Recently released from a mental institution, Melvin is acting stranger than ever. His experiments with the dead have progressed and as soon as he can get Vicki - or rather her body - where he wants her, he can realize his most chilling dream of all...

    Then, to her horror, she encounters the ancient evil that four peculiar sisters have unwittingly woken -- and learns she is their only hope against a deadly danger.